So, Walking Today

A stream popped into my mind. It began with Reese Witherspoon. I’d read some article on her. I remembered her as Tracy Flick in Election. Then I struggled with, who was the male lead in that movie?

First to pop into my thinking was that guy from Fidelity, you know, the one who starred in Grosse Pointe Blank? He has that sister, Joan.

Yes, John Cusack, that’s right. No, that wasn’t him in Election. Whoever was in Election had been in WarGames, Biloxi Blues, and The Freshman. A Matthew. Clean-cut, kind of a boyish look. Matthew… Ward? What? No. Matthew. Matt…LeBlanc. No. Matthew Perry. Shut up. Matthew McConaughey. No, fool. Matthew…Matthew…

Damn.

Go back. Ally Sheedy was in WarGames. That doesn’t help. Matthew was in Ferris Bueller’s Day Off, remember? Yes, what’s his last name? What’s his last name? Married to Sarah Jessica Parker. Remember her in L.A. Story as Steve Martin’s character’s young girlfriend?

At last: Broderick. Matthew Broderick.

Thank you.

Now who played the scientist in WarGames? Was in 9 to 5, Tootsie, Cloak and Dagger… Starts with a D. Daryl?

What?

Sunday’s Theme Music

Today’s theme music came out when I was three years old. It’s so damn popular, though, I imagine anyone who follows American pop-culture even peripherally is familiar with it.

The Isley Brothers originated “Shout”. Mom was an Isley Brothers fan, so of course I grew up hearing it. The song made a huge comeback when Otis Day and the Knights performed it in Animal House (1978). It then became quite popular for dead bug dancing. Green Day and Robbie Williams both did the song. The song was inducted into the Rock and Roll Hall of Fame. Come on, you must know one version of it.

The Actors As God Dream

I was with my friend, Ron, sitting at a cafe table outside. Another friend of mine, Marge (who doesn’t know Ron, and lives across the country in Ohio), came up. She said, “Can you think of anyone who played God in movies?”

As Ron and I took in the question with a look at one another, Marge said, “I’ve tried, and I can’t think of anyone.”

I said, “Well, off the top of my head, I can think of Morgan Freeman, George Burns, Alanis Morrisette – remember? She was God in Dogma.”

Ron said, “Morgan Freeman played God?”

“Yes,” I said, “in that Jim Carrey thing. I think it was called Bruce Almighty or something. I’ve never seen the whole thing. I think I saw some of it in a hotel.”

“Oh, yeah,” Ron said.

I said, “Didn’t Whoopi play God in something, too?”

None of us were sure. Marge said, “Thank you.” As she did, Ron and I pulled out laptops to Google actors who played God in movies.

That was the dream, short, sharp, and clear. What’s not clear is what it meant and why I dreamed it. My guess is that it was some food generated neuron frenzy.

I never asked Marge why she asked the question.

Remembering A Dad Moment

1971

Besides being a rock fan and fifteen years old, I was an auto racing fan. My father was in the U.S.A.F. He’d just returned from being stationed in Germany and was now stationed at DESC near Wright-Patterson AFB in Ohio when I moved in with him. He surprised me with tickets to the premiere of LeMans with Steve McQueen.

Whenever I hear the movie’s opening minutes, I’m back in that packed movie theater, one of the few children in the place, remembering the movie’s beginning, and Dad. The start is just the sounds and images of racing cars of the era screaming around the French race track. To non-fans, it’s probably noise. But to racing fans, the sounds of Porsches and Ferraris of different-sized engines, Alfas, Corvettes, and Matras can all be heard as individual howls.

Dad had no interest in seeing the movie, but he knew I wanted to. So, thanks, Dad.

My Amended Dirty List

I saw that Pitch Black was available on HBO last night. I was like, I gotta watch it! And did.

Thinking about that, I decided to add it to my dirty list, along with others that mentioned in comments.

Here we go, round two.

Original list:

Unforgiven (1992) – “It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.”

Fail Safe (1964) – “You learned too well, Professor. You learned so well that now there’s no difference between you and what you want to kill.”

This Is Spinal Tap (1984) – “I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.”

A Christmas Story (1983) – “Oh, fudge. Except I didn’t say fudge.”

The Great Escape (1963) – “Cooler.”

Tropic Thunder (2008) – “I know who I am. I’m the dude playin’ the dude, disguised as another dude!”

