Good Omens

A restful night’s sleep.

(With interesting dreams.)

Happy cats.

(Fed, contented, and not fighting.)

The window sills painted.

(They look great.)

(And I am pleased.)

Blue sky and sunshine.

(No clouds at all!)

Warm weather.

(68 now but due to reach 84.)

Soft breeze.

(Cool with spring’s fading influence.)

(And fresh with blooms’ sweet fragrances.)

No redlights!

(This might be a first.)

The perfect table, in the perfect location.

(Quiet solitude to edit.)

An awesome quad shot 12 oz mocha.

(Non-fat.)

(And delicious.)

All signs are trending up.

(It’ll be a good session.)

Time to write like crazy.

(One more time.)

Expectations for the Brain

This week, I enjoyed discovering and re-discovering reading regarding the brain and how it works, how we can change its workings, memory, and meditation’s effects on the brain. This all seems to be about practice, expectation, and changing expectations.

DelanceyPlace.com is a website that publishes excerpts from fascinating non-fiction. Back in 2015, they published an excerpt from a 2014 book. By Matthieu Ricard, Antoine Lutz and Richard J. Davidson, the book, Mind of the Meditator, is about how mastering a task transforms the brain’s pathways.

“The discovery of meditation‘s benefits coincides with recent neuroscientific findings showing that the adult brain can still be deeply transformed through experience. These studies show that when we learn how to juggle or play a musical instrument, the brain undergoes changes through a process called neuroplasticity. A brain region that controls the movement of a violinist’s fingers becomes progressively larger with mastery of the instrument. A similar process appears to happen when we meditate. Nothing changes in the surrounding environment, but the meditator regulates mental states to achieve a form of inner enrichment, an experience that affects brain functioning and its physical structure. The evidence amassed from this research has begun to show that meditation can rewire brain circuits to produce salutary effects not just on the mind and the brain but on the entire body. …”

Addressing how ‘the adult brain be still be be transformed through experience’, HuffPost had a related story this week, To Increase Your Well-being, Train Your Brain. Mimi O’Connor wrote, “Dr. Richard Davidson, neuroscientist and founder of the Center for Healthy Minds at the University of Wisconsin, Madison, believes that practice is the key element in changing our brains for the better. He is well known for his pioneering study with Buddhist monks. In that study he hooked the monks up to fMRI machines and observed their brains as they meditated. The monks produced gamma waves, indicating intensely focused thought, which were 30 times as strong as the control groups.’ Additionally, large areas of the meditator’s brains were active, particularly in the left prefrontal cortex, the part of the brain responsible for positive emotions. This study showed that conscious effort can change the neural structure, activity and function of the brain.” Dr. Richard Davidson was one of the other book’s authors, of course.

“Similar to the inspiring theme of the film Field of Dreams, “Build it and they will come,” Davidson’s motto seems to be, “Exercise them (neural pathways) and they will strengthen.”

Offering another point of view that affirms the same was Sophie McBain in Head in the Cloud. Her article addressed human memory and studies regarding the impact of computers and digital systems on our ability to remember. What becomes clear from her intriguing article is that, part of what affects our ability to remember, is our expectation of a need to remember. Here, in essence, we’re seeing the opposite impact of the other articles, where people who have computers to help them remember, don’t practice remembering, thereby weakening their ability to remember.

They’re all ripple effects, aren’t they, a sort of Doom Loop on the one hand, of expecting less and trying less, and so spiraling into achieving less, or conversely, a Halo Loop, of expecting more and trying harder.

Of course, I need to tie this back to writing. Practice writing, pursue it, try to master it, and the pathways and areas of the brain used for writing can be strengthened and transformed. Instead of believing you can’t, believe you can, and try. Being human, it’s rarely that simple, and people like Judith Sherven, PhD, can inject insights and ideas for re-working the subconscious programming behind the Doom Loop.

I’d also like to tie all of this back to time, reality and the nature of existence, but that’s for another post. Instead, I need to go off and write like crazy, at least one more time.

