Friday the Thirteenth: The Sequel

You read it here first: it’s Friday the thirteenth.

There will be two this year, a trend that will continue until 2020.

You probably read it somewhere else first. It’s ‘always’ news.

I’m not superstitious. Friday the 13th doesn’t bother me. I believe a zillion people are affected to some degree. They were probably preparing to cope with the date. I only knew today was Friday the thirteenth because I read it somewhere.

I reacted when I read it. It’s Friday? Already? The thirteenth?  Is is still January and 2017? Man, this year is just flying past me.

I used to fly with some pilots who were terribly superstitious. Their nervousness over their superstitions shredded my patience. One of them always avoided flights on Friday the thirteenth if it could be done, and no joking about Friday the thirteenth or their superstitions could be tolerated. No, no, no, don’t joke about that. Then there was the order of processes for preparing for flight, lucky pens…maddening. None of it could be joked about, either.

Dealing with a nervous pilot isn’t fun.

You have some folks who are full-on, one hundred percent superstitious. I’m more like two percent. I have some idiosyncrasies, like not having my back to the door, but that came from the military drumming it into me through recurring anti-terrorism training.

“DON’T SIT WITH YOUR BACK TO THE DOOR. POSITION YOURSELF WHERE YOU CAN SEE ALL THE ROOM. ALWAYS SCAN YOUR ENVIRONMENT. AVOID SITTING IN CORNERS. ALWAYS KNOW THE LOCATIONS OF YOUR PRIMARY AND SECONDARY EXITS. TRY TO HAVE A THIRD ONE AVAILABLE. DO NOT FOLLOW PATTERNS. DON’T TAKE THE SAME ROUTE TO WORK. DO NOT FOLLOW A RECURRING, PREDICTABLE TIME-TABLE. ALWAYS EAT ALL OF YOUR VEGETABLES. BE SURE TO CLEAN YOUR PLATE. ALWAYS WEAR CLEAN UNDERWEAR. IS IT COLD OUT? MAYBE YOU SHOULD WEAR A JACKET.”

Sorry, I transitioned from hearing the military voice to hearing Mom’s voice. They often sound alike in tone and nature.

I wasn’t aware of how much I’d embraced the whole back to the door thing. It was my wife that noticed. She always acquiesced to my seating preference and I never gave it deliberate thought. Then, years after returning to America and leaving the military, we went to a restaurant. She casually mentioned, “I know you can’t see the door from there. I’ll watch it for you.”

I was affronted, indignant, outraged, I tell you. She laughed at my response. “You always have to see the door.”

“I do?”

I’ve been working on it since then. Here at the coffee shop, I make a huge effort to sit with my back to the door. Writing about it right now awakens my awareness. I feel extremely uncomfortable and a little vulnerable.

Fortunately, I can see the door reflected in my laptop’s screen.

In the Night

my hands, my hands

your curves, your curves

your hands, your hands

my curves, my curves

our lips, our lips

past forgotten and remembered

brought up and pushed back

flaming and inflamed

in the night

Today’s Theme Music

You call,

they call,

memories,

family,

friends,

keeping you up,

holding you back,

they won’t let go. 

Thinking of a new year and all your plans, one cannot help but remember the past. That’s what’s today’s song is about. And it has a good beat, easy to dance to and sing as you surf the wave of the day.

Here is Elle King with ‘Ex’s & Oh’s, 2015.

Today’s Theme Music

Songs are bouncing through my head. Why today and now?

I don’t know.

They’re happening against the writing, dreaming, holiday, marriage, and life background. Each of those arenas inject their own spectrum of influences. All feel equally strong this week but writing is affecting the others. I’m deeply involved in the novel writing process, so much so that I’m losing track of the calendar and holiday, and I’m withdrawn into my thinking and writing. This, unsurprisingly, triggers my spouse’s deep irritation and some resentment.

I see her point. Yet, that is me, an emotional cripple, and a writer. I write to explore what I think but also what I feel. It leaves me at the crossroads at midnight, waiting to consummate a deal with the devil. I can’t abandon thinking about the novel and its elements of chi-p, Pram, Brett, virii, time-travel and the like. It’s too late for that; the novel’s presence is embedded in my psyche and will likely remain there until the story is fully told.

Yet I look for the leap from my life cycles to the song cycles. I wonder how songs are connected to smells and smells are connected to sights and sights are connected to emotions and emotions are connected to intelligence and intelligence is connected with memory and memory is connected to songs. It’s all wired together but something charges the wires, making some wires come alive, opening and closing switches, and taking me to unexpected places.

Like these songs.

Against the backdrop of writing and living, I’d been thinking about Mike Posner’s song and his lyrics.

