Saturday’s Theme Music

Heard this one on the satellite radio yesterday. Memory gates crashed open when I did.

Chicago released “Color My World” in 1970. The slow ballad was an instant hit at school dances because it was a modern song, sloppy and sentimental, but with a slow tempo. That made it a perfect slow-dance song. Slow dancing was important to me as a fourteen year old. One, I could dance with girls to it. Two, I could dance with girls to it.

The song’s author and vocalist, Terry Kath, died just eight years after this song was released. He was also Chicago’s lead guitarist. His extended solo on “25 or 6 to 4” mesmerized me when it was first released, and I still enjoy it.

Hope this song stirs some memories for you.

 

 

Friday’s Theme Music

Today’s music comes right out of my dream.

To begin in the dream, my older sister and I were in a walk-in closet. No reason ever became clear as to why we were there. She was chattering, as she’ll sometimes do, which irritated me. A song was playing. The song was muffled, as though it was being heard through walls. I knew the song but I couldn’t place it because of her chattering.

Then I was in a car, driving. My car was fourth in line. We were on a street with a double-yellow line. The three cars ahead of me were on the left side — the wrong side — of the road. I didn’t know why. They were going very slowly. The road was in excellent shape but the fact that we were on road’s wrong side annoyed me. No signs were visible to account for that. I wanted to change over to the right side but not knowing why they were on the left side – what did they know? – kept me behind them, following. I was hugely irked.

Music played then, something about going straight. Then the song, “Amber” by 311 played. I thought amber is all about warning, as in amber flashing lights. “Amber” didn’t end, but “Forty Days and Forty Nights” began. That song, covered by Steppenwolf, was what I’d heard in the closet with my sister.

It was still streaming in my head when I awoke, so here it is, today’s theme music, the Muddy Waters classic as Steppenwolf did it in 1970. Enjoy a little bluesy rock.

Saturday’s Theme Music

You get a twofer today.

This photo on Facebook reminded a friend and I of a conversation we once had about the songs, “Our House”. One version is by Crosby, Stills, Nash & Young. Madness did the other. We just chatted about how different these songs were as we went about something else.

I haven’t seen him since around 2003 but I remember him fondly. FB connects us, so sometimes FB works as designed.

Sunday’s Theme Music

Today’s theme music is a surprising turn for me. I blame my dreams.

I had a cluster of dreams last night that shared the theme of saving. I saved some people and animals in a few dreams, but I was also saved, most memorably once by a Jack Russell terrior. The dog led me out of what appeared to be a benign situation. After I thanked him, he left.

Keeping with the weirdness of all that, I awoke thinking, “And it said so in my dreams.” I immediately knew that line from “Candida”, a hit song by Tony Orlando and Dawn back in July 1970. I never had one of their albums, but they were immensely popular in the early seventies. That popularity translated to a lot of AM and FM radio play and appearances on television shows — or did the radio play and appearances on television shows lead to immense popularity? Either way, I heard them often. Pop culture tends to be like that.

Monday’s Theme Music

Today, after awakening, rising, and feeding the cats, I began streaming a Bee Gees song called “Lonely Days” (1970). Don’t know what prompted my neurotransmitters to order this song today. I think it might have to do with rain. It was raining as I awoke, and stayed in bed, listening to it for a short period before thinking, “Must have coffee,” which prompted me to get up.

“Lonely Days” always strikes me as a rainy-day song. Something about its timbre reflects a gray, rain-swept landscape to me, a feeling that intensified as I walked on damp pavement and light drizzle.

Here you go. Have an excellent day.

 

Friday’s Theme Music

Streaming something outta my yewt, a Canned Heat cover of a gem called “Let’s Work Together”, 1970. Don’t know why that song came to me this morning.

Yep, it’s a mystery.

Sunday’s Theme Music

Everyone sing.

I took her home to my place, watching every move on her face
She said, “Look, what’s your game, baby?
Are you tryin’ to put me in shame? ”
I said, “Slow, don’t go so fast
Don’t you think that love can last? ”
She said, “Love, lord above, now you’re gonna trick me in love”
All right now baby, it’s all right now
All right now baby, it’s all right now

ht to lyricsfreak.com

I’m always surprised when people do and don’t know the words to popular music, but then again, we’re not all in the same vacuum. A friend of mine insists he only really knows and likes one song. That song is “Battle of New Orleans” by Johnny Horton. That I knew it and could sing it to him impressed him.

His wife is like me. I guess we listened to a lot of music on the radio. Her husband’s excuse is that he was doing tours in Vietnam during that time. (Cue, “Country Joe and the Fish” and the “I Feel Like I’m Fixin’ To Die” rag. No, he doesn’t know that one, either.) He’s older than us.

I’m surprised, too, by the young people who know the classic rock songs. Many know them via their parents and older siblings’ listening habits, while others learn the music through movies or video games like “Guitar Hero”.

Here’s Free from 1970 with one you may or may not know, “All Right Now”.

Saturday’s Theme Music

I was streaming this song as I walked today. It’s a favorite song. A number of performers have covered it. I think my two preferred versions are by Creedence Clearwater Revival and Marvin Gaye. CCR did a long version of it that has a little more rock ingrained, while Gaye’s version had more blues and soul to it. Gaye’s version was released in 1968 and was a huge hit. CCR came out with their version in 1970.

Here’s both versions. Hope you enjoy them.

 

Tuesday’s Theme Music

A nostalgia stream is flooding me today. First it pushed me to consider old television shows, then I began googling places where I used to live, using the street view to remember those childhood places.

Music then came up. While I was discovering rock, pop and its bubblegum variations were very active, with a presence from groups such as the Osmonds and the Jackson 5. When “ABC” and “One Bad Apple” were big on the radio airwaves, I read a newspaper article in the Pittsburgh Press about whether Michael Jackson or Jimmy Osmond would have a successful singing career after their voices changed.

So, in memory, here’s “ABC” from 1970 on ABC’s American Bandstand with Dick Clark.

 

Friday’s Theme Music

Today I’m streaming a song out of 1970. I’m a Joe Walsh fan. Before he went off to perform on his own or with the Eagles, he was part of the James Gang. I’m streaming their best-known song today, “Funk #49.” Wondering how and why it was called “Funk #49”, I read in an interview that it was a jam that the James Gang used to do. They figured they’d done it at least fifty times, but the band’s engineer said that they hadn’t. So, they called it forty-nine.

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