A Dream Fragment

A canopy of dark green branches shielded me from sight and sun when I stopped. 

My head was wet. Breathing fast, I wiped water from my face with both hands and blinked my vision clear.

I was standing in running water. I was in it, but I don’t know how high it was, just that it was somewhere below my waist. To my right, the water ran in a hard and noisy rush, spilling over rocks with chaotic splashes. To my left was a calm pool.

Something white was in the calm pool. Wiping my face and blinking water out of my eyes, I squinted at the thing. I realized the white thing were words floating on the water’s surface. I leaned forward but I couldn’t make them out. Worried about displacing them, I waded toward them.

The words stayed in place. I moved forward until I was upon them. Though I looked down on them, I couldn’t understand them.

I have no idea what the words in white in the pool were.

Thinking about this part of the dream this morning, I chuckled. Classic writer angst dream, isn’t it?

Another Flying Dream

My first thought was, “Shit,” followed by my second thought, “Shit!”

Going backwards, I struggled to grab anything nearby, a futile effort because nothing was nearby. As I went backwards, I was turning my head, taking in my environment, and processing information. This led me to a realization that I was falling backwards.

The sky was dark. It wasn’t night darkness, but stormy darkness. My dream mind split between addressing what was happening now and worries about surviving, to a more intellectual approach that wanted to understand how I’d come to be falling backwards and where I was falling from.

The where part seemed visible as a dark gray castle on a high mountain crag. Some trick of light played with it because I also saw it as a rain-whipped white concrete building with tall, dark windows. The image duality confused me, but they reminded me of ivory tower and Gothic horror. The background for both were thick, charcoal clouds that promised prolonged and violent storming. I seemed to think or recall, my dream self didn’t know which, I’d been climbing, it’d been wet, and I’d slipped. When I did, I lost my grip and the wind blew me off the mountain.

Meanwhile, I was falling straight backward, going down. Knowing that behind (below) me was a steep, treacherous ravine filled with fir trees and boulders, I didn’t relish landing, because it was sure to be painful.

Then, I wasn’t falling down. I seemed to be hanging in the air on my back. I looked left and right, enjoying that. As I did, the wind picked me up and righted me, an action that spread a grin across my face. “Thank you,” I thought to whoever or whatever did that for me.

The weather had delivered on the promised deluge. Winds roared around me as lightning ripped the sky and lightning boomed in best Wagnerian manner. But I was cool with it, calm, but wet, and weirdly, grinning and happy. The dream ended.

I still grin as I remember it, because I looked so happy.

After awakening and cruising through morning routines while drinking coffee and mulling the dream, I thought, this represents the past and traditional ways of doing things (the dark castle), and the intellectual writing process (the ivory tower), and my usual fears of failing (falling), with efforts to reassure me not to worry (floating and then flying).

Another Anxiety Dream

It was another anxiety work dream last night, and I don’t even work! I haven’t been employed for several years after working for IBM for fifteen. I’ve been doing nothing but pursing the writing dream since then, after postponing that goal for a few decades.

The dream found me with two co-workers. I don’t recognize them from my life. The three of us were dressed in business suits with shirts and ties, the kind of attire I wore when I was in marketing. We were at a big convention to get some work, the kind of function that I was forced to endure, and that I hated. It was a familiar setting, a large but crowded and noisy ballroom in a hotel or convention center filled with tables with white tablecloths and napkins, and pseudo-fine china and flatware.

I don’t know what business the three of us were in but we were there to network and generate some leads so we could have an income. While we were talking, they informed me that I’d paid for the previous night’s meal. They were dismissive when they told me this, without humor or sympathy. They said that I had insisted.

Well, the bill was for over five hundred and fifty dollars. I’d put it on my Amex.

Horrified and shocked, I couldn’t believe what I’d done, and I didn’t remember doing it. Panic and anxiety filled me. This is when it got twisted.

I don’t have an Amex. I gave that up a few years ago. I never wore a suit and tie while I worked at IBM. (My marketing roles were with a couple previous start-ups.) Meanwhile, in the dream, I now worried that my employer, IBM, wouldn’t pick up that tab. Hell, that was completely against their policies, and I knew it. But I didn’t understand why I thought IBM still employed me even while I was there as an independent contractor, trying to generate business.

I was also sick with worry in the dream because my wife would be furious, because she knew IBM wouldn’t pay for it, so I’d need to eat that bill and pay for it myself. Funny, but in reality, that’s the sort of thing that she would shrug off, should it have happened.

Anxiety, frustration, confusion, worry, and fear. This dream had it all. Waking up and thinking about it, I knew it stemmed from my writing. I’m reaching the end of the beta version of the series, and I’m worried that all this was for naught, that I suck as a writer and story-teller, and have no creativity.

You know, just the typical writing angst.

With all of its elements, I recognized what it was all about, and laughed at how my mind works. The dream was beneficial, because it feels like a storm has blown through, leaving me relaxed and ready to write.

Off-kilter

My writing world is a little off-kilter this morning. I’m again doubting that the muses and characters know what they’re doing. I suspect they’re conning me.

The muses and characters agree about what’s to be written, what’s happening, and what’s to come next. “Trust us,” they purr.

I’m jaundiced about their plans. “Seems like we’re going around in a bac.”

“A what?”

“Bac. ” I spelled it, “B.A.C. Big-ass circle.”

“Writers,” one muse mumbled to a character (Brett), who nodded back with an eye-roll. They didn’t care that I’d witnessed this, implying a disrespect that I didn’t like.

“We know what we’re doing,” another muse said, like a young mother speaking to her mother about the way she’s raising her child. “Just follow our guidance.”

