Tag: muses

Back in the Writing Groove

Ah, sweet comfort. I’m back in the writing groove again.

Thinking about it as I made coffee this morning, I recognized how fiction writing every day helps me be more mindful. To understand characters’ motivation and behavior, I look to myself and other people that I know. I think about what I’ve done and what drives me, along with my inherent contradictions, and search for understanding of what I do, and why. And I do the same with other people, and the characters that I encounter in novels, short stories, movies, and television shows. All that is so that I can create richer characters and tell better stories.

Going through that thinking exercise as the darkness swept through me this week, I saw how my daily writing provides me structure and goals. Those structures and goals give my life meaning. So when I flail through the darkness and don’t want to write, my structure comes apart.

It isn’t just about feeding and satisfying the muses, telling stories, or pursuing goals of writing novels and becoming published. My writing is a tangible part of who I am. When I can’t write, I feel incomplete and adrift. I feel like I’m not me.

Time to write like crazy, at least one more time.

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Off-kilter

My writing world is a little off-kilter this morning. I’m again doubting that the muses and characters know what they’re doing. I suspect they’re conning me.

The muses and characters agree about what’s to be written, what’s happening, and what’s to come next. “Trust us,” they purr.

I’m jaundiced about their plans. “Seems like we’re going around in a bac.”

“A what?”

“Bac. ” I spelled it, “B.A.C. Big-ass circle.”

“Writers,” one muse mumbled to a character (Brett), who nodded back with an eye-roll. They didn’t care that I’d witnessed this, implying a disrespect that I didn’t like.

“We know what we’re doing,” another muse said, like a young mother speaking to her mother about the way she’s raising her child. “Just follow our guidance.”

“I am,” I said. “If you could let me in on a little more, I’d feel more comfortable about I’m typing.”

Several muses and characters unloosed scoffing sounds while another muse said, “We don’t want to burden you with too much.”

“I’m the writer here,” I said. “Shouldn’t I know where the story is going?”

“You do know,” one muse said.

“Yes, you know how it’s ending, don’t you?” said another muse.

Handley, a character, “Nothing personal, but we don’t want to give you too much to juggle. You already seem a little strained by the novel’s direction.”

“It’s more than a novel, it’s become a series,” I said.

“Exactly,” Handley said. “And there’s a great deal more material available that we could give you, but you seem tired of writing this.”

“Yes,” a muse said. “You’re weary of writing this, doubtful of the content, dubious of your skill and talent, and worried that you’re pulling a Wonderboys.”

I clamped my lips tight for a second before speaking. “None of that’s germane to this conversation. While that’s all true, that doesn’t change that right now, it seems like you guys are leading me in a — ”

“Big-ass circle,” a muse said. “Yes, we know.”

Realizing that I wasn’t going to win this discussion, and that the muses and characters weren’t going to tell me more until they thought I was ready for it, I finished my walk, purchased my coffee, and set up to write.

Time to write like crazy and see where the characters and muses take me. Do you know that the muses have never told me their names?

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Today’s Writing #106

The confluence of two events created an excellent writing day.

One, the coffee shop was busy.

Two, Philea seized control.

Maybe due to the Ashland International Film Festival (AIFF), or maybe because of the cold spring rains and chilly weather, the coffee shop was busy when I arrived. I found a table but no outlet for my laptop’s powerpack. Well, I decided, I’d take what I could and write. If a table with an outlet came open, I’d seize it.

Sharply aware of my HP Envy’s short time on battery, I ordered myself to be focused. There was no worry there, because Philea had taken over.

Philea is one of my series’ main characters. I mentioned the other day that I dreamed five muses rode in on horses. One dismounted and transformed into a character, becoming Philea, a character introduced to me when I began writing the second volume of this quadrilogy back in 2016.

Philea has been center-stage since the night of her appearance in my dream. Going back to a previous post about her from January, 2017, reminded me of how strong and independent she is as a character. As before, she didn’t have any stage fright today, but strode out into the action, introducing a quickly realized rich setting, a new character, and greater background information on this leg of her journey.

