Tag: 1973

Thursday’s Theme Music

Clear night last night, after a quasi-balmy day. That’s a day when warmth and cold — spring and winter — have repeated rounds, looking for victory. Walk in sunshine and it’s so warm, and yeah, baby, spring is almost here. Then, stepping into the shadows, wintry winds slash your cheeks and hands and you’re, like, geez, that’s friggin’ cold. Even the smell between these experiences is different, with one offering a definite winter scent to the air.

Back to last night, it was clear, feeling like winter settling in for the night, but I was out, looking for stars and the moon. No moon was found, which made me cycle through what I remembered from seeing the moon (oh, yeah, we had that big full moon weekend earlier this month) (was that this month?) (how many weeks ago?). Then I spotted her, a waning crescent, by my guess, just peeking past trees, houses, and mountains, shy, like she’s uncertain of her role here.

All that released song lyrics into the stream. I had to strike a pose to remember. (Something about the moon and crossing…who was that?) I vaguely heard the guitars and vocalist…the voice seemed familiar.

More lyrics were found, and then I remembered, that’s REO Speedwagon. With a little more coaxing, other lyrics came, and finally, the name, “Ridin’ the Storm Out”.

Here’s the initial verse that I was trying to recall regarding the moon (thanks, Metrolyrics.com)

And I’m not missing a thing
Just watchin’ the full moon crossing the range
Ridin’ the storm out, ridin’ the storm out

Wikipedia.org says it’s from 1973. Cheers

0

Tuesday’s Theme Music

Tell me, again, how does this mind thing work? How do memories, dreams, events, and thinking interplay to bring other things up? I don’t have a grasp. I know I’m young, just in my sixties, but I do want to know.

Take this morning. Up and busy with cat attentions (this is where the cats gather to ensure that I’m going to feed them, and the head floofherder guides me to the write location by tapping my legs with a helpful paw, or darting across my path when I turn the wrong way). Not thinking of much, to be honest. Hadn’t had coffee, was drinking hot water.

I guess, if anything, I was thinking, “Oh, sunlight! And it’s not even eight! Yea!” And I was thinking, “Spring ahead with the clock soon, yea.” (And then doing the comparisons; so if it’s seven now, this will be what it’s like at eight, right?”

Into all of this came a song. As the sound entered my stream, I thought, hey, I know that song. That’s “Tubular Bells”. Theme music for the The Exorcist.

Song and movie came out in 1973. The movie was Oscar nominated and much talked about. It terrified people, and they wanted to talk about it. They were talking about it in restaurants and parties, cars and houses, on the radio and television. It was non-stop Exorcist.

“Tubular Bells”, by Mike Oldfield, was everywhere, too. The real question is, why did it make the jump from early 1970s memories to active placement in the stream today.

Guess it’s a haunting melody (heh, heh).

Any of you out there in netland familiar with this movie and song?

Cheers

0

Sunday’s Theme Music

Another floof-inspired choice. Two of our three boys squared off. Mewing, yowling, and growling, Boo said, “There’s not room for two of us in this entryway.” Papi’s got us back up. “You talkin’ to me? You talkin’ to me? There’s no one else here so you must be talkin’ to me.”

It was Saturday night. “Enough,” I said. “Keep it up, and I’ll get the squirt gun. Boo, be quiet. Papi, go around him.”

They did as told. Yeah, surprised me, too. Guess they feared that squirt gun. As Boo went out and I closed the door behind him, I finished, “Saturday night’s not alright for fighting.”

That, of course, introduced the Elton John/Bernie Taupin tune of that name from 1973, when I was just seventeen. Here we go.

0

Monday’s Theme Music

In our world’s tiny niche, this was a significant hit when I was a teenager around 1973.

Jim Croce had been around for a few years and had several hits, like “Operator”, “Bad, Bad Leroy Brown”, and “Time In A Bottle”. Then a black crash killed him, devastating us, his fans, although it was probably harder for his family and friends. It seemed like even as they were still talking about it on the news, he had a new song rising on the charts, “I Got A Name”.

I awoke this morning still streaming several songs heard in my dreams. Among those were “Sisters” from the movie White Christmas, and James Blunt with “Make Me Better”. But “I Got A Name” was sharper and stronger. It’s silly and sentimental, but here it sits as my theme music this morning.

0

Sunday’s Theme Music

Was walking and streaming to myself (of course, but who else could I be streaming to?), “No more speed, I’m almost there. Gotta keep cool now, gotta take care. Last car to pass, here I gooo. And the line of cars go down real slow, whoa. Radio’s playing that forgotten song. Brenda Lee’s coming on strong. And the newsman sang his theme song.”

Yes, it’s Golden Earring’s 1973 hit, “Radar Love”, at least how I remember it. I was pushing myself to get to nine miles for the day and reflecting on it all. Blueberry pickin’ at 6:30, the writing day at 9:30 (with forlorn results), drinks with a friend at three, then the final walking to reach nine miles. Mixed bag, you know?

The blueberries weren’t as fine and ripe this year. We came home with an ounce over eight pounds, which cost us $18.25. Long drop from those heady days of eighteen pounds for $36.