Being There (1979) – “It’s for sure a white man’s world in America. Look here: I raised that boy since he was the size of a piss-ant. And I’ll say right now, he never learned to read and write. No, sir. Had no brains at all. Was stuffed with rice pudding between th’ ears. Shortchanged by the Lord, and dumb as a jackass. Look at him now! Yes, sir, all you’ve gotta be is white in America, to get whatever you want. Gobbledy-gook!”

No Country for Old Men (1997) – “What you got ain’t nothin’ new. This country’s hard on people. You can’t stop what’s coming. It ain’t all waiting on you. That’s vanity.”

On The Beach (1959) – “The trouble with you is you want a simple answer. There isn’t any. The war started when people accepted the idiotic principle that peace could be maintained – – by arranging to defend themselves with weapons they couldn’t possibly use – – without committing suicide. Everybody had an atomic bomb, and counter-bombs, and counter-counter bombs. The devices outgrew us; we couldn’t control them.”

Fifty First Dates (2004) – “Sharks are like dogs, they only bite when you touch their private parts.”

Bladerunner (1982) – “Time…to die.”

Bridge Over the River Kwai (1957) – “Are they both mad? Or am I going mad? Or is it the sun?”

Love Actually (2003) – “A tiny, insignificant detail.”

Men In Black (1997) – “No, ma’am. We at the FBI do not have a sense of humor we’re aware of. May we come in?”

The Dirty Dozen (1967) – “I reckon the folks’d be a sight happier if I died like a soldier. Can’t say I would.”

Doctor Strangelove (1964) – “Well, boys, we got three engines out, we got more holes in us than a horse trader’s mule, the radio is gone and we’re leaking fuel and if we was flying any lower why we’d need sleigh bells on this thing… but we got one little budge on them Rooskies. At this height why they might harpoon us but they dang sure ain’t gonna spot us on no radar screen!”

Added:

Pitch Black (2000) – There are a lot of goofs in it, which is part of the fun. “They kept calling it ‘murder’ when I did it.”

Silverado (1985) – “The world is what you make of it, friend. If it doesn’t fit, you make alterations.”

Kelly’s Heroes (1970) – “Definitely an antisocial type. Woof, woof, woof! That’s my other dog imitation.”

Secondhand Lions (2003) – “WE’RE OLD, DAMN IT! LEAVE US ALONE!”

The Good, the Bad and the Ugly (1966) – “You never had a rope around your neck. Well, I’m going to tell you something. When that rope starts to pull tight, you can feel the Devil bite your ass.”

Hang them High (1968) – “Some people call this hell, but you’re still in Oklahoma.”

A Few Dollars More (1965) – “I was worried about you – all alone, with so many problems to solve…”

High Plains Drifter (1973) – “What makes you think I care?”

What of you? Andy dirty secrets about the movies you watch again and again?

My Dirty List

Time for a small vanity project (as if every post made on this blog isn’t a vanity project, right?).

I think everyone has certain movies that they love to watch regardless of others’ ratings and reviews. It’s our dirty secret.

Here is my dirty list. I’ve seen each of these movies at least a dozen times, and have a few of them on DVDs, but I still watch them when they come on. Some of them don’t come on much any more, because they’re old, and in black and white, and a few of them depressed people.

The list isn’t in any order. Each movie has several particularly favorite scenes. Thinking about those, I realize they usually come at the movie’s end. IMDB helped me with the quotes because my memory isn’t that good.

Unforgiven (1992) – “It’s a hell of a thing, killing a man. Take away all he’s got and all he’s ever gonna have.”

Fail Safe (1964) – “You learned too well, Professor. You learned so well that now there’s no difference between you and what you want to kill.”

This Is Spinal Tap (1984) – “I believe virtually everything I read, and I think that is what makes me more of a selective human than someone who doesn’t believe anything.”

A Christmas Story (1983) – “Oh, fudge. Except I didn’t say fudge.”

The Great Escape (1963) – “Cooler.”

Tropic Thunder (2008) – “I know who I am. I’m the dude playin’ the dude, disguised as another dude!”

Being There (1979) – “It’s for sure a white man’s world in America. Look here: I raised that boy since he was the size of a piss-ant. And I’ll say right now, he never learned to read and write. No, sir. Had no brains at all. Was stuffed with rice pudding between th’ ears. Shortchanged by the Lord, and dumb as a jackass. Look at him now! Yes, sir, all you’ve gotta be is white in America, to get whatever you want. Gobbledy-gook!”

