It’s an ordinary winter Sunday in an extraordinary year.

The statement causes a reflexive gaze across history at all the extraordinary years in recorded history. The statement requires adjustment to put me more accurately upon the spectrum of what I know and have experienced. I ‘know’ a sliver of American history and a granule of western history. I need to context ‘know’ because I ‘know’ what was often taught in books as fact and knowledge. Much was later revealed to be false or misleading, part of a paean to the victors who wrote or interpreted the history.

We could take a swing at our Christmas practices, beginning with the time of year that we celebrate and the pagan rituals we practice, processes adopted to encourage people to be Christians. Or we can take a deep dive into how Jesus is often portrayed as a blue-eyed white man with brown hair compared to the image of a dark-haired brown man forensic scientists put forth early last year.

‘For those accustomed to traditional Sunday school portraits of Jesus, the sculpture of the dark and swarthy Middle Eastern man that emerges from Neave’s laboratory is a reminder of the roots of their faith. “The fact that he probably looked a great deal more like a darker-skinned Semite than westerners are used to seeing him pictured is a reminder of his universality,” says Charles D. Hackett, director of Episcopal studies at the Candler School of Theology in Atlanta. “And [it is] a reminder of our tendency to sinfully appropriate him in the service of our cultural values.”

‘Neave emphasizes that his re-creation is simply that of an adult man who lived in the same place and at the same time as Jesus. As might well be expected, not everyone agrees.’

~ Mike Fillon, ‘The Real Face of Jesus’, Popular Mechanics, January 23rd, 2015

It all leaves me a little ‘Unsteady’. The song is a repetition of many of the same words but I like it. Hold onto me and sing along with the X Ambassadors’ song from 2015.

At least it’s more recent than most of my theme music.