Meeting with FX was fun. He’s an established actor, most recently seen as a judge in On the Basis of Sex. After talking life and politics for a bit, we shifted to books and writing, and then movies we’d not like to seen remade, like Doctor Strangelove or: How I Learned to Stop Worrying and Love the Bomb. I also don’t want to see The African Queen remade, Twelve Angry Men, or Bridge On the River Kwai. I don’t think they can touch the Godfather series, but who knows what lurks in the minds of Hollywood producers?

2

Friday’s Theme Music

How ’bout an Elton John favorite today. Let’s consider two. “Funeral for A Friend” and “Love Lies Bleeding” are often played together. They nicely complement one another. The first is an instrumental that starts with blowing winds. I can see the funereal procession of somber faces, and then the aftermath, thinking about what’s brought you to this moment. The music picks up as you think about what you’ll do next. It’s a bit chaotic, but then starts clarifying and rising, lifting your energy as you march forward, your decisions made.

“Love Lies Bleeding” begins like brisk fresh start. “Okay, this happened, but life goes on, and I’m going on.” But the words tell an unfolding story of betrayal, reflection, and exasperation.

Together, you end up thinking, “Yep, that’s life.”

Of course, the two songs came off of the fascinating 1973, Goodbye Yellow Brick Road, an album about growth, change, and rock and roll’s influence on a young person’s life. Yeah, we played it a few times.

0

Monday’s Theme Music

You ever play with those idle daydreams about your life and where you’re at? Maybe think, if I wasn’t married, or didn’t have kids, or this business, or this job, I’d be gone? Think about getting on that long train running and disappearing?

It’s not that your life is so terrible, but you’ve wearied. The sameness of your routines bury you. You eat the same breakfast, lunch, and dinner, perhaps varying it by the day of the week, perhaps spicing it up by a change of season. The sameness is unrelenting, with breaks for holidays. Once that holiday ends, though, it’s back on the bus, back on the line, back in the cubicle or the office, back with the laundry and dishes, back in the car in a car, racing to work so you can make up the hours and race back home. Then you sit down and watch variations of the same television shows, movies, and sports.

Maybe, instead of disappearing, your fantasy is that you make it big because money, while it won’t buy you happiness, can give you enough room to breathe and try to do go to some of the places of your dreams, something that will break the damn sameness of your existence. Your fantasies veer toward winning the lottery or publishing a book that becomes a best seller, or finally getting recognized and promoted at work.

Doobie Brothers noticed that most people stay where they are because of love. Maybe it’s the love for another person, or maybe it’s the love of the place where you were born, or where you live. Without that love, where would you be now?

Sorry. Pre-coffee rant. Monday morning blahs. The same old song and dance.

4

Thursday’s Theme Music

My rocking stream was turbulent this morning. Portugal! the Man kicked it off. Then I bounced into Train and GnR to Springsteen. Run DMC’s cover of Aerosmith’s “Walk This Way” came up, which led to Aerosmith’s cover of the Beatle’s “Come Together”. From there, I bounced into Aerosmith’s “Toys in the Attic” and then the Beatles’ “Paperback Writer”. Next, though, Marshall Tucker invaded, followed by CBD, which took me to Lynerd Skynerd.

A cat provoked the last. Tucker, the black and white feline enigma for which little outside his fur seems black and white, followed me around as I prepared to depart the fix. At one point, he got underfoot, and I chided him, “Won’t you give me three steps?”

That’s how I got her. Here’s “Gimme Three Steps” from 1973.

1

Friday’s Theme Music

After another night of peculiar dreams that ended with Boomtown Rats singing “I Don’t Like Mondays”(hello, it’s Friday), and streaming some Brian Seltzer, “Knockin’ On Heaven’s Door” arrived in the stream. I had the dubious enjoyment of Bob Dylan’s original version alternating with the Guns n’ Roses cover. Clapton’s reggae version slipped in there a few times, as did the a recording of Tom Petty singing it with Bob Dylan.

Although I prefer Bob’s original song, the Guns n’ Roses’ cover (1990) dominated today, so I went with it. Had to have a shot of coffee before I stopped feeling like I was knocking on heaven’s door.

Cheers

0

Saturday’s Theme Music

After a night of interesting dreams – no family, games or military, but soup, spilling, and reach – I awoke and turned to thinking about the novel-in-progress. I focused on where I’d stopped yesterday, conducting a what’s-next exercise. Then I catapulted into more generalities before spinning the wheel to think about the greater story.

The muses were present and engaged, so it was a comfortable exercise. One said, “We can do this,” and another said, “I know we can.” “Yes, we can,” a third said.

That’s when I realized that they were channeling a 1973 Pointer Sisters song, “Yes We Can Can”. Although mostly about politics, change, and unity, it’s a powerful, energetic song about trying and confidence, too.

We got to iron out our problems
and iron out our quarrels
and try to live as brothers.
And try to find peace within
without stepping on one another.
And do respect the women of the world.
Remember you all have mothers.

Read more: The Pointer Sisters – Yes We Can Can Lyrics | 

Nineteen seventy-three. It was yesterday, and faraway. Here we are, dealing with madness in the White House, and setting up for more military conflict in the Middle-East. You know, because bombing other lands has all gone sooo well.

0

Blog at WordPress.com.

Up ↑