This is not a review but a brief commentary about Barbie.

I did an informal poll last night when sitting with my beer gang. These are generally enlightened and educated, elderly men and women — our youngest is 61, and I’m in the middle at 67 — who retired from professions as university professors, botanists, biologists, medical doctors, NASA scientists, aerospace engineers, high school teachers, database administrators, software engineers, and forensics scientists. Yes, we have at least two of each in our group. They’re all ‘woke’ to various degrees. None of the women were there last night, just the men.

So I did a survey. I was surprised that none had seen the Barbie movie, and only one wanted to see it. All of them enthused about Oppenheimer, though.

I’d seen Barbie and enjoyed it. I had moderate interest in the doll’s story and the battles against the patriarchy — though very real — and matriarchy, toxic masculinity, and false choices dumped on people because of gender. No, my thing was the alternate realities aspects, the other existence where Barbie and Ken and their brethren resided, versus our reality.

I’ve always been a sucker for these. Loved Pleasantville for that reason, along with Men In Black, the original Matrix, Flash Gordon, 12 Monkeys, Ground Hog Day, Inception, and the whole Doctor Who series. Add Stranger Things, The Umbrella Academy, Good Omens, and Papergirls to the list of worthy TV series about other dimensions. I’ve probably forgotten same, but want to stress, these are not about alternate history or future science fiction. The core of these offerings to me must be that these movies and television shows actively involve other dimensions. Things are happening there. Those involved in our reality don’t know it, but are solidly face-planted into the other reality and must cope with the new reality that there are other realities. I love the genre because it challenges our certitude about reality, which I find rude, arrogant, and short-sighted. Of course, that approach works for most, so, shrug.

Barbie worked for me for that reason. Besides solid acting and production values, the expected jokes and observations about genitals and identity, the paradigm shifts faced were clearly exposed. There was a too neat, too clean resolution to that — but, hey, it’s a comedy — and a I-can-skip-the-lecture at the end delivered by Rhea Perlman as Barbie’s inventor, but it was solid fun about realities colliding.

I recommend the movie and pity those who won’t see it for whatever premature reason they’ve devised. Cheers