The Writing Moment

One important matter that many new writers overlook is, what does their muse want?

The muse can fill a critical function in the fiction writin’ process, so identifying them and learning what they like — and DISLIKE — can be a significant component of your personal process. Sometimes, as it is for me, it’s more than one muse, so the aspiring writer must pay attention to who the muses are and what they do. Fer ‘nstance, my muses love coffee. Don’t try to pawn tea or chai off on ‘em; they’ll inform you with seething disgust that they’re not the same. However, some of the muses are more impatient and arrogant than the others. Some of them read someone else’s fiction and immediately scream into my ear, “Write something like that!” I’m always coping with them doing that. The way I do so, with more patience and caution that touching a sleeping cat’s belly, is to gently promise I will write something like that after I finish this (whatever this is) and hope they accept and quiet down.

BTW, don’t try to overlook the grammar and punctuation muses. They can be wrong but they will push and push for a decision about a comma, period, tense, noun, verb, and so on, until they’re satisfied (at least for the moment).

My muses are not fond of writing at home, cuz cats, spouse, phone – well, environmental distractions. (Yeah, we still have a home phone, althought it’s VOIP.) My muses like it in a noisy coffee shop where nobody pays attention to them and they can write in peace surrounded by people bustling around on their business. As I have multiple muses (sometimes called musi in the more traditional plural spelling) (yeah, just kiddin’ ‘bout that), I need to ensure the right one shows up on time. Little is worse for me than entering a revision session only to have a ‘new project’ muse enter to help, suggesting the concept for a new novel, novella, short story, movie, song, play, or essay.

Last, my musi demand time and focus on them everyday. If they don’t get it, they spoon crankiness, exasperation, and irritation into my mood. So, every day, no matter what’s happenin’, they want me to sit and write or edit. They don’t care if zombies are overrunning the neighborhood, a blizzard is underway, or nukes are falling. Nor is being hungry, sick, or social engagements a concern for ’em. They want their writing or editing time. And don’t think that research is good enough for the muse. I’ve tried mollifying them with research; my muses don’t buy it and will sometimes go off and sulk, leaving me without a muse to write. I can do it, but it’s a bit like having problems with a bowel movement.

Now, back to writing. So sayeth the muse what’s in charge.

I mark the small firsts

The first story I wrote. Shuddering and shaking my head, I recall it was just yesterday, sitting in sunshine, that I attempted a memorable first sentence, a yesterday that’s 37 years back on time’s circle.

The first joy from creating and telling a story.

The first rejection. Yes, that first form letter from Issac Asimov’s Science Fiction and Fantasy.

The first dejection and introspection on what went wrong. Introspection – another way of saying that my heart and soul were torn out of me, leaving burnt, shadowy images of my existence. Really.

The first book purchased on short story writing. Damon Knight’s book. Bought it through Writer’s Digest. It’s still up here on my bookshelf, to my right.

The first decision to try again. Not really a decision. Hurt and angry, I was certain I was a writer. Still trying to prove that, but I think most writers are always still trying to prove that in myriad ways.

The first pilgrimage to a writers’ conference to figure out how others do it. That was in the late 1980s, when I attended a writer’s conference in Yellow Springs, Ohio, chosen as much for what was being offered as its close proximity to home. I was in the Air Force and assigned to Germany then, so if I was going to the United States to attend a conference, I’d also visit Mom in Pittsburgh, PA.

A personal rejection from an editor or publisher, instead of the form rejections. I never met George Scithers, but he wrote me a beautiful rejection letter. I was upset because I was rejected but my wife pointed out the positives in the letter. TYVM, George Scithers.

The first critique group, and the first insights into the creative writing reading publishing editing marketing selling labyrinth. Some people like everything explained. Others want to unravel themselves. Some enjoy happy or Hollywood endings and some think life is gritty and there aren’t happy endings. After a while,  I recognized, just write what I enjoy. I know that what I enjoy is far of the mark for most people, but I’ll have one happy reader.

Finally, the first sale and publication. “Marketing Wars”, Abyss and Apex Magazine. Yes, I remember.

A fan, the first! Sure, it was my nephew but he’s smarter than me and effusive in his praise.

The first glimmer that I wanted to write a novel.

The first draft of the first novel.

The first overwhelming sickness when reading the first novel and realizing I’ve written a piece of shit. Still have it, with the promise, I will edit it. Yeah.

The first realization that every almost writer experiences this.

The first jealousy of other first writers’ debut successes. Yes, I get jealous of them, of their writing, their talent, their success, their interviews, their big money. But I hunt down information on them. I learned that Andy Weir wrote and was rejected and gave up for a while before The Martian. JK Rowling went to being an overnight sensation after years of efforts. Kathryn Stockett endured five years of rejections before The Help was published.

The first time that I sucked in my breath, grit my teeth, and told myself to keep writing. I don’t recall the exact date/time/space or the events surrounding it but I do recall sitting, fists clenched, sighing with dejection and thinking, do I want to keep trying?

And the first time that I realize that I don’t want to, nor stop, writing, no matter how hard it is. No, because writing is fun, satisfying, intrinsically rewarding. Concepts, ideas, stories  and characters wash in, an ocean that never stops. Many hit the beach and I wander along, picking them up, adding them to the collection. Some grab me tightly and don’t let go.

So I write.

By the way, Returnee, up there at the top, is the first novel I decided to self-publish. It’s available over on Amazon.

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