Tag: fiction writing

The Writing Moment

I’ve been sparking with new novel ideas. Concepts. Characters. Settings. You know. Novel stuff.

Nothing worked up enough energy to be a dance partner. Disappointment dressed in depression put in an ugly appearance.

Wait a second, I reminded myself. I have three other starts which I can pull up and fertilize and build into something. All were good concepts, pleasing to write, fun.

Also, self, your writing process has never been to figure it all out and then sit and write. You usually/almost always just write. Let it flow. Get out of the way of your thinking and just do it. So why are you trying to figure it all now? Dumb ass.

I acknowledged all this from my inner writer as true. So, okay. I decided I’d open a start and let it rip.

But instead, washing the windshield before departing for the coffee shop, a new seed from all that thinking sprouted. A new chapter positioned itself in my head. Setting, character, plot began growing out of that new sprout.

Sitting with coffee at hand, I punched out five pages in half an hour. A new novel was underway. Damn, it’s good to be a writer.

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The Writing Moment

I completed revising and editing the novel in progress. Gravity’s Emotions.

I wrote the novel I wanted. The story I wanted to read. As ‘they’ always advise and suggest. ‘They’ are the establishment. The writers who made it. The teachers who teach it. The editors who edit it, the publishers who print it, the agents who represent it. Of course, once the writer writes the novel they want, ‘they’ all take their turns on it. That’s the art, and the business. Then it gets to the readers.

Woo, boy.

My doubts have been kicking me, heaping scorn on my effort. Those doubts are always ready to jump on me. Doesn’t matter what’s going on. They are what they are.

“Your idea of inconsistent consistent inconsistency is ridiculous,” they growl. “It’s too complicated. Too surreal and too far out there. And the book is too big. That’s also a stupid title.”

“Thanks, guys,” I answer. Because there is no arguing with doubt. Let it come, beat you up, expend its energy, and walk away. Don’t engage your doubt. That’s what ‘they’ say.

The doubts do present legitimate points. The manuscript is an epic monster. 700 pages. Umpteen billion words. Lot of fun to write, edit, revise. Amazing that I wrote that thing in a few hours a day. I started it in July of 2024. I often ponder, HTF is that possible? It neatly slots into my thoughts about duality: it was at once hard work and a long time and a lot of hours, and not much time, not too difficult, and a lot of fun.

Meanwhile, the draft is being distributed to my small core of private readers. See what they think. Decisions will be set regarding their feedback. Then, into the submission maws.

While that’s all happening, another novel is already underway.

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It’s One or Another

Daily writing prompt
If you could be a character from a book or film, who would you be? Why?
View all responses

I write fiction. I love writing novels. I don’t work so much on publishing them afterwards. Writing them is the fun of it. Fiction writing always lets me be other characters.

Today was typical. As I worked on the novel in progress, I was several characters. A mashup of genres, I told the muses that all genres are welcome in this tome. So, today, one of the principle characters in the scene was the talking dog, Sly.

Sly is a small dog. His name is short for Sylvester. Besides talking, he’s a thought reader. His owner is Instant, a rock and pop star who uses magic to enhance her performances and control her fans. They live on a starship named the Stellar Queen.

When Sly was introduced chapters ago, he came in to give specific warnings and revelations. When I thought about his voice and tone, I began imagining my father’s words coming out of Sly’s mouth. Thereafter, Sly’s behavior model is my father. Later, I realized with a start, Dad’s nickname among some of his friends is Sly. Kind of trippy. I named the dog before ever thinking about his behavior.

I think my favorite character in the novel, though, and the one who I would prefer to be, is Ari Four. As part of his modelling,another fictional character inspires him. That’s Uhtred of Bebbanburg, son of Uhtred, played by Alexander Dreymon in a television series called The Last Kingdom. The television series is based on a series of novels by Bernard Cornwell. Uhtred is based on some history, and Cornwell’s distant forebear. Besides sometimes acting irrational, staunchly adhering to principles when others urge him to abandon them, Uhtred is bold, loyal, and decisive. He’s willing to fight.

Ari Four is always urging, “We must do this now.” He speaks forcefully, as Uhtred would. If someone else is about to pull a sword, Ari Four will pull his first. That’s the thing about fiction writing. Like fiction reading and watching movies, plays, and television shows, you can let yourself be someone else for a while.

Even if it’s just your father, the dog.

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The Writing Moment

Scenes hang in my mind, waiting to be unfolded. A line or two or three is written. A pause to contemplate them is embraced. More lines come, get written. The growing new scene is reviewed, lightly edited. More lines come, more gets written.

Sometimes, the pause gets extended. I surf into news articles and others’ posts. Then a muse spears my attention and I jump back to the scene being written. Lines are added. They stack into paragraphs. Paragraphs stack into pages. I review what I wrote and lightly edit.

That scene is eventually done. The next one is considered and plotted in my head. I approach again. A line or two or three is written. So it goes.

Meanwhile, muses ambush me with a new concept. I’m reading a non-fiction article about glaciers. The concept harpoons my mind. I grin with delight and think, oh, wow, that would be fun. An opening scene begins unfolding.

I open up a new doc to capture the first lines. Scenes are written. They turn into chapters and branch into a structure’s glimmerings. I think, this will be my next project. I rummage around my brain for a title. A tentative one is hauled out. Rejected. Another bubbles up. Acceptable. More is realized and written. The working title is modified. The quick, sudden progress surprises me. This will definitely be fun to write. But first, the other novel in progress must be finished.

I close the document. Return to the work in progress. A line or two or three is written. I’m close to the end. Close to tying it all up and saying to myself, finished.

So it goes.

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The Writing Moment

I entertained myself over the last few days with novel writing. Unexpected directions and ideas were advanced. Muses introduced settings, characters, and moments I’d not anticipated.

Then, last night and this morning, panic. OMG, how does this all fit together? Some of it comes across as a little friggin’ nuts, as in crazy, insane, and maybe…cringe…ridiculous.

A brave contingency of being spoke up, trying to soothe me by reminding me, don’t worry, don’t overthink it, just get out of your own way and let it happen. This is good that you’re uncomfortable and nervous about what’s happening. They cited numerous writers who claim that if it’s going too well, it’s probably bad, ergo, feeling bad about progress is actually good.

Yes, sure, I try to accept that. Tell myself, swallow hard. Keep going. Don’t judge it until it’s done as one piece.

Easy for you to say, the neurotic doubters retort. Then all agree, let’s just go write like crazy, at least one more time. See where it takes us.

And away we go.

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