Wednesday’s Theme Music

Mood: variable

The Rogue Valley clocks a fading blue sky and 55 F today. Oh, it’s sunny but clouds hamper the sun’s spread and impact. We’re calling this new day Wednesday, March 20, 2024. 66 F is our anticipated high.

The cats haven’t noticed the weather change. Papi is out in the backyard on a grassy knoll, under some trees but in sunshine. From there, he can survey his domain and take action as needed.

Our other floof, Tucker, has found a sunny dining room spot. One of his favorite places, he can spy on us as we go about doing things from under the table and nap in sunshine through the southeastern windows. He’s doing well, gaining weight and energy, and acting more like his former self. His oral surgery is a week from today.

I experienced a bounty of dreams last night. How many is a bounty? Five that I remember. After the awakening, The Neurons popped The Stone Roses with “Love Spreads” into the morning mental music stream (Trademark countdown has begun). The 1994 song was an enigma to me. I enjoyed the music side, but the lyrics were another matter. While it was talking about a woman, I didn’t understand the full context.

Love spreads her arms
Waits there for the nails
I forgive you boy
I will prevail

Too much to take
Some cross to bear
I’m hiding in the trees with a picnic
She’s over there, yeah

Yeah, yeah, yeah
Yeah, yeah, yeah

She didn’t scream
She didn’t make a sound
I forgive you boy
But don’t leave town

Cold black skin
Naked in the rain
Hammer flash in the lightning
They’re hurting her again

Let me put you in the picture
Let me show you what I mean
The messiah is my sister
Ain’t no king, man, she’s my queen

h/t Songfacts.com

I later learned that the song is about the crucifixion of Jesus, part of the Christian teachings. Instead of a white man, a black woman was being nailed to the cross. John Squire, the Stone Roses guitarist said in an interview while discussing the song, “The idea of the song is, ‘Why couldn’t Jesus have been a black woman?’ It’s just an attack on the white guy with a beard sittin’ on a cross, cos that reinforces the patriarchal society.”

Stay strong, be positive, lean forward, and please vote. Coffee is at hand; we have liftoff. Here’s the music.

Cheers

Today’s Theme Music

It’s an ordinary winter Sunday in an extraordinary year.

The statement causes a reflexive gaze across history at all the extraordinary years in recorded history. The statement requires adjustment to put me more accurately upon the spectrum of what I know and have experienced. I ‘know’ a sliver of American history and a granule of western history. I need to context ‘know’ because I ‘know’ what was often taught in books as fact and knowledge. Much was later revealed to be false or misleading, part of a paean to the victors who wrote or interpreted the history.

We could take a swing at our Christmas practices, beginning with the time of year that we celebrate and the pagan rituals we practice, processes adopted to encourage people to be Christians. Or we can take a deep dive into how Jesus is often portrayed as a blue-eyed white man with brown hair compared to the image of a dark-haired brown man forensic scientists put forth early last year.

‘For those accustomed to traditional Sunday school portraits of Jesus, the sculpture of the dark and swarthy Middle Eastern man that emerges from Neave’s laboratory is a reminder of the roots of their faith. “The fact that he probably looked a great deal more like a darker-skinned Semite than westerners are used to seeing him pictured is a reminder of his universality,” says Charles D. Hackett, director of Episcopal studies at the Candler School of Theology in Atlanta. “And [it is] a reminder of our tendency to sinfully appropriate him in the service of our cultural values.”

‘Neave emphasizes that his re-creation is simply that of an adult man who lived in the same place and at the same time as Jesus. As might well be expected, not everyone agrees.’

~ Mike Fillon, ‘The Real Face of Jesus’, Popular Mechanics, January 23rd, 2015

It all leaves me a little ‘Unsteady’. The song is a repetition of many of the same words but I like it. Hold onto me and sing along with the X Ambassadors’ song from 2015.

At least it’s more recent than most of my theme music.

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