Wednesday’s Theme Music

I’m a pop child, you know? Born in ’56 in the United States in a lower middle-class household and living mostly in suburbs, I grew up as television and radio matured. When Mom cleaned house, she turned on her records and sang with them. Throughout the years, I heard her with Patsy Cline, Pat Boone, Johnny Cash and Johnny Rivers, Tony Bennett, Dean Martin, Frank Sinatra, Chubby Checkers, Louis Armstrong, Tammy Lynette, Ray Charles, Johnny Mathis, Barbra Steisand, the Ink Spots and Four Platters, to list the ones that jump casually to mind.

Then there was big sis. Two years older than moi, she started listening to the Beach Boys, the Beatles, Dave Clark Five, Herman’s Hermits, Simon and Garfunkel, and Grand Funk Railroad. Boys, interested in this attractive young woman and usually a year or two older than her, brought more music in, like the Spencer Davis Group, John Mayall and the Bluesbreakers, and David Bowie.

The radio was always on in the car, and I received small transistor radios from Japan as birthday gifts. AM radio gave me some bubble gum pop like the Osmonds, the Archies, and the Jackson Five, along with Elvis Presley, Glen Campbell, Don McLean, Steppenwolf, and the Temptations. We had the Bee Gees, the Rolling Stones, and The Who. Television brought along Ricky Nelson, the Monkees, and all manner of performers via variety shows like Ed Sullivan, Hullabaloo and American Bandstand. Movies got into it. Friends introduced me to Sly and the Family Stone and Three Dog Night.

I explored on my own as I aged, discovering Pink Floyd, Led Zeppelin, Deep Purple, Black Sabbath, Cream, ZZ Top, Mountain, Captain Beefheart, the Moody Blues, early Electric Light Orchestra before they became ELO. More performers came onto the scene, like Elton John.

That’s just a little taste. Music was everywhere then, as it is now, always on, part of the foreground and the background, part of the scene, a topic of conversation. All of this is just on the pop and rock side. Beyond it there was country and western, soul, rhythms and blues, and the blues, and all the offshoots and variations. Beyond the United States were vast seas of music to be found in other countries and continents. Concerts gave us destination. Dancing gave us dates.

Music enriched existence. Oddly, all this came from a 1977 Paul Simon song, “Slip Slidin’ Away”. Time has fled through the year. Whether it’s because the days are less structured or because the usual placeholders of American culture have been disrupted, it seems like time has accelerated. Here it is, already more than halfway through the tenth month of the year. Just two more months and ten days to 2020 remains before we’re kissing it’s ass good-bye and saying hello to 2021.

Yet, we have an open-ended agenda at this point. COVID-19 has disrupted normalcy. The U.S. elections are due. We’re into the thirty-first named storm of the ‘hurricane season’. Climatologists are predicting wilder, more violent, and less predictable weather. With all that’s happening, water and food security for many of the world’s creatures are being jeopardized.

So, you might see why I’m thinking of “Slip Slidin’ Away” might have slipped into my thinking. Opportunities, time, and hope seem to be slip slidin’ away. Some might claim that sanity and peace are, too.

Certainly, it feels to me, probably because where I am in life, the days seem like they’re slip slidin’ away.

Here’s the song. Yeah, it’s a repeat. Used it back in August, 2018. Wear a mask please. And as they once said to the point it became nauseating, have a nice day.

Sunday’s Theme Music

Not light music today. Looked at the news landscape and thought, there’s a lot of psychopaths out there, a realization that let the 1977 Talking Heads song, “Psycho Killer”, stream into my mind. A repeat song but it could be the theme music for an entire body of uncaring people who lack empathy and are willing to kill in the name of their love, you know? I liked it up, and it’s been almost three years since I last used it as a theme song. That gives me license in my mind (which is where I’m making up these rules in the first place) to use it again.

Yeah, that is all.

Friday’s Theme Music

6:30 A.M., Friday morning, September 4, 2020.

I did not want to get up. Still sifting dreams, I thought I was due to stay in bed for at least another hour. I’d been up late into the morning, sucking up my latest TV addition, “Mr Inbetween”. An Aussie show, I’m watching it on Hulu. I love his daughter, Britt. Played by Chika Yasumura, she steals whatever scene she’s in.

So it kept me up and awake, and I didn’t want to get up. But the cats, particularly Tucker (my long-hair black and white big bruiser) (he’s a blokey-bloke) and Papi, the young ginger blade, thought the day required my attention. After a bit of failed negotiations and stalling tactics, I yielded, telling them and myself, “Here we go.”

Well, here we go led to the chorus, “Here we go, rocking all over the world,” out of the 1975 John Fogerty song, “Rockin’ All Over the World”. When I thought about it, though, I began remembering Status Quo playing at Live Aid 85.

For Fogerty’s release in ’75, I was a few months out of military tech school, newly married, and stationed at Wright-Pat AFB in Ohio. Ten years later, when Status Quo played the song at Live Aid 85, I was living in a tent city outside Cairo, Egypt, playing war games. Still married, though, but my wife was staying with her family. I believe I dimly recall seeing Status Quo’s Live Aid version while I was heading home, during a fuel stop at Torrejon Air Base in Spain. We had time to kill, so we walked around the exchange to see what was new and get an AAFES burger.

So this simple song is today’s theme music, brought to you by stubborn cats and nostalgia. I decided to go with Status Quo’s Live Aid version because I like the crowd’s energy.