The Writing Like Crazy Process

The writing like crazy is structured and unstructured, crazy and sane. Really, it just is. Such tautalogy is extremely helpful, isn’t it?

But it is what it is (there’s that help again). Originally structured to shift me from the real world’s insanity to the pleasurable world of writing and editing fiction, the process was all about release. Let me go, job, wife, cats, house, bills, stress, frustration, whatever. Take me away, writing.

The early days began as an after work period. Go somewhere in the house and write. That didn’t work too well, and I blame me. I couldn’t stop myself from falling into normal home routines and thoughts. I initiated a program to go somewhere else and write. Armed with a Z4 pen (my preference) and black and white marble composition notebooks (I was always alert for notebook sales), I usually ended up in a coffee shop, where I would have coffee. Coffee shops were tested like bath water until the ones that worked just right emerged. I was traveling for business often in those years, so I would often write in airplanes and airports.

But my hours and routine were iffy. When home, I often ended up writing only on weekends (at Printers Inc), by getting up early. That wasn’t enough, so the program was expanded to an extended lunch hour at work. Testing the process, I discovered that walking improved my writing mood, so I parked about a mile from the coffee shop and walked. In 1999-2000,  I could be spotted in San Mateo, California, walking to a Starbucks. As my company moved its office to Shoreline in Mountain View, I drove to downtown Mountain View and used that Starbucks. Meanwhile, I lived in Half Moon Bay and walked each Saturday and Sunday morning to La Di Da. After moving to Ashland, Oregon, in 2005, I began walking the town to coffee shops. The marble composition books were replaced by laptops.

In those days, I set a word count target, and I tracked it meticulously. There was no pay it forward, no credits and debits. 1,000 words needed to be reached each day, every day. Even if I did 2,000 one day, 1,000 was required the next day. I never let myself off that hook.

With each refinement, I learned more about myself and my writing process. I discovered I was an organic writer, writing with scant mapping or outlining. I found that writing like crazy was critical. Writing like crazy meant that I shoved aside thoughts of grammar, facts, punctuation, and sometimes even point of view and character, and just rode a wave of words rushing into my mind. Then I’d go back and fix it all. When I stalled, I learned to create snapshots to find direction. Snapshots were just exploratory summaries to help me find understanding of the character(s), setting(s), plot, concept, story line, whatever. They were generally not meant for reader consumption, except for my reading.

Learning and evolving fortunately continued. I learned to ask, why, why, why did this character do this or that, or this or that happened, along with the corollary matters of when, what and how.  I saw how I told and then showed the same thing, how I tended toward passive writing, how I enjoyed run on sentences and became more mindful of them – when editing – but how, becoming aware of them, fixing them were folded into my writing like crazy process. I learned what I really enjoyed reading by critiquing others, good and bad, for my own enjoyment, and then shaping my voice to be what I most enjoyed in those books, and I threw the reading doors open to all genres and authors.

I’ve always ‘written in my head’, phantom writing, where I see or hear a scene or the developing story. I found how to harvest the essence of those moments and pick them up and put them into the story. I taught myself to be unafraid to revise and edit as I wrote, discovering that fiction writing was much more like creating a painting then it was like writing an essay. And I encouraged myself to have fun.

I no longer have a daily word count. They’re not needed and I often find myself writing several thousand words. The shift to writing mind is much easier now. I can pick up the story line and where I was quickly in my mind and typically pick up where I was with just a few moments of thought.

I’ve written a number of novels, but haven’t published but two. They’re both recent after wearying myself with the agent/publisher route. Each agent had different requirements, and that tedious process drained my joy and optimism, as well as savaging my writing time. So, fuck it, I’ve gone the ebook self-publishing route. I don’t have great expectations, but I won’t be a fraud and claim it doesn’t matter; it does. But, just as with the writing process, and most of everything else I’ve done in life, I’ll keep trying, keep working on it, and I’m confident, I’ll continue progressing.

Now…time to write like crazy, one more time.

 

 

 

I Don’t Wanna

I don’t want to edit my novel.

