This comes from Lifevoyager‘s site. I know ten percent of 2022 is already passed, so, yeah, I’m a little late. I wished I’d found this earlier. After 2020 and 2021, I think this is the bumper sticker needed for the year. Cheers

Science fiction, fantasy, mystery and what-not
This comes from Lifevoyager‘s site. I know ten percent of 2022 is already passed, so, yeah, I’m a little late. I wished I’d found this earlier. After 2020 and 2021, I think this is the bumper sticker needed for the year. Cheers

I experienced three highly detailed, vivid dreams last night, all in a row, flowing from one to the other. First up.
I’m in a car driving in a city in the late afternoon to early evening. I’ve come up to a large and busy intersection. The light is red. I have friends in other cars. We’re all going somewhere. My wife is with me in the car.
I think the light is green and go forward. In a flash, like it’s a film being shown, I see cutaways to friends in other cars saying, “Why is Michael going? The light is red. He shouldn’t be going.” They blow their horns.
I’m driving through the intersection. My wife shouts, “What are you doing? The light is red.”
I’m looking up through the windshield. The light is red, but I thought it was a green light. I’m certain that I saw one.
The traffic turning left against us is light. The drivers of those cars are aware that I’m not doing something right. They give me space and distance. No one is hurt except me and my pride. What is wrong with me?
I pull over to the curb. I’m alone in the car. I’m trying to understand why I thought there was a green light. I look up in time to see a young driver execute in the other direction. He’s driving a mid-sixties Pontiac GTO. Classic muscle car. It’s in impressive condition, with a well-maintained, shiny body. As I watch, this young white guy, maybe seventeen years old, does a U turn and hits the side of my car.
I can’t believe this. He’s pulled over. I get out of my car and look at the damage. My car is silver. The damage is light, toward the rear quarter panel. I approach him, and tell him, “You know the drill. License, registration, insurance.” He’s crying because he just got his license. He knows he’ll face trouble. I feel sympathy for him.
My wife comes up. I ask for the camera. She starts making demands about how this will be handled, wanting me to make promises. We get into an argument. She won’t give me the camera. Irritated, I find my computer to take pictures. I know I can, but, the computer is missing its two AA batteries needed for the camera aspect. But, I have batteries in another part of the computer, use those and take the photos needed.
Number two.
I’m talking to a friend and mentioned something about the Chevy El Camino. I ask him if he knows what they are and how they look. He’s not familiar with it, so I tell him I’ll draw a picture of one. For whatever reason, I’m referring to the fourth-generation design from the early to mid 1970s. I’m explaining the design details as I draw it, talking about the front grill, and how it went from a single headlight to a double-stacked headlight on either side. I realize that I’m drawing on top of another drawing someone has done. I’m astonished. How did I not see that?
I don’t want to draw on another’s drawing. It’s a landscape, sort of a primitive style executed in charcoal. I admire it, erase my drawing, and find another piece of paper. I think it’s blank but as I begin drawing again, I see that there is a drawing on it.
I’m amazed. Why can’t I see those drawings before I begin drawing?
Number three.
We’ve arrived at a huge factory. Besides the factory, it has a large administrative/office section. I’m with a party of friends, all male. I think there are twenty of us. None of them are people known from RL but I know all of them in the dream.
A young brunette woman with a ponytail is showing us around the building. When we walk into one part, we men all start laughing. A tall space, it’s divided into sections and cubicles and is stacked from floor to ceiling with mechanical equipment and electronic gear. I exclaim, “This is exactly the kind of place that I used to work in.” The other men are saying the same thing. We’re all laughing and agreeing, it’s just like where we used to work. We just walk around, talking about the environment. I follow the path, remembering where my cubicle would have been located. In RL, I never worked in a place like this, but in the dream, I turn a corner, and there is my old workstation. Pointing it out to the rest, I laugh. When they see my station, they go off and start finding their own old workstations. How is this possible, we wonder, because we all worked in different places?
We’re talking Friday, January 21, 2022. Fog and sunshine play games outside. The sunshine came in at 7:34 this morning. The fog crept in afterward, holding temperatures down around 39 as the sun is kept at arm’s length. But the fog is expected to take a bow and leave, freeing the sun to warm up to the upper fifties before stealing away at 5:10 this evening.
I have Avicii’s song, “Wake Me Up” from 2013, racing around the morning mental music stream. Avicii died a few years ago, when he was 28. That fact ties in well with the day in general. It’s one of those mornings for me when I feel less like I’m living and more like I’m enduring. Ironic for me, as life on a personal level isn’t too bad, other than a cat with cancer. No food or income insecurities. I do wrestle muses for fun, and they sometimes leave me aggrieved, but mostly, my angst is for others. Learning of others’ bad news, reading news pieces, and following politics can debilitate any soul. COVID-19 tales, whether they be about stats, sickness, death, or misinformation, is a fountain of weariness.
But there isn’t any waking up from these matters. This is life. These days will pass. Greater things will come along. Well, fingers crossed that they will. Knock on wood.
Stay positive, test negative, wear a mask as needed, and get the vaccines when you can. I’m gonna go have a cup of coffee now. You stay and listen to Aloe Blacc sing Avicii’s song.