I took a pill in Ibiza
To show Avicii I was cool
And when I finally got sober, felt 10 years older
But fuck it, it was something to do
I’m living out in LA
I drive a sports car just to prove
I’m a real big baller ’cause I made a million dollars
And I spend it on girls and shoes

But you don’t wanna be high like me
Never really knowing why like me
You don’t ever wanna step off that roller coaster and be all alone
You don’t wanna ride the bus like this
Never knowing who to trust like this

I was particularly hooked on the lines, ‘But you don’t wanna be high like me, Never knowing why like me’. From there, drifting through the lyrics last night, I awoke today singing:

Tell you ’bout a dream that I have every night
Tell you ’bout a dream that I have every night
It ain’t kodachrome and it isn’t black and white
Take me for a fool if you feel that’s right
Well I’m never on my own but there’s nobody in sight

I don’t know if I’m scared of the lightning
Trying to reach me
I can’t turn to the left or the right
I’m too scared to run and I’m too weak to fight
But I don’t care it’s all psychobabble rap to me

Tell you ’bout a dream that I have every night
It’s in dolby stereo but I never hear it right
Take me for a fool well that’s alright
Well I see the way to go but there isn’t any light

That song is ‘Psychobabble’ by the Alan Parsons Project. The album containing the song was released in 1982. I listened to it on cassette tape while I lived and worked on Kadena Air Base on Okinawa.

I can see how the two songs, Mike Posner’s ‘I Took A Pill in Ibiza’ and Alan Parsons Project’s ‘Psychobabble’ fused in my mind. There’s a thread of questioning identity in both and reflections about our minds and choices. It’s more a question of why those songs nestled into the thinking and feeling about everything else this week.

And as I wrote it, I saw it. These songs arose from the morass because I’m conflicted; because guilt assails me. Because responsibilities and desires are torn and my frustrations are running high.

I thought one of these songs should be today’s theme music for my day. I finally decided to go with ‘Psychobabble’ because it’s more recent. See, it’s the latest one that I’ve been singing.

In my mind.

Today’s Theme Music

Back into the wayback machine for this choice – which puts in mind the fantasy, wouldn’t it be cool to have a wayback machine? “Yes, but the paradoxes, what you would do to time,” naysayers moan. Yeah, let’s suspend logic; suspend physics, quantum mechanics, all the thinking and all the relative theories. Just pretend you’re a child and play with ideas of all the time travel variations possible.

Here’s one.

Just about every house is getting one. It’s the hot holiday gift, and it’s on sale in dozens of places. You, disliking crowds and cold weather, and feeling bored, restless and wanting a change, surf the net and turn to Amazon to check out the offerings and read the reviews. They come up immediately: Wayback Machines. They’re priced at just under six hundred dollars. If you order today, sites claim, “Receive this by Christmas with Free Shipping!”

Okay, but six hundred eggs. Cards are already heavy with spending for the season for toys and clothes, dinners out. But you’re intrigued. You read.

“What’s included: computer interlink, two bracelets, headgear and software.” You skip into the specs and the system requirements, bringing up your system’s information and running a mental checklist.

You have the computer speed, the computer power, an approved OS, the USB ports, everything needed. Well, hell, you should, you blew a wad on this laptop just a year ago for your own special Christmas present because, WTF, you deserve it.

“This is not virtual reality,” a review says. “This the real thing. You are there.”

Yeah, you’ve read the ads, seen them on television during football and baseball games for half the year, talked about them at work while waiting for meetings to begin, swapped information with friends over wine and beer. You know what it’s supposed to be, what it can do.

So you order your Wayback Machine.

Three days later, it arrives. Boxes are in boxes. You’re usually so organized about opening and unpacking boxes, especially things like this, but you’ve become really excited about what it can do.

“Where the fuck is the quick start?” you ask, and it’s right there, the very first thing you pulled out after opening a box, a DVD. There are cables and the headgear, which looks like one of those half-helmets, the small console, the size of your first Roku, resembling a blue and black cigarette back, and the silver and black bracelets.

It’s a clean set-up and install. Breathlessly you power everything up, starting as the program booms, “Welcome,” even thought it’s a soft female voice. Lights are green. The program shows up on your laptop’s screen. You’re sweating and trembling. Well, the heat is running. It’s snowing outside. The wife, children and grandchildren are all out shopping. Then they’re eating somewhere and going ice-skating. You tell your phone to turn down the heat.

Snow falls more heavily outside past the windows. Inside, it’s just you. Your anticipation amazes you. You hope you won’t be disappointed. You put on the bracelets and headgear. The system checks you out. The Wayback program asks, “Do you want to sync with your Fitbit and smart phone?” Hell, yes.

Thirty seconds later, that is done. “Select a year from your life,” the program says.Feeding off a memory, a hope, a dream, you select 1964.