No Country for Old Men (1997) – “What you got ain’t nothin’ new. This country’s hard on people. You can’t stop what’s coming. It ain’t all waiting on you. That’s vanity.”

On The Beach (1959) – “The trouble with you is you want a simple answer. There isn’t any. The war started when people accepted the idiotic principle that peace could be maintained – – by arranging to defend themselves with weapons they couldn’t possibly use – – without committing suicide. Everybody had an atomic bomb, and counter-bombs, and counter-counter bombs. The devices outgrew us; we couldn’t control them.”

Fifty First Dates (2004) – “Sharks are like dogs, they only bite when you touch their private parts.”

Bladerunner (1982) – “Time…to die.”

Bridge Over the River Kwai (1957) – “Are they both mad? Or am I going mad? Or is it the sun?”

Love Actually (2003) – “A tiny, insignificant detail.”

Men In Black (1997) – “No, ma’am. We at the FBI do not have a sense of humor we’re aware of. May we come in?”

The Dirty Dozen (1967) – “I reckon the folks’d be a sight happier if I died like a soldier. Can’t say I would.”

Doctor Strangelove (1964) – “Well, boys, we got three engines out, we got more holes in us than a horse trader’s mule, the radio is gone and we’re leaking fuel and if we was flying any lower why we’d need sleigh bells on this thing… but we got one little budge on them Rooskies. At this height why they might harpoon us but they dang sure ain’t gonna spot us on no radar screen!”

What of you? Andy dirty secrets about the movies you watch again and again?

 

 

 

 

Velvet Rain

A velvet rain is falling. It’s a rain that makes the world feel cozier and more intimate, inviting deeper thoughts.

I’d planned to walk ten minutes but the rain soothed me, inviting me to keep going. I did, until two miles and an hour had passed.

The rain didn’t appear to soothe all. Some drivers took the rain as a sign to go, “Faster! Faster!”

The walking time allowed for solitude and writing time. I’d dropped into my personal trough the other day in the cycles of buoyancy and depression. Oh, lord, that darkness. Daunting, it drinks me up and swallows me down. The sighs are heavy, the thoughts are bitter, and the world looks grim. Even the cats’ attentions are infuriating irritations.

Perspective helps me survive. Writing, walking, and solitude help me grind out perspective. Alas, Schedules and events kept me from consistently achieving two of the three. But yeah, I survived.

Our new microwave and range were delivered and installed yesterday. They look so modern, I was surprised to realize how ancient the replaced ten-year-old units looked, and the difference it makes to the kitchen. To celebrate, we went out to lunch, and then to a movie.

The movie is part of our annual Oscar Quest. Friends throw a party, and we like to be able to think and talk intelligently about the movies and performances. We’ve only seen a few noms, so we’re behind. We saw “The Post” yesterday. That increases our total to four. We have work to do in our entertainment. None of the previews (“Love, Simon,” “Red Sparrow,” “7 Days in Entebbe,” and “Film Stars Don’t Die in Liverpool”) didn’t inflame deep interest. Each struck me as something to stream and watch at home when it’s available through one of our subscriptions. Of the four, “Love, Simon,” sparked the most intrigue. I suppose I’m too picky and cynical.

As the lights dropped and the previews played, and then the movie opened, my writers emerged with scene ideas. When we returned home, I quietly sat down (quietly, so as to not attract the cats, who seemed determined to stop me from writing at home) at the laptop, opened the required doc, and wrote the scene and changes. Not interested in tempting fate (the cats! the cats!), I saved and closed the doc, but later, while eating, more writing visited me. I stole back into the document and added a few more pages. Best, it left me knowing exactly where to begin today.

It’s a fine feeling, to know what to write, to write it, and to look forward to writing more.

Liquid dripped onto the coffee shop table as I unpacked and set up. Rain or sweat? I don’t know; either were plausible. I suppose I could taste it, but it’s not a critical difference.

Tonight, Wednesday, is when I meet with my friends for conversation and beer. It’s a standing invitation. My attendance record is lackluster but the rain is whispering, “You should go.” I’m ambivalent, but contemplating it.

Meanwhile, the first gulps of hot, black coffee have scalded my lips and tongue. Time to write like crazy, at least one more time.

 

The Movie Dream

I dreamed last night people were watching one of my novels from the trilogy in progress. I wasn’t certain if it was on television or at the movies. I could see and hear scenes, and see people, including me, watching them.

