I agree. Get it written. Then you can correct it.
Science fiction, fantasy, mystery and what-not
I agree. Get it written. Then you can correct it.
Man, was it dark. At first, I saw and heard very little. When I did hear or see something, I’d type like crazy to capture those impressions. They were the starting position. I thought it was the beginning, but it turned out to be toward the middle.
Hearing people talking and moving, I followed them. Drawing closer to them, I started glimpsing their figures and faces. With greater exposure, I came to understand them. Soon, I could slip into their thinking and understand what they’re doing and their motivations.
But the paths and area remained dark, forcing me to explore. Some paths were easier to follow. Others became dense with forest, slowing me down and forcing me to feel my way. I stumbled over things unseen underfoot, slipped along muddy sections, got stuck, and sometimes fell.
I kept going, though, mapping it all in my mind and typing up details. Sharp turns, switchbacks, parallel paths and hidden ways surprised me. Cliffs and walls were encountered. Following a grade, I climbed to the highest area I found, thinking, from here, I’ll see and know where I’m going. But it looks different from up here. The details aren’t visible from this level. It’s the details that must be known and understood.
Hours of typing become days of typing that developed into weeks, months, and then, years. But at last, I think I fully understand the story problem and solution. I believe I see all the paths and connections. I think I know where everyone went, why they went there, and what happened to them.
Now that I know, I can finish. Finishing, I can begin revising and editing to ensure the story I see at the end, when it’s all been revealed, is the story that I wrote from the beginning.
Time to write like crazy, at least one more time.
Chug, chug. My muse is a dependable locomotive engine this week. I sit down, and the words and scenes chug out. It’s not wholly effortless. I hit some grades that slow the pace but the muse keeps chugging, and I keep going. Writing-like-crazy bursts are followed by introspective editing and revising to get to the point where scenes and chapters are completed, and then I go on to the next one.
Once upon a time, I would have thought, hey, it’s written, revised, edited, and finished. Submit and publish, thank you. Now I’ve learned, naw, that writing, editing, refining, and polishing is part of my writing process to achieve completing a first draft. When the draft is done, the work of editing, revising, and re-writing begins. I usually find kinks caused by story or character inconsistencies, flimsy story-telling, or awkward phrasing that requires thought and deeper processing. Sometimes I find a bridge missing that I’ve marked to write later.
But I’ve learned from editing and revising in the past, and I’m more mindful of my process. I can think through the process, story, and words on the fly more than I used to be able to do, a result that comes from application, application, application, via writing every day. It’s all part of a immersive, relaxing process. Writing is my therapy and sanctuary.
Time to write like crazy, at least one more time.
As the current sub-plot and story line of my work in progress winds along like a leisurely country drive, I curb impatience to be done. If I had to describe myself, impatient is a word I’d consistently employ. I’m continuously monitoring and struggling with my impatient urges to be done, to move on, to get there, to get finished, etc.
Today, motoring through the scenes I planned to write, I realized that I wasn’t as close to being finished with the work in progress that I’d hoped and believed. I’m enjoying writing it. It’s weird to say that it’s a leisurely write, because I write several thousand words a day (knock on wood – don’t want to scare off the muses), and edit it every day. Yes, I’m a writer that edits as I go, because my writing is an organic garden in progress, and requires constant attention. I usually edit the volume in progress (number four), but sometimes jump back and edit the others. They’re all beta, and will require more work when they’re done before they’re finished.
I want this series done so I can go on to other books that I’ve begun or planned. One is from a story idea a fan sent me. “What can you do with this concept?” she asked. Answering her, I ended up writing about forty pages. I stumbled across it last night, and enjoyed what I read, and remembered what else was planned, and I feel like I owe her to finish it.
The second project that I want to continue is the third novel in my Life Lessons mystery series. Readers of the first two books have asked several times, “When is the third one coming out?” Soon, I promise, as soon as I finish this work in progress. I’d written five chapters of it before getting distracted by the current concept, and read some of that last night, and remembered, “Oh, yes, there’s so much to write here.” I had several more sequels planned in the series and had a broad outline of that developed. And, as I write this fourth volume of the current WIP, a fifth volume keeps tugging on my sleeve.
Not enough time, you know? Those are just a few of the dozen items in the writing bucket. But, c’est le vie, this is the writing life.
Now time to write like crazy, at least one more time.