Then shoves now aside. It feels a little violent, more violent than the reviews said it would be like. Your pulse breaks out into something appropriate for finishing a hundred yard dash. Your body –

Oh, my god, you’re back in it, you’re ten years old ago. You’re so skinny. Jesus. It’s amazing how much you look like your grandson, Yuri.

Your young entity is reading a book. The pages swim into your understanding: ‘Stranger in a Strange Land’.

You tear your attention from the page. You’re back in your parents house, Jesus, a place they sold during their divorce in the mid-1970s, back in the wood-paneled game room, built from the finished basement downstairs. In the corner is your father’s bar, positioned back there where he can see the television or play pool. You’re on that leather sofa he and your mother bought for the room. You remember, “This is where the dog barfed,” a disgusting moment that will happen in another year. You won’t even have the dog for a few more months.

There’s the big console TV. Brand new, the huge Zenith can broadcast in color. Taking over your young self – he doesn’t seem to notice – you pick up the remote control, amused at the differences between the technology of your youth, when color TV was new, and the technology of your life, using a computer to come back here. How the fuck is that even possible? You want to explore but you begin carefully, by turning on the television.

There is a show on in black and white. OMG, it’s the Kinks. Jesus, are they still even alive?

Then, releasing everything but enjoyment of the moment, you’re ten and watching the Kinks in your basement in black and white. Everything old is young and new, and you are free to believe that you can change the world.

 

Blackbird

I’m often frustrated with myself, questioning my mind, cringing at things I’ve done in the past, and challenging my motives and stances, and trying to learn and grow. It’s complicated and wearying.

Part of this is about being a guy. As a guy, I enjoy speed, power, football. I’m a beer drinker, but was a Jack and Coke guy for decades, and a cigar smoker. I was known for being hard-ass about getting the mission accomplished.

The other is about being a human. As a human, I want peace, freedom and equality for everyone. As a human, pro football is barbaric; speed and power – Formula One, NASCAR, fighter jets and rockets – are unnecessary indulgences. As a guy, those things are awesome, and pro football, as practiced by the NFL, is cerebral but violent, graceful, fast…and violent.

Within those boundaries, I grew up in love with speed and technology. They’re most ultimately married in aerospace technology in my thinking, part of science fiction’s magnetic appeal. And within that domain, there is little like the Lockheed SR-71 Blackbird.

I was stationed at Kadena Air Base, Okinawa, Japan, for four years in the early 1980s. Kadena AB has long runways and is strategically located on the Pacific’s edge. Blackbirds, dubbed Habus by the locals, flew in and out all the time. Being down on the flight line and watching one take off just after sunset, when the sky is a diluted Royal blue and watching those big engines release orange and blue tongues, was beauty in motion. Wheels up, they turned up, and quickly disappeared. I watched until I could no longer see it.

New Atlas has a terrific interview with a Habu pilot. Brian Shul was shot down and left for dead in Cambodia before being rescued. Eventually becoming an SR-71 pilot, Loz Blaine had a nice piece on him, well worth reading for the human side of people using this technology.

The two links embedded in the article are also worthwhile. Both are funny. One is about an air speed pissing contest posted at Opposite Lock. The other is about doing a favor for an ex-SR-71 pilot via a slow flyby and giving some young boys something to talk about, published on Foxtrot Alpha.

I hope you check them out and enjoy them as much as me.

What Christmas Means to Me

Santas in the malls

Music in the stores

This is what Christmas means to me

 

Watching out classroom windows

Hoping for the snow

This is what Christmas means to me

 

Mom working extra shifts

Dad in Vietnam

This is what Christmas means to me

 

Sledding down some hills

Crashing into trees

This is what Christmas means to me

 

Coming in with frozen clothes

Discovering I have frozen toes

This is what Christmas means to me

 

Going to Grandma and Grandpa’s house

And eating holiday ham

This is what Christmas means to me

 

Visiting with Jewish friends

Wishing others “Happy Holidays”

This is what Christmas means to me

 

Singing ‘Santa Claus is Coming to Town’

And ‘Hark! The Herald Angels Sing’

This is what Christmas means to me

 

Putting up a pine tree

and untangling all the lights

This is what Christmas means to me

 

Trying to find the perfect gift

And almost always failing

This is what Christmas means to me

 

Working on a military base

Thousands of miles from home

This is what Christmas means to me

 

Driving home through snow and ice

Hours behind the wheel

This is what Christmas means to me

 

Watching ‘A Christmas Story’ two hundred and one times

And cheering on Rudolf in his annual plight

This is what Christmas means to me

 

Filling up a giving tree

And donating to others in need

This is what Christmas means to me

 

Gazing at a clear cold starry night

And thinking of the times

 

This is what Christmas means to me

 

 

 

Twelfth Night

A friend gave us tickets to Oregon Shakespeare Festival’s ‘Twelfth Night’ as a thank you gift.

