Tag: 1969

Friday’s Theme Music

Get your motor runnin’.
Head out on the highway.
Lookin’ for adventure.
And whatever comes our way.

Some songs and performers are permanently linked in memory for me. The performers have other hits, but one song first comes to mind when I hear their name. Say Pink Floyd, and I think, “Money”. AC/DC, “Highway to Hell”. The Who, “Won’t Get Fooled Again”. Black Sabbath: “Paranoid”.

For Steppenwolf, it’s a ditty called “Born to be Wild”. I was enamored of Steppenwolf when I was thirteen. That would have been 1969. My friends weren’t as impressed. Mom knew I liked them, though. She showed me a newspaper article about John Kay’s escape from Russia. Then Easy Rider came out, featuring the song. Yes, I had a poster of Hopper and Fonda on their choppers on my wall.

“Born to be Wild”, from 1968.

 

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Saturday’s Theme Music

I stumbled across an article about the rise of arena rock. The article mentioned that Cream, on its farewell tour, headlined the first rock concert at Madison Square Gardens. That’s all it took for me to start streaming some Cream. As a big Cream fan, I enjoy a number of Cream songs. I started with “Strange Brew”, shifted to “Brave Ulysses”, followed with “Sunshine of your Love”, but then went to an old blues standby, “Crossroads”.

There I stayed, caught on the rock rhythm, but thinking about the lyrics, fixated on the final line. “And I’m standing at the crossroads, believe I’m sinking down.”

Every day brings a crossroads. You make choices. Some blindly follow the same road, and some willfully follow that road. Both refuse to consider the crossroads that they’ve reached, pressing on.

As writers, we’re often at crossroads about what a character will say or do, and how the story will change to advance the plot. Every day brings the opportunity to feel like you’re sinking down, or the belief that’s what’s happening. It’s easy to get caught there, especially when you thought you’d be making more progress, or that things would become easier. Each novel and chapter, though — each crossroad — is unique. You can learn some hints about how to navigate these places, but they often require a fresh approach.

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Sunday’s Theme Song

I heard “I’m A Man” by the Spencer Davis Group, but the Chicago cover (when the band’s name was still Chicago Transit Authority) is my preferred version. I have a fond memory of being sixteen. I was at a friend’s place with several others. We had the lights low, and were smoking some grass, drinking beer, and listening to “I’m A Man” cranked up. That opening bass begins, and then drums rise and other instruments join and build tension.

Ah, fond memory.

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Thursday’s Theme Music

Today’s theme song, “I Want You (She’s So Heavy)” began streaming into me as felines catgregated around me wherever I went. The lyrics are repetitive – “I want you, I want you so bad” (perfect lyrics for the cats as they follow, waiting for me to sit so they can sit on my feet or jump on my lap) – but I enjoy the song’s tempo changes and the variations on how “I want you” is sung.

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Tuesday’s Theme Music

I’d only recently learned that Dave Mason wrote this song. I knew that Traffic had performed it, but in my heart, this song always belonged to Joe Cocker. Whichever group or performer does it, the song always lifts me up. I loved it when he sang it in concert.

Hope it lifts you today, wherever you are, whatever you’re doing. Here’s Joe Cocker with “Feeling Alright” from 1969.

 

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Saturday’s Theme Music

I’ve always enjoyed this song’s beginning. A chorus, a softly strumming acoustic guitar, and then a gentle French horn, each remarkable by themselves but coming together to set you up in an introspective mood.

When I first heard it, I thought, “Is that a French horn? Who is playing it?” Because a French horn isn’t part of the Rolling Stones’ typical composition. Later, there’s organ and piano, and wondered, “Who is on those?” I learned it was Al Kooper on them, along with the French horn. Pretty cool.

The song is, “You Can’t Always Get What You Want,” a well-known Rolling Stones song from that terrific album, Let It Bleed. I like the song’s story-telling style, how it touches on different political and social elements of that period, rising rises from a reflection on a female addict into a rousing anthem for rebellion and struggle.

You can’t always get what you want
But if you try sometimes you just might find
You just might find
You get what you need

h/t AZLyrics.com

It’s a stirring rallying cry: try, and you might find that you get what you need, and it may not be what you thought it was.

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Sunday’s Theme Music

This is a long time favorite. I hope I’ve not shared it before. If I have, suffer.

Let’s listen to CCR, sometimes more formally known as Creedence Clearwater Revival, and their song, “Bad Moon Rising,” from 1969. I like this, too, for the mondegreen, where, “There’s a bad moon on the rise,” is sometimes heard as “There’s a bath room on the right.” I’ve been known to propagate the misheard lyric and assure people those are the corrects words.

Cheers

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Wednesday’s Theme Music

This song is one of my defacto songs that I start streaming when I’m walking. Several walking songs are plugged into my streaming library. There’s a Nancy Sinatra offering, where she sings “These boots are made for walking,” and a song less about walking but about getting there from Grand Funk, “I’m getting closer to my home,” and some song by some guy named Miller who sings, “King of the Road.” Which one pops into my stream seems dependent on my mood.

Today’s classic is offered by Edwin Starr. Here is “Twenty-five Miles,” from 1969.

Ta

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Sunday’s Theme Music

In the wake of remembering David Cassidy and the Partridge Family, and Bread, another song slipped into my musical memory stream. Running on infinite loop since yesterday afternoon, I need to share it to dislodge it.

Here are the cartoon/comic strip band, The Archies, with “Sugar, Sugar,” from nineteen sixty-nine.

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Sunday’s Theme Music

Ah, The Band. Oddly, I was reminded of them when I was attending a Veteran’s Day Concert presented by the Southern Oregon Concert Band. Besides the Star Spangled Banner and America the Beautiful, a medley of Irving Berlin, World War I music, Aaron Copeland songs, and John Philip Sousa were presented, along with each of the U.S. military services’ march songs.

But I walked away thinking about The Band, and this song, “The Weight.” Perhaps it was because the concert program reminded me of my youth. Mired in the middle of my early growth was a little event folks call Woodstock. Part of it was “The Weight.” The song has a folksy sense that reminds me of a Faulkner album and makes me smile. I always thought of it as good road music, with questions without answers, answers without explanations, and anecdotes with gravity that give shape to our lives and change our hopes.

Hope you find something in it, too.

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