The bottom line of this confluence: I ended up writing three thousand words in less than fifty-five minutes. There was a lot more in the tank at that point. Philea knew exactly where she was taking me. “I need to stop,” I told her when the computer issued a warning. Half of my coffee remained in the cup.

“No problem,” Philea replied. “I’ll be waiting here tomorrow.”

I hope she doesn’t stand me up. Fantastic day of writing like crazy. I hope every writer has the chance to experience such days.

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The End

I’m reading Bill Browder’s memoir, “Red Notice”. Partway through, I’ve just finished the part of his life when the Asian markets tanked, tanking his Russian-based fortune in his company, Hermitage Capital Management. At this point, still in the first third of the book, he considers his options. It would be easy to sell off everything for what he could get, close the company, and leave Russia, but he disliked the impression.

His thinking reminded me of Stephen Covey’s “Seven Habits of Highly Effective People”. Habit Two is “Begin with the end in mind.” It’s my favorite habit. When I used Covey’s book in team building, I led an exercise to imagine what you want others to say about you when you’re finished, when you finally say, I’m done. It’s one of those things that provides extra motivation when it seems like your tank might be empty.

I feel like I need to remind myself of this today. My muses are tearing me up with their pace. I’ve been reading a lot, which is a catalyst to dreaming. Dreaming fires up my imagination, and imagination stimulates my writing. Or something like that; I don’t know the exact connectivity between these activities, only that they seem to act on one another in me. Simultaneously, I sometimes worry that I’ve gone off the tracks and have begun pursuing a delusional folly somewhat like Professor Grady Tripp in Michael Chabon’s novel, “Wonder Boys”. Michael Douglas played Professor Tripp in the movie.

Intellectually and emotionally, I know that doubts like these aren’t uncommon among writers, especially while you’re an unknown author and working on a long project. Personally, I know my rhythms and understand this is part of my modus operandi and my untamed impatience to get done and move on to other activities.

You probably get tired of reading blog posts like this. As it is part of my normal cycles along my personal spectrums, I end up thinking, writing, and posting about them. I share it as much to help me think through my situation, but also to let other unknown writers out there that they’re not alone. Every writer that I know goes through these doubts. Some let their doubts stop them from writing. Others take Professor Tripp’s path, figuring that if it’s never done, it’ll never be read nor criticized, creating Schroedinger’s novel. Is it brilliant or garbage? Nobody knows because he won’t let anyone read it.

Looping back to the post’s beginning, though, I don’t want that to be me. The end for that is a writer who never finishes or publishes. Good or bad, I will finish and publish despite myself and my fears, worries, and neurosis.

Time to write like crazy, at least one more time.

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A Muse Rides In

A dream began and ended. I slipped between the cracks of being asleep and awake and considered the dream.

My muses rode in our horses. There were five, all women.

 

And David Bowie’s song, “Heroes,” began playing.

###

I’ve been having a series of nostalgic dreams about being happier and more contented. These dreams reflect my wry private observation about my life’s trajectory.  I’d followed an upward curve for decades, the kind that’s part of the mythology of working hard and being rewarded when really, it was partly being a beneficiary of being a white male with a modicum of sense in modern America. Sometimes there was a brief drop, and there were a few sharp spikes. Overall, it’d been up and steady. Now, I ride a plateau.

This dream was like that series, but sharper. It centered around me opening a business. I’d picked a location but was having buyer’s remorse and self-doubts. I walked around thinking, what to do, what to do. Was this really what I wanted to do? More, it didn’t seem like a good business idea. Friends, family, and business associates were present. As it grew clear that I was dissatisfied and bothered, they offered alternative ideas for the space and my business.

That triggered fond thinking about going to coffee shops and bakeries. I thought the space was perfect for that. Into the dream comes one of my old CEOs, enthusiastically reminiscing about life at a start-up, and coffee shops like this. Everyone was excited about that idea, and I awoke on the verge of a decision.

After thinking about that dream, I reordered myself to sleep.

Then the muses rode in.

###

The five muses rode in and stopped. I had a profile shot of them in a line. They were looking straight ahead. I don’t know what they looked at it. It was then I realized they were my muses. I recognized the setting from the scene I’m working on in my novel.