Conversely, after waking and thinking about it, I wondered if that was how my novel is delivered to my brain: as a movie that exists somewhere else that I’m watching and recording. I suspected that idea because some of what I saw seemed new to me. I was enjoying it and wowed.

Whichever and whatever it was, definitely time to write like crazy, at least one more time.

See you at the movies.

A Random Stream

‘Hey Ya’ is playing in my head but otherwise, thoughts are normalized streams of randomness.

  • Eva Lesko Natiello posted a blog about not quitting. I was happy to read it and read it again today because her words summarizes my writing process. Here’s one paragraph.
    • “Yesterday my manuscript was torturing me. I couldn’t move forward. Stuck in my puzzle. I was having trouble with the order of disclosure and who’s POV it should be. Should the dialogue contradict what the character was really thinking? Maybe she wasn’t thinking that at all. What was she thinking? Maybe it wasn’t her place to reveal it. Perhaps we should find out some other way.”
    • I like how she captured this process. Later, she mentions that she becomes frustrated and pushes herself to sit it in her chair and squirm it out. I don’t squirm; I close my eyes and bow my head. But’s it’s the same thing.
  • Earlier in February, Barbara Froman published an interview she conducted with Dr. Harrison Solow in 2013. I read it again this week. I recommend it. I like what Harrison said in this paragraph:
    • “And someone has had the great good sense to leave this book alone. Or if altered, respectfully tuned to perfect pitch by an invisible hand, so that each word has the unmistakable ring of authenticity. The reader perceives nothing enharmonic. A true book and a beautiful one. But although there is no false note, neither is the entire composition a universal symphony. There is vision here — intensely personal, internally arranged.”
    • There is the difficulty, finding the notes so no false notes are played in the novel.
  • Gray, cold air cups the buildings and trees this morning. Walking past a row of apartments, I smell…laundry detergents and fabric softeners being vented out. Nostalgia strikes a chime. This is a day like my Pittsburgh childhood. Smells often transport me.
  • Striding past the cemetery, I acknowledge, again, I like cemeteries but I don’ t like them. The history they represent touches me and prompts questions about the lives beneath the headstones. But I think the land where cemeteries reside could be better used for other things. I’ve never had the interest in visiting them to talk to people who passed on; I just speak to them in my head. But it matters much to others. I guess I’m an unsentimental jerk.
  • Watched  ‘Hacksaw Ridge’ on Friday night. Wasn’t impressed. It seems like, as my wife called it, a movie war, dated and hackneyed. Others obviously think differently, as they nominated it for the Best Picture. Again, it must be me. I do admire Desmond Doss, the conscientious objector (cooperator, he calls himself) at the story’s center. I thought Garfield did a good job, but overall, Mel Gibson as a director seemed heavy handed. I found Hollywood vs History’s details about the differences between the movie and the facts very interesting.
  • Many smart houses, with their smart thermostats, are actually connected to apps that allow you to call it from your phone and change the temperature or turn the lights on or off. That’s not a smart house, but a remote control. A smart house, to me, is one that I don’t have to program and set reminders other than to provide it with some basic operating instructions. For instance, my system is programmed for fifty-eight degrees at night. But if the temperature is dropping into the mid twenties Fahrenheit, like this week, I turn it up to sixty-four at night. Part of this is because the house design; the furnace is mounted on its side in the attic space. It’s not insulated, and the drip line runs through it and down inside a garage wall that also isn’t insulated. That sometimes allows the drip line to freeze. It’s a shortcoming that I’m working on to fix, but meanwhile, a smarter house would be helpful.
  • ‘Nocturnal Animals’ was last night’s household viewing feature. Well done and everything, but not my style of movie.
    • During the movie, my wife turned to me and asked, “Have you ever killed me in a novel?” No, I haven’t.
    • Jake Gyllenhaal’s character, Tony Hastings, is a writer. During a conversation, he states, “All writers write about themselves.” I kind of agree; I am the baseline from which I begin, but then it changes according to the character and story’s needs and expectations. Often, though, I model a character on another person and use how I would expect them to behave as my guide.
    • My wife also wondered what I thought of Tony’s revenge. While it’s not something that I would have done, I can see how a writer can end up going there.
    • If you don’t know what I’m writing about, sorry. I don’t mean to be obtuse but didn’t want to reveal too much of the plot.
  • Now time to dip myself back in the imaginary world of an imaginary future, technology and people. In other words, I’m going to write like crazy, at least one more time. I’ll probably do a little squirming, too.

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