The Writing Moment

Back at home with individuals not driven to write, the conversations awaken my muses. They gather to watch people, and think about their lives and times. A common concept about pain, end of life, children dealing with Mom and each other, begins evolving.

Aspects emerge. Donuts being thrown against the side of the house one frozen December Sunday. Children running away and returning. Marriages and divorces. Many marriages and divorces. Enduring secrets. Diseases that strike and tear our family apart and bring us back together.

The first stories I remember hearing about Mom was when she was fourteen. She lived in Turin, Iowa. Small town. V-E and V-J were just a few years before. The children habitually walked the streets over to watch television through a window. The window belonged to the hardware store, which was also a cafe. It had the town’s only TV, as television was then so new. The hardware store/cafe also had the town’s only phone. If a call came in for a resident, the owner’s son ran to fetch them.

Then there is Mom’s tale about the Sunday chicken. Her mother was leaving and warned Mom and her older brother, “Don’t you get this house dirty while I’m gone.” They heard the iron in their mother’s voice and the threat it carried.

But they were siblings and started teasing each other. It escalated until Mom grabbed the roasted chicken and threw it at her brother. He ducked. The chicken slammed into the wall. They watched it slide down, fixing the wall with a greasy trail. Looking at one another, they knew Mom was going to beat them.

Yes, there’s stuff to be told, as there is in many families.

The Writing Moment

Still at it with the manuscript in progress. Its working title remains Memories of Why.

As I began rev 6 — I think it’s rev 6 — I saw that I’d gone too meta. The beginning was too abstract. I understood things, sure; whether muses created it, or I did with my imagination, or it’d flown into my being from some other dimension or alternative reality, I was familiar with it.

But it wouldn’t work for other readers. I’m sure the great mass of others would ask, “WTF?” I didn’t want to put that on them. I needed to create a more substantive setting for them.

As I worked on the last revision, another aspect of the situation had emerged. I could weave elements of that arc into this one. I felt it would cement the story, provide a solid introduction to the main character, and create greater empathy for him.

So that’s what I did. Feeling a need to couch it all in the best words and phrases I could, there’s been a lot of stop and go. Lot of deleting to begin again and a great deal of going off page to write myself into understanding. I think, therefore I write, so I know what I think. I perceived how I sometimes overthought myself into paralysis. Made things too difficult for myself. Tried to be too clever or too precious.

Intriguing to me, when I began each time, the world would form, the characters would drop in, sounds would be ladled in, and the place and its story would be. Then I’d wipe it out and commence again. And again, all would fill in, like I was opening doors and walking into other worlds.

The aspect of the process is stunning and mesmerizing. Once I felt sure of the scene and moved on, I felt the weight of that existence as surely as I know impact of the real world that I inhabit.

So, there were detours. There usually are in any effort. But I advance. So does the manuscript. And the pleasure and satisfaction remains.

Cheers

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