Bowie’s “Heroes” began playing. IT would play on a continuous loop in the background for the rest of the dream. The song  was a live version from one of Bowie’s last shows.

The woman in the center was on a light brown horse. She dismounted. Her horse and the other muses went away. She transformed into one of my novel’s characters. The story-telling commenced. As her story spread out like I watched a movie, she said, “No, further back. This series of scenes needs to begin further back.”

So back we went, resetting the start of her part in this series. She began telling it again. It was like I was in a movie watching her.

There’s a lot to write today.

###

As a final part of the dream sequences, I dreamed a dragon flew through me. Huge, it flew through my body and breathed fire, burning out any diseases in me.

As far as I know, I don’t have any diseases.

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One Of Those Nights

It was one of those nights. My muse didn’t recognize my need for sleep and refused to issue permission to shut down my brain and close my eyes.

Such times are productive, even though I feel like shit in the morning. I’m exaggerating for effect, of course; I really don’t know how shit feels. I feel guilty, implying that shit feels terrible. For all I know, shit feels great.

Sorry for the shitty detour. I know, terrible humor. Hey, I just confided that I had a rough night. Grant me some latitude.

Back to the muses’ nocturnal gallop through my mind. I’d just been complimenting my muse (or muses – I think there’s a congress of muses within me) about the pleasant week of systematic writing established and reflecting on the progress made. When last I left off writing yesterday, I had a damn good idea of where I was next going.

I’m still going there, but the dark silence of night brought out the muses like they were in heat. Instead of allowing me to sleep, wake up today, and go walk and write to work out details, the muses began shotgunning details into me. The people look like these. These are their names. They’re all women, and —

It’s not polite to ignore your muse, and it’s rude to tell them to shut up. I obliged them by listening. When I thought they’d finished, I attempted to use one of my honored processes to engage sleep. I thought it worked, too, but then, the muses thundered out anew.

When sleep and I finally met, quicksilver dreams rushed in, flashing kaleidoscopes of scenes and words. Awakening, I had a lot to think about between dreams and night writing, and a desire for about four more hours of sleep.

Got a big ol’ cup of dark, unadulterated caffeine loaded coffee steaming in a mug to my right. Time to write like crazy and get all this stuff down, at least one more time.

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The Air, the Fitbit, the Writing, the Dreams

Our outdoor air sucks. Need more?

Smoke from wildfires is filling our air. The Air Quality Index leaped to one hundred fifteen last night. DANGEROUS. It hasn’t been hot, only into the nineties. We open the house at night to cool it off, and then close the blinds and windows during the day. Opening the windows last night sent us into coughing fits as wet smoke smells wafted in. Eventually, we donned masks.

Today isn’t as bad. The A.Q.I. is in the fifties, and officially, moderate. Visibility remains down. It’s like a white-out beyond a a few hundred feet.

All this wildfire smoke has reduced my Fitbit activities. Walking is way down, to five miles a day average. It’s not as critical as many other issues resulting from wildfires. None of the fires are directly affecting our community. We feel for all those being evacuated in those areas, and appreciate the firefighters’ efforts. If this stuff is terrible for me, a guy in his early sixties who considers himself in good health, those with emphysema and other respiratory issues must be deeply suffering.

I took to the Orson Scott Card method for visualizing and organizing the novel in progress. O.S.C. talked about just drawing places, like a city, and then adding details. With each detail and area added or defined, entertain questions about why those areas and details exist. I’ve done this exercise before, with excellent results. I wasn’t disappointed this time.

I had been editing the novel’s first draft. Halfway through that process, I perceived a problem. A new ‘greater arc’ was required as the solution. I could be wrong, but this is how I decided to address the issue. It’s essentially an epic. I like epics. Bigger is better.

This was decided over a four day period. Then, after deciding it was necessary, I went on a reading sprint. I finished reading two novels, and read two others, in five days. I also read fiction stories and news articles online. This reading stimulated my writing juices and invigorated my writing dreams. I found myself re-committed to who I was, and what I was doing. It’s a matter of taking a deep breath, turning on the computer, and putting the ass in chair, and the fingers on a keyboard.