Hope you enjoy it. I know I used it before, if memory serves (but it doesn’t always serve, does it?), but I’m using it again. Remember to wear your mask. Cheers

Wednesday’s Theme Music

One of my favorite songs is featured in my music stream today. “Lido Shuffle” by Boz Skaggs was released in 1977. I was immediately enamored. I like that refrain, “One more for the road” that he sings out. Although it sometimes comes out when I’m having a drink, more often it’s about trying again for me. That goes back to another part of the song.

He said one more job ought to get it
One last shot ‘fore we quit it
One more for the road

h/t to Genius.com

“One last shot ‘fore we quit it.” Put that on my death marker. (I plan on cremation, so just mention it when my ashes are spread. Don’t have a preference about where they’re spread; I’m stardust, and I’m already everywhere.)

I don’t like givin’ up, damn it. I’m always for trying one more time, but I don’t do it the same way; I think, what can I change? How can this be done differently?

I will often walk away, to think about it or let my brain work a problem on its own without my interference. I’ve often found success that way. It’s one reason why I enjoy working alone. Others will indulge in endless discussions about how and why. They want all answers given beforehand. I just like jumping in and doing it.

My attitude is a multifaceted plethora of clichés. A good plan now is better than a perfect plan later. Baby steps; make small changes and adjust. Don’t fear failure. If at first you don’t succeed —

Well, you got it. Please give the song a listen. It’s a jazzy, up-tempo ol’ tune.

And please wear a mask.

Saturday’s Theme Music

“Thunder only happens when it’s raining.”

It wasn’t raining (at least around our house) but the thunder was relentless. Half the cats did a frenzied thunder-run to hide. The other two yawned.

I listened to the thunder, waited for the lightning, and remembered songs about thunder, lightning, and rain. The mental stream finally selected the Fleetwood Mac song, “Dreams” (1977). Ostensibly a reflective song about ending relationships, the line about the thunder always resonates with me.

It’s a very mellow song.

Thursday’s Theme Music

An old familiar song entered my head yesterday as I did yard work. Written by John Fogerty, the Status Quo cover of “Rockin’ All Over the World” (1977?) kept me coming.

The mind introduced the song toward the yard work’s beginning. Addressing an issue that I had to do, I told myself, “Here we go.” That invited the song’s refrain, “Here we go, here we go,” in. Once invited in, like a vampire, it can do whatever it was; I’d let it in.

It’s a simple rock song, upbeat and happy, a throwback to simpler times. Your impression of simpler times will vary according to your mileage and mindset, but it works for me.

Tuesday’s Theme Music

Trump’s comments about people dying were infuriating to hear. He couldn’t do anything about it. So powerless, isn’t he?

Yeah, infuriating. Watching him, thinking about that, and remembering children in cages, and the way he seems to think — certainly the way he acts in general — an old Foreigner song, “Cold As Ice” (1977), came into my mental music stream.

Not like the COVID-19 deaths (or the children in cages) is the first time he’s demonstrated a lack of empathy. Remember his call to the family of the U.S. soldier killed? “He knew what he was getting into.” Jesus wept. There’s also the lack of caring demonstrated in dealing with Puerto Rico and their issues. Unless it’s about him (and his numbers) or, lordy, the economy, he just doesn’t give a shit, demonstrating nothing but contempt, anger, and hatred as far as emotions go.

Yep, cold as ice. He’s willing to sacrifice anything to make himself look good.

Wednesday’s Theme Song

Came across this song last night as I drifted the net. I’m a Nirvana, Grohl, Foo Fighters, AC/DC fan. This Foo Fighters cover of “Let There Be Rock” by AC/DC fills those squares.

The song itself, released back in 1977, with lyrics about the birth of rock, is sillier than I enjoy, but works well for nostalgia and thoughts of back in the day. The Foo Fighters (like always, it seems) does a fine cover. Lovely heavy bass line. I could use more of Chris on lead but the band’s intensity is mesmerizing.

While I’m on about nostalgia, we had a short net outage yesterday, reminding me of what it’s like without the web to offer news, opinion, entertainment, and diversion.

Cheers

Wednesday’s Theme Music

I was ’bout to go outside (and let a cat out) (it’s Boo’s morning habit to go out, do his business in a corner of the yard (the far left side behind the bushes, thank you), and then groom in sunshine) (unless it’s raining or snowing, of course) to gauge the weather (it looks pleasant and warm) when I stopped. Hand on door handle, I watched through the glass at a profusion of birds. The many birds me from opening the door and disrupting the little sparrows’ and jays entertainment.

Boo really wanted out, chittering and chattering at the birds (they were a joyfully noisy congregation). I wondered what’d brought them here.

The juxtaposition of birds and weather reminded me of an instrumental song, “Birdland” by Weather Underground (1977). I used to listen to this in the Philippines while burning candles, reading books, and sipping wine, a pleasure combo.

After the birds abruptly departed, I let the house panther (and jigsaw puzzle expert) out to do his thang, and then came in and re-acquainted myself with “Birdland”. That song always prompts a grin. Hope you hear it and grin, too.

Or at least, smile.

Monday’s Theme Music

After watching David Byrne’s performance on SNL last night (very entertaining) and then viewing some clips of Concert for George (2002) (oh, a few more of them were gone), today I have Aerosmith with “Back in the Saddle” (1977). Monday morning – where else you supposed to be? Ride on.

This live version rocks, just like classic rock should. Defiant and bold, sing it loud, and it’ll take you fearlessly out into the day.

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