“I am,” I said. “If you could let me in on a little more, I’d feel more comfortable about I’m typing.”

Several muses and characters unloosed scoffing sounds while another muse said, “We don’t want to burden you with too much.”

“I’m the writer here,” I said. “Shouldn’t I know where the story is going?”

“You do know,” one muse said.

“Yes, you know how it’s ending, don’t you?” said another muse.

Handley, a character, “Nothing personal, but we don’t want to give you too much to juggle. You already seem a little strained by the novel’s direction.”

“It’s more than a novel, it’s become a series,” I said.

“Exactly,” Handley said. “And there’s a great deal more material available that we could give you, but you seem tired of writing this.”

“Yes,” a muse said. “You’re weary of writing this, doubtful of the content, dubious of your skill and talent, and worried that you’re pulling a Wonderboys.”

I clamped my lips tight for a second before speaking. “None of that’s germane to this conversation. While that’s all true, that doesn’t change that right now, it seems like you guys are leading me in a — ”

“Big-ass circle,” a muse said. “Yes, we know.”

Realizing that I wasn’t going to win this discussion, and that the muses and characters weren’t going to tell me more until they thought I was ready for it, I finished my walk, purchased my coffee, and set up to write.

Time to write like crazy and see where the characters and muses take me. Do you know that the muses have never told me their names?

Beat Up, Shut Up

I traveled one of those mornings where I felt like I was walking the valley of the despised. Well known self-descriptions about being inadequate and passive, smart enough to know I’m not too smart, talented enough to appreciate that I lack real talent, bright enough to recognize I’m really not that bright, rushed through me with the power of a swollen spring river. Following that period, some self-flagellation was indulged: it’s all a show of mute head-noddings and quick smiles to show I’m in on it, too, when it all flashes past with a hurrying hummingbird’s speed.

That done, I shower and engage in a transformation. Looking in the mirror, I see no changes, but I feel them inside. I know what I went through, just a ninety minute tour of the personal hell I sometimes send myself to (tell me, do you have one, too?), but emerged, almost alright, close enough to that mark to get it done, at least. Then I scrambled to go on with anything and everything, just to ensure I was going on.

Time to write like fucking crazy, at least one more time.

Angst Man Rides Again!

I endure a lot of angst about who I am, who I think I pretend to be, and being unmasked as a pretender.

I’m not unusual. Many in western society seem besieged by angst. Writers, from what I read, endure high levels of angst that erodes our self-confidence. We’re always worried about being discovered as a pretender. I think it’s because we’re working alone so often, but also, subconsciously, we compare our works in progress with other published materials and writers. Right or wrongly, we can come out feeling like a loser because we see elements in others’ work that we don’t see in our work.

In retrospect, I believe I suffered an angst spell the other day, when editing fatigue overwhelmed me. There’s no doubt that editing fatigue afflicted me. That isn’t uncommon. I’m usually able to push through. Each of us have limits to how much we can push through. I’d hit mine.

And I believe that my angst contributed. Writing alone, with no one to talk to about my progress, doubts, victories and hopes, leaves me mentally, intellectually and emotionally diminished.

Writing about it was a successful gambit. Just opening up and spilling my concerns was a release. Also helpful is how other writers jumped in with their stories and suggestions. These were enormously helpful to lifting the shroud of doubt and weariness encumbering me. By the next day, I’d resumed editing and revising.

In the aftermath, I considered taking regular breaks from writing, editing and revising to keep me fresh and sharp. Multiple decisions are being made while editing and revising. Some require more thought about the impact on the novel’s overall arcs. It is taxing. Maybe taking breaks would be beneficial.

In classic personal faction, I decided, yes, taking breaks is acceptable, but…scheduling breaks is more troubling for me, so I’ll approach it organically. If I feel a break will help, I’ll do as some comments suggest, and listen to myself.

Now, I have my mocha and I’m at the table. It’s time to edit and revise again, at least one more time.

Today’s Theme Music

When a man is running from his boss
Who hold a gun that fires “cost”
And people die from being cold
Or left alone because they’re old
And bombs are dropped on fighting cats
And children’s dreams are run with rats
If you complain you disappear
Just like the lesbians and queers
No one can love without the grace
Of some unseen and distant face
And you get beaten up by blacks
Who though they worked still got the sack
And when your soul tells you to hide
Your very right to die denied
And in the battle on the streets
You fight computers and receipts
And when a man is trying to change
But only causes further pain
You realize that all along
Something in us going wrong…

You stop dancing.

Many of us contemplate our lives and wonder, will it ever become better? W’re always trying to define what ‘it’ is – equal rights, fairer pay, less war, less poverty, less starvation and disease. As we watch the political firestorm intensify in the United States and other countries, we wonder, how did we arrive at this moment. It’s educational to look back on songs like the above. These battles have been going on for as long as humanity.
Progress is being made. It used to be that such problems and challenges were accepted as ‘that’s the way it is’ or not acknowledged as issues. It used to be that some humans could hold other humans as slaves and decree their fate. Women were held as inferior. So were people who weren’t like us, whether it was by religion, skin color, sexual orientation, or their ethnicity or cultural heritage. We are moving on to equal rights and better lives for all, but it’s a shift as slow as the Earth’s tectonic plates.
‘Helpless Dancer’ is a song by The Who. It was included on ‘Quadraphenia’, an album that was released in October, 1973. Speaking to my teenage angst and frustration and laden with drums, guitars and angry lyrics, it became one of my it albums, alongside ‘Dark Side of the Moon’ by Pink Floyd.

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