I am driving a Ferrari Testarossa roadster.
Ferrari red, it’s a wide, low vehicle. My wife is my passenger. We’re backing out of a garage. The passenger mirror hits the garage door frame. My wife gasps. I grimace. We finish leaving the garage and see that there is a Ferrari Testarossa mirror-shaped scallop removed from the garage door’s frame. I get out and check the mirror while my wife grumbles. The mirror is there but is upside down. A twist and I fix it, good as new. Nothing wrong with it, which amuses me; the mirror is stronger than the materials bracing the garage door. How funny is that?
We drive for a while at a fast but sedate pace. Then…in a jumbled shift, I’ve driven the Ferrari onto some kind of large transport. It’s like a train without a track, with a living room, kitchen, etc., and the mad chaos of eighteen people, including children. Many of the others there are known to me as actors and musicians, Oscar winners and Hall of Fame rockers. I’m amazed to be with them but also think, “About time.” A young blond Helen Hunt is present, herding three children running around. She’s managing but tells her children with a wicked smile and a gleam at me, “Hang on, children, Mommy has to drive this as fast as she can. It’s going to be hairy. Do you want Mommy to drive fast?”
“Yes,” the children all agree in repeated shouts while I’m agape, accepting, this is what I signed up for but I didn’t know what I was signing up for.
“Okay,” Helen Hunt says, “here we go.” She has a wooden stirring spoon her hand and is standing in the center of a room, children around her, toys strewn across the carpeted room. “Zoom,” she shouts, and thrusts her wooden spoon up.
The vehicle rockets forward. She waves her spoon and it rocks left, right, left. The children are laughing. I’m paralyzed in amazement. But we’re moving.
A conference among others is called and I attend. “Where are we going?” David Niven asks. “We’ll know when we’ll get there,” replies Bruce Willis, and a third who I couldn’t name tags on, “But we have to move fast.”
I offer to drive my Ferrari. It’s faster than this vehicle, so I can pull it along and we’ll get there faster. This is given serious conversation. I’m eager to do this but all decide, hold off for a while, let’s see what progress we make.
I go into another room and sit in a chair. A noise warns me, something is going out. “That’ll bring the ants out,” I think, looking down at the floor. Sure enough, as expected, a phalanx of black and red ants rush across the tiled floor. They’re going to be a bother if they go in the direction they’ve begun so I use a foot to divert their path. More obediently than cats, they turn in the new direction, and some wave thanks to me, because they understand why I diverted them.
David Niven finds me. “There you are. Come on, into the Ferrari. We need more speed. See what you can do.”
In a dream shift, I’m in the Ferrari but I’m alone. Others are hooking up the vessel and then shout, “Go.” The Ferrari is now black, I notice, and wonder when the color changed. Yet, I know it’s my Ferrari. I smashed the gas pedal and take the car up through revs, up through gears, snaking the car around traffic along an undulating and busy Interstate. Looking back, I confirm the vehicle is still being towed. I’m impressed that there’s no wind and little impression of speed. I feel in command, in control. This is a breeze, I think, speeding toward some brightly lit collection of skyscrapers looming larger on the horizon.
Dream ends.
Michael Seidel, writer 