This new arc takes place on a planet where technology fails. An outpost is established using outdated technology. Suddenly, it’s like living in a frontier castle. I loved that difference in direction from my usual challenges of visualizing the far future and other intelligent races.

I drew the outpost on my computer, and brainstormed about how the lack of technology affects them, and solutions and work-arounds. The team living in the outpost are hunting for people, but can’t use their suits or vehicles. They fall back to horses. Having horses adds more problems and dimensions.

So do the powerful windstorms endured on the planet. That’s why the outpost becomes a castle; something stout enough to survive the windstorms are necessary. That’s the iceberg view of all the scenes, problems, and challenges realized. I don’t want to give away more. Drawing and brainstorming in this manner was a catalyst to my imagination. I scrambled to capture ideas an create an event timeline. It resulted in *shudder* an outline. 

As an organic writer, the outline overwhelmed me. Suddenly, there it all was, this part of the novel mapped out in all its complications and key events. I could imagine, see, and hear them. Writing them was required. It’s daunting for an organic pantser. I decided I would scramble to write key scenes and moments, and patch them together with bridge and pivot scenes, and build the story in layers, much like I used to do when oil painting, or writing a business case, or analyzing data.

I think that whatever opened my creative floodgates also turned the dream valves to full open. I had six remembered dreams last night. Friends from my past were featured. My wife also made an appearance. Of course, maybe it was the eclipse opening the dream and creativity gates. Who can say?

Trying to capture details this morning diverted personal resources already earmarked for other activities. I resorted to dream summaries. The dreams were wild. Once again, my muses were prominently featured. They were attempting to guide and assist me in different manners. Sorting the chaos was a fascinating exercise.

Having your muses show up in my dreams injects high confidence levels. I felt empowered and emboldened when I awaken. Yet, being me, the confidence evaporates to more normal levels by midday. Having your muses and some higher beings populate your dreams and offer encouragement has a good thing. I’m certainly not going to kick them out.

Time to write like crazy, at least one more time. How about you, writers? Have you seen increased creativity? Maybe it is the eclipse.

Or maybe it’s the coffee.

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Lost Identity Dream

Well, that dream was something, starting with the carnival, and finishing with a “Wizard of Oz” ending.

To enlarge, I was at a carnival, and it was day. Several women were present, but nobody I knew. I was working in a roughshod office; I don’t know my job, position or task. Three women – maybe they’re my muses – were distracting me, and then making enticing offers about what would happen if I go with them. One, a tall brunette, was dressed in a sky blue dress, and danced as she moved toward the exit.

I was interested, and more than willing to follow. But, I discovered I was missing items. First, I was missing my car keys. Then, I was missing my green Tilly hat, and finally, I was missing my wallet with my identification and credit cards.

That last shocked me. As the women said good-bye and left, I started a furious, intense search of the carnival grounds. I knew it was a carnival, but it was little more than a few tents and booths set up over sloping, grassy ground. Others were present; one man told me to go to another section. There, I would find a little woman. I should report my loss to her.

I did so, and she provided me with a gold credit card to use until I recovered. It was in a clear plastic sleeve with money and other items to help me. I thanked her, but I wasn’t satisfied. I wanted my wallet, keys, and hat. I wanted my identity, damn it. Yet, I was aware, the clock was running; if I didn’t soon find my lost credit cards and identity, someone else could use them and rip me off. I became concerned about how to explain it to my wife.

I kept searching, and stumbled across my Tilly hat on a patch of grass. Relieved, I picked it up. Underneath it were my wallet and keys. I was overjoyed by the finds. Locating a computer, I checked my accounts, and confirmed that nothing had been charged. Apparently, I decided, I’d just misplaced it all. I was relieved.

Then, though, I acknowledged I had this new, unused credit card in its plastic sleeve, along with the money I was given to assuage my troubles. I tried giving them back, but that option was rejected. I could keep it, I thought, to have something private available for emergencies, but I couldn’t reconcile to myself why I would need something private.

It was still day, as though the sun hadn’t moved. The dream ended with me putting on my Tilly hat and walking away, keys, and wallet in hand, undecided about what to do, but realizing that I’d had all my identity all along.

I’d been worried about nothing.

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