We attended the play last Sunday night. It was updated to take place in 1930s Hollywood. That premise seemed a little thin at times, as characters were still called the count and the jester, and the studio was referred to as a land. Overall, it was well acted and enjoyable…for as much as I paid attention. For as the lights dimmed and the play began, I thought, “What does Handley’s imagination look like?”

Almost everyone (future studies estimate over ninety percent of people) in the future have an augmented memory. The augmented memory has a variety of options available. One of them includes creating an avatar of your external memory. This presents you with the opportunity to talk to your memory about your memories and life. Your memory can also be a memorable companion, so you’re never alone. You always have your memory, which is useful in space.

Madison Handley, however, went a little further than the norm. Although she embodied her memory as an avatar, she also embodied her imagination as an avatar. Thus, she and her memory played with her imagination as well as her friends when she was young. But, as her mother warned, “Someday your imagination is going to get you into trouble,” her imagination caused trouble and Handley took the fall. (It is her imagination.) After that day arrived, Handley banished it. Now her memory is requesting an audience for her imagination on its behalf because her imagination has some suggestions to help Handley out of her current situation.

All of this led to the standard use questions about the character. As I developed the background to this while at the play, I thought of other imaginary characters and the troubles they caused. A movie was semi-recalled. It seemed like it was in the 80s or 90s. The imaginary character was green and male. They had disappeared, but now they were back.

That’s all I could remember. I thought I would google it sometime but didn’t get around to it. Then, today, while thinking about the imagination and shaving, I remembered, ‘Drop Dead, Fred’, Phoebe Cates, Tim Matheson, Marsha Mason, 1991. Then, remembering those sudden details, I searched for confirmation on the net. Yea, verily, I was correct. The movie only received 9% on Rotten Tomatoes, so I wondered, why do I remember it so well?

All of this cogitation, delays and results – the process – amused me. Took a while of circling but the memory finally landed.

Now back to my novel. I still don’t know her imagination’s appearance but I believe that will come. Time to write like crazy, at least one more time.

 

Today’s Theme Music

I woke up with this song in my mind so I went with it.

It was written before I was born but it’s a pop standard, and has been used in movies. Lots of famous people covered it, and even some later groups, like The Cure. I know it from my mother playing it. I primarily grew up in the towns, townships and suburbs surrounding Pittsburgh. This was the 1960s. Hi-fi stereo was the iPad of the day and vinyl was emperor.

Mom listened to many records on her hi-fi stereo console and I became familiar with many artists through her enjoyment. This song was one of her favorites. I always enjoyed these lines:

“And if you should survive to 105,
Look at all you’ll derive out of being alive!
And here is the best part, you have a head start
If you are among the very young at heart.”

(n/t to Lyricsmode.com)

That’s what I awoke to in my mental jukebox today. Don’t know why. I slept well and had interesting but common dreams.

Here is Frank Sinatra with ‘Young At Heart’. He didn’t write the song but it was his hit, and it seems most associated with him. Enjoy. Cheers

Today’s Music

So many songs call me today. My spirits are high, but we’re bracing ourselves for a storm. The remnants of typhoon Songda is heading our way up in the Pacific NW, so thoughts drift that way as we prepare for high winds, power outages, and possible flooding. We appear to be on the fringe as we’re inland, but we’ve gone through storms elsewhere, so we prepare.

As always, though, I’m looking forward and back, riding the wave of the day. Some John Cougar Mellencamp creeps through my mind, as does Boston, Pit Bull and Farrell. But then comes a memory from 1971.

‘Riders on the Storm’ was the last song The Doors recorded before Jim Morrison’s death. I vividly remember the first time I heard it in Pittsburgh. I was fourteen, on the verge of fifteen, on the verge of moving out of my mother’s house to join my father. The day was overcast, with a slight drizzle, and this song played. It seemed perfect for my mood and the moment. After hearing it, I sat in a small shed I’d made out of found construction plywood and huddled as the rain finally opened up to full throttle.

1971 seemed like a continuation of harsh years and fast change for me. Jimi Hendrix and Janis Joplin had died the year before, and now Jim Morrison was dead. Listening to rock, drawing, and reading were my escapes, and one leg of that tripod was breaking down. It may sound depressing. I don’t consider it depressing but enriching, and the beginning of my growth as a more introspective person. Of course, I also became more withdrawn then, and socially awkward, trends I still continue. It probably didn’t help that I was reading books like ‘Catch 22’, ‘Catcher in the Rye’, ‘War and Peace’, ‘Cancer Ward’, and ‘Crime and Punishment’ in that period.

Stop and listen to the storm as we brace. Stay safe, wherever you are and whatever you’re doing.

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