I’ve discovered this, too. Writing the early drafts is like chugging beer while revising is like sipping a glass of wine. Each provides a unique pleasure.
You ever read another’s book, and begin editing it to improve grammar, pacing or story-telling, or think that the character should have been changed, or think about how you’d change the words because a sentence is awkward or sloppy?
I encounter this all the time. But I can’t edit or change it; that book is done. That’s why I’m reading it.
One of the best aspects of reading and editing my own work is that I can enjoy the story and make those changes. Massaging and polishing the elements mentioned in the first paragraph, and more beyond that short list, becomes satisfying, exciting, and rewarding.
Conversely, though, I don’t know how much of my entertainment comes from reading these written words versus enjoying the expansion of my interior worlds being made real. Deep in this forest of words, I’m having a damn fine time, but could anyone else read this and have the same experience?
Well, no, probably not. Writers know what we write, and what others find and take from our words rarely match. Readers develop their own set of expectations as they read our work. As we write from our experiences, so they read from their experiences.
That completes the lap of thought, and I’m back at the start, and the rhetoric about wanting to change another’s book.
Surely, of all that’s possible, that’s not what that writer expected. And that’s why we edit and revise, and have editors, so that we don’t put out that book that someone reads and wants to change.
I became a little distracted while ordering my coffee. That trite statement is an understatement. I didn’t know Sam was speaking to me. Looking inward, listening to other voices, I was experiencing the bloom of another writing concept in my head.
After ordering my coffee and paying, I drifted off with an internal sigh. This concept, too, needed to be kneed aside. I’m on the third book of a trilogy. Need to get it done, and then on to the etcetera of publishing. Once the trilogy is done, it’s back to the third of a novel in a series that’s already published. There are many more novels loaded in my mind in that series to pursue. There are finished drafts that require editing and publishing, and there are marketing needs.
Seems like no matter how much coffee I drink, there’s not enough time to write. Bummer, as I think “Mrs. Elf” could be a fun write.
Ah. Time to write like crazy, at least one more time.
I’m at that point with the first novel in the “Incomplete States” trilogy that I’m almost finished.
Finished is as relative a term as happy. I’m finishing with the fun part of the novel, the writing process. Once the entire trilogy is completed, I’ll need to endure the work processes of having it edited, cover design, and the other accoutrements to publishing it as a finished work. It all reminds me a quote.
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“I love being a writer, what I can’t stand is the paperwork.” ~ Peter De Vries
That about sums it up. I love discovering the labyrinths of logic and plot as I stalk characters from the story’s beginning to its end, although it sometimes feel like the characters are stalking me. Yes, there is satisfaction in capturing it all on paper on on a computer; capturing the words help me more fully develop what the characters are seeing and experiencing, and allows a fuller enjoyment.
But the paperwork also includes editing and re-wording, polishing and refining. I’ve learned to enjoy those aspects more, but I’d rather be writing. So ponying up to the computer to finish writing this tome is not that exciting. I know that I’m just finishing a phase of creating a novel and trilogy. More work is required.
Realization that finishing the first draft is nigh reminds me that I don’t have a celebration ritual. I don’t smoke a cigarette or sip a glass of champagne, or throw a party. Other than, “Yea, me!” posts like this, I don’t say anything to anyone in particular. If someone happens to ask, “What have you been doing?”, I might say, “Finished the first draft of a novel this week.” They usually respond, “That’s terrific. What’s it about?” “Well, shit, why don’t you write it and find out?”, I don’t say. I sort of mentally shrug, smile, and present a label. “It’s science fiction.”
I have studied touchdown dances to see if any of those will work. I’m not a demonstrative person, though. I prefer lurking under the surface like a crocodile, only coming out when forced by necessity. Lurking creates less social and emotional entanglements.
Playing with these thoughts more deeply, I conclude writers and other artists, like musicians and actors, might understand my state of mind. I think this because I think they more fully comprehend the process and the unsaid trappings beneath the process. Many people I meet either oversimplify what it takes to write and publish a novel and shrug it off as “No big deal,” unless you’re a name, or they gush too much about what an accomplishment it is. That renders me uneasy. Yes, I recognize the incongruity and paradox inherent in my state. Writers are more likely to just say, “Congratulations! Well done!” And that pleases me most.
What about all of you other writers out there? How do you celebrate — or react, or behave — when you finish the novel’s first draft?
Okay, time to get going and finish this beast. Time to write like crazy, at least one more time.