Science fiction, fantasy, mystery and what-not
My primary time suck comes down to the three Rs: Reading, Riting, and Research. Yes, I spelled writing wrong, dropping the ‘w’. But it’s a silent ‘w’, isn’t it? Does riting sound that different from writing? Does riting sound rong?
Looks weird as hell, I admit.
I could have also just changed the title to The Three Ws, adding a silent ‘w’ to reading and research, creating wreading and wresearch.
I enjoy words. Their histories fascinate me. And I enjoy making things up. That’s why I rite fiction.
I also love reading, or, as some might rite it, wreading. The ‘w’ is silent. I read multiple genres, although I shy away from horror and wromance. Science fiction narrowly leads fantasy and historical fiction, but I enjoy thrillers and mysteries, too. I also enjoy non-fiction about history, economics, politics, quantum mechanics, and time.
Besides wreading and writing, I enjoy wresearch. Wresearch can easily become a time suck. Once upon a time, a show called Connections aired. The British science historian, James Burke, hosted the show. The show explored technological and scientific progress but veered off into tangents and side effects about how such advances were employed, resulting in surprising revealations. That sort of revelatory pingpong the show employed stirred me to continue such wresearch. The Internet is a tremendous catalyst to such wresearch.
My wresearch goes everywhere. Some of it is anchored to childhood memories of sports, politics, historic events, science, and pop culture. I remember things but often want to validate my memory. Verifying that I correctly remember matters causes me to delve deeper into details and background information, and often triggers side journeys into related matters.
When I was employed, my three time sucks secured me solid positions and helped foster my success. Now a retiree, I happily pursue them every day.
There are way worse ways to live.
As I wrote and edited my novel-in-progress, or NIP, this week, a realization struck. I like to practice a ‘stream-of-consciousness’ style of plotting. And I like incorporating details about people and their lives, settings, and events.
My novel ends up with an unusual personality as I cater to those preferences. Starts as science fiction on a starship with a dragon in another dimension. Shifts to ‘literature’ and relationships between family members. Swings to sword and magic low fantasy. Then back to science fiction. All with threads of mystery, genetic engineering, time shifts, and sometimes thrillers.
I enjoy such mash-ups. Fun to read, great fun to write.
My wife related that she and her coffee group were talking about their required high school reading.
There’s a background to this. They go to StoneRidge Coffee in downtown Ashand after exercising at the Y three mornings a week. Their favorite barista, Shawn (sp?), had been on a big reading kick, reading many novels that we consider classics, like Catch 22 and Catcher in the Rye. Today he announced that he won’t be working there any longer because he’ll be teaching high school in Grants Pass. My wife’s group wondered if that’s why he’d been on a reading tear.
They couldn’t remember what they’d read in high school, though. They did recall that they had to read The Pearl by Steinbeck and several of Shakespeare’s plays. The only one they remembered reading was Romeo & Juliet.
After being told this, I recalled reading MacBeth and Hamlet. I also recalled reading The Red Badge of Courage, Beowulf, Call of the Wild, excerpts out of Dante’s Infernal (as we knew it in school) and The Red Pony. I mentioned that what I most remembered reading, though, were short stories. I vividly remember reading A Jury of Her Peers, The Girls at the A&P, The Visitor, Greenleaf, and The Lottery. They each made quite an impression on me. Besides that, there was some Emily Dickinson, Edgar Allan Poe, and then poems by Frost and Whitman, and essays out of Walden: Life in the Woods.
It’s all a bit sketch, though. Because I enjoyed reading fiction on my own and read Catch 22 and Catcher in the Rye. Papillion was big as a novel then — this was before the movie — as was the Lord of the Rings trilogy and The Hobbit, and Stranger in a Strange Land. Besides that stuff, I was reading a lot of science fiction and fantasy, along with spy thrillers (think Fleming and Le Carre). Then there was Jaws by Peter Benchley, and other popular fiction like that, such as Fear of Flying, Portnoy’s Complaint, In Cold Blood, The Onion Field, To Kill A Mockingbird, The Bell Jar, The Drifters, Centennial, The Thorn Birds, Hotel, Airport, The World According to Garp, Cancer Ward, and Herzog.
I was also involved with the Junior Great Books program for several years, and was required to read their books, stories, and essays, muddying up memory a little more. Further complicating it are courses in French, Russian, Jewish, and American literature in college.
All those books and titles start running together after a while, you know? At least for me. I admire those who can keep it all straight.
When the Humans had finally done so much to anger the rest of the Universe’s civilizations, they were relocated. The small solar system which was now home to Humans had few planets and was part of a Forbidden Realm. Magic was cast over it to keep the Humans from leaving the solar system. Magic also kept them from communicating with others.
But worse things were done to Humanity. They were stripped of learning about their heritage. As far as they knew, they’d always existed on the third rock from the sun. Perhaps, though, the most malignant curses put on Humanity gave them a short life span and aged them quickly. Then, finally, they were kept from knowing the truth about death.
So it would be until the Forbidden Realm was breached and another race came to Earth. Unless Why could stop them.
Finished editing and revising the current novel in progress. It’s either the sixth or seventh iteration. Doesn’t matter.
My vision for it has clarified through the process of writing and then reading and changing it. One storyline was excised as meandering, dull, and convoluted. Firmer insights into relationships, terminology, and setting crystallized, leading to more slices. Explanations and clarifications were thinned. Characters and relationships found sharper evolution.
All good. I enjoy the manuscript and that means something to me. It is lengthy and meaty, and I wonder and worry about its length. But then I shrug, because nothing emerges for me to deliberately remove.
Now I’ll begin editing and revising again. This time I’m pursuing more of the novel’s voice and feel. I suspect — it’s a feeling — that this will be the last go around. And then I’ll begin pursuing publication.
A friend — another writer — asked me what titles I would compare it to. And gosh, I came up with nothing. I have some vague notions. Historic fiction, science fiction, and fantasy all combined in this speculative effort. And it has stories and characters embedded in it whose stories I’d like to pursue. Like Humans. Humans’ are in the book’s forefront and background, as they were moved to isolation in a forbidden zone long before events in this book. They are important to the novel because the primary antagonist is a Martian who loves Humans and conquers others to spread Human cultures. That’s one reason the rest of the civilizations consider her so dangerous. The other is that she’s proven difficult to kill.
There’s also the main character’s stepmother and her complicated story. I’d like to pursue exploring her and how she developed into the person she is. Then, there’s the main character’s relationship to his sister, and what happened to her in parallel to him, and where she is and if she’s still a cat.
But then, there are also so many other projects sitting in the wings, waiting for me to come back to them. And they’re all stories, concepts, ideas, which interest me.
It’s all fun, reading, writing, editing, imagining, thinking, the life of a writer.
Michael Seidel, writer 