Science fiction, fantasy, mystery and what-not
This song streamed into my head while I was shaving this morning. There’s no evidence for why this song emerged from my mind’s general morning chaos. The song came out when I was eight years old, but it’s a ubiquitous melody with an easy, harmonic hook. The Beach Boys were known for those harmonies.
Staying with Argent, I enjoy one of the early songs he wrote for The Zombies, “She’s Not There.” Although it’s been covered by many others, including Santana, I like the original.
It came out in 1964, when I was eight years old. I obviously learned it through repetitive play, mostly on the radio. Its melody seems reflective about the subject, while the words are bitter and wondering. I like the yin and yang feel to the combination.
You know, when you keep your hopes alive, you keep believing, a change is going to come. Just today and tomorrow, and it’s the weekend, if that means anything to you. Fall is here in the Pacific Northwest, and winter is coming. Twenty-seventeen has built up its speed, and there’s every evidence it’s going to keep accelerating until it crashes into twenty-eighteen. Time flies; our lives fly. And we keep hoping for change.
I didn’t hear this song until long after its release. Someone covered it; I don’t know who. I didn’t know the song, and long after I first heard it, when the net finally come to be, I remembered it, bit by bit, and looked for it. Here it is, Sam Cooke, with “A Change Is Gonna Come, from nineteen-sixty-four. You gotta believe it, if you’re going to persevere.
Drop it all, whatever troubles you and weighs down your body, just let it go. Close your eyes and let yourself feel light and alive. It’s summer in the north, and winter’s coming south of the equator, but we can all come together and do a little dance.
Marvin Gaye, Mickey Stevenson, and Ivy Jo Hunter wrote it. It first found popularity in the U.S. with Martha and the Vandellas in nineteen sixty-four. David Bowie covered it with Mick Jaggar, Van Halen covered it with David Lee Roth singing the lead vocals, the Mamas and the Papas, and the Grateful Dead covered it, among others. Those are the ones that I remember. You probably know it from somebody else’s cover. If not, the words are easy and the beat is contagious. As they say, “Summer’s here, and the time is right, for dancing in the streets.”
Get up and sing and dance with Martha Reeves and the Vandellas with the first popular version of “Dancing in the Streets.”
Today’s theme music is based on a song that came out in 2015. A deeply provocative and thoughtful song, it received a lot of air play and was said to profoundly affect millions of people around the world.
‘Uma Thurman’, by Fall Out Boys, states the secret dreams and desires many of us had when we watched John Travolta and Uma Thurman dancing in Q. Tarentino’s 1994 hit film, ‘Pulp Fiction’.
It also features a riff out of ‘The Munsters’, altogether creating an unusually memorable turn in the song. When it came out on the radio, you’d be driving along, listening, and then suddenly hear that and think, “WTF?” The song ends up then addressing not only life in 2015 America, but part of our culture from 1994 and 1964.
‘The Munsters’, starring Fred Gwynn and Yvonne De Carlo as the father and mother of a family of monsters living at 1313 Mockingbird Lane, is classic 1960s American television. Here’s the theme music, in case you can’t place it.
Michael Seidel, writer 