Tag: 1970

Today’s Theme Music

I awoke with this song stuck in my head. It wasn’t the song I had in mind for today.

Burt Bacharach and Hal David wrote ‘One Less Bell to Answer’ in the 1960s. The ‘Fifth Dimension’ had a hit with it around 1970.

The 1960s and 1970s was a great era of music. We had surfer music, blues, R&B, folk, psychedelic, country and western, and the British Invasion all being blasted from our AM radios. Many of the acts appeared on television and music shows, like ‘American Bandstand’ with Dick Clark, or ‘The Ed Sullivan Show’. 

Oddly, the song is connected to a time of transition for me. That gives me pause as I wonder why the song is stuck in my brain today. My family lived in the Pittsburgh, PA, area, having moved to that area in the late 1950s. We had lived in a brick duplex in Wilkinsburg. My aunt and her family lived next door to us in a like duplex. Her son, my cousin, was my age. We were best friends for a long time.

His family moved to a new housing development in Penn Hills in the 1960s. We also moved there a few weeks later. I ended up living about two blocks from him.

Meanwhile, though, my other friends remained in Wilkinsburg. I made it a habit to return to visit them. I usually rode my bike the miles between the two locations. Then my bike was stolen and I walked.

But my friends changed. I no longer felt a part of them and moved on. That’s why it’s interesting this song is stuck in my head this morning. Between my dream and my writing and this song, I wonder what conference is going on in my subconscious mind.

Here’s Marilyn McCoo and the Fifth Dimension, performing ‘One Less Bell to Answer’ on Soul Train.

 

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Today’s Theme Music

Man, I’ll tell you what, the music emerging during the 1960s and 1970s was part of an amazing scene. Listening to those old songs give me a lift. This particular group, song and album were polarizing. When Mom heard me listening to this, she asked, “What is that you’re listening to?”

“Black Sabbath.”

Two words which probably did little to calm her. “Black Sabbath?”

“Yes. This is ‘Paranoid’.”

This woman who enjoyed Barbra Streisand, Dean Martin, Frank Sinatra, Tony Bennett, the Ink Spots, Platters, Nat King Cole, and on and on, studied me for seconds with mild distaste. Announcing, “It sounds paranoid,” she returned to her housekeeping routine and then called back, “Turn it down.”

Turn it down was something I’d hear a lot in those days.

Here we have it, a little gem called ‘Paranoid’, with Ozzy Osbourne on vocals, Tony Iommi on lead guitar, Geezer on bass and Bill Ward playing the drums, from 1970.

Get out your air guitar and turn it up.

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Today’s Theme Music

“I like to dream….”

Yeah, I like to dream. Sometimes I’m bothered that I experience so many nocturnal dreams, often three to five per night that I remember. But many of the dreams are positive and uplifting.

Likewise, I like to dream and write in my head, spinning stories to myself that are written too fast and fluidly to ever find its place in reality for others to enjoy. I work at writing and publishing fiction but it is work. Besides wanting stories that keep their attention, people want correct spelling, grammar and punctuation. They want consistency and explanation. Many are also interested in ‘facts’.

Facts, bah. I’m a fiction writer.

No matter, they retort.

Bah. They’re such sticklers.

This spin of thoughts spun me back into one of my favorite early albums, Steppenwolf Live’. I wore the vinyl off that mutha. I have several favorite songs from it but went with one that resonates best with me as a dream: Magic Carpet Ride.

Ride with me as the ‘wolf performs it in Santa Monica back in 1970.

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Today’s Theme Music

Pulling one out of the memory cloud, I came up with a classic. ‘Black Magic Woman’ was written by Peter Green and performed by Fleetwood Mac.

I did not much care for that song and rarely heard it.

Two years later, Carlos Santana put it on ‘Abraxas’. I think that’s the one most people know. Most people think Santana wrote ‘Black Magic Woman’, and are unaware of Fleetwood Mac’s version. I’m speaking of the people I know in America. Other peoples in other countries, or or other ages and persuasions, may know differently.

The differences, IMO, is that Green came up with the lyrics but he and his band couldn’t provide it with the musical structure needed. Carlos, on the other hand, with his powerful licks set against that soft, mysterious organ, a steady bass that sings the lyrics at times, a Latin beat, and Gregg Rolie’s vocals, seems like a much more fully realized vision.

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