Not because I don’t love my novel.

My novel is like a brightly shining star.

That can be taken many ways. If it’s a star, its light must travel great distances. That takes a long time. If the novel’s words are the light, its light will not reach people for a while. So what’s another day or two?

If the novel is a star, it’s unique and alike, like snowflakes, beers, cats and people — and novels. It’s remote and unattainable, but inspiring and bright, a thing of beauty and mystery, something to be parsed, studied, watched. Something for wonder.

I don’t want to edit my novel.

And my brain is very happy with that. Come, let us write other stories, my brain says. It’s a beautiful day to start a new story, or to continue one you set aside. Remember that novel about the bookmarker? You want to write it, don’t you, I know you do.

Yes, I want to tear into that novel like it’s a fresh, warm piece of blueberry pie with a scoop of ice cream.

But I am strong, and I resist!

What about that other novel, the one about the woman and equations? You really want to write that novel, don’t you?

Yes, I want to write that novel like it’s a mug of cold ale on a molten lava day.

But I am strong, and I resist!

What about that other novel you’ve been thinking about, you know, the one about the weapon system that impairs people’s memories so people end up with other people’s incomplete memories, and try to live others’ lives? If you don’t want to do that one, you can work on the next novel in the Lessons with Savanna series, Personal Lessons with Savanna. You were writing a chapter in your head this morning while you were weed whacking. There is also the novel about when time fractured —

Enough, brain, enough. I am strong, and I resist! I will edit.

I will edit, I will edit, I will edit.

Oh, but to sample a new novel, to dip myself into those places and characters and let their chi flow through me.

I will edit, I will edit, I will edit.

I will edit.

Really, I will edit.

Basking

Pardon me, everyone, but I am basking today.

I have at least reasons three for basking, all related to my writing endeavors, and by basking, I mean enjoying the glow of accomplishments.

The first is that my ebooks are doing better than I expected (although not better than fantasized…but, come on…). Their buying patterns are so different so I’m curious about whether that will continue. My mystery novel, Life Lessons with Savanna, a KDP exclusive, shot out and up for a few weeks, but then dropped to nothing. On the science fiction side, Returnee (also a KDP exclusive) began with slow sales but has consistently built and grown, now accounting for all my sales and reading activity. Either way, someone out there is looking at them, and I’m basking in that.

More importantly and satisfying for me is completing the second book in the Lessons with Savanna series, the sequel to the previously mentioned Life Lessons with Savanna. This one is Road Lessons with Savanna. I finished writing it yesterday and completed the cover design last night, presenting me with double basking reasons. Some people are impressed that I took Road Lessons with Savanna from concepts to novel in less than four months (I began writing it on March 3rd, 2016, and finished on May 30, 2016), which is decent for 100,000 words. I attribute that to becoming more comfortable with my conceiving, writing, plotting and editing processes. I hope I’m right and that I’ll successfully duplicate that performance.

My third basking reason is perhaps more profound. While writing Road Lessons with Savanna and conceptualizing the next in the series, Personal Lessons with Savanna (and even writing two chapters), I discovered I grew more into my writing skin. That means I more easily put it on. Writing sessions are typically 90 to 120 minutes. I generally achieve 1,000 to 3,000 words in that period.

After basking today, I’ll update my Booklife profile and work on preparing Road Lessons for KDP processing and release. Road Lessons will also be a 90 day KDP exclusive. Returnee will come off the KDP exclusive list in June, and I’ll then take it to Smashwords to provide it with more publishing venues. I plan to keep Life Lessons with Savanna and Road Lessons with Savanna on the KDP exclusive list until I write and publish the third book in the series, Personal Lessons with Savanna. Personal Lessons will also spend 90 days in the KDP exclusive club. Then the three will expand to Smashwords.

Meanwhile, for June, I’m completing the final edit on a science fiction novel, Everything Not Known, targeting an early July release. It’s been edited several times but it’s a complicated, 200,000 word tome, so I want to go through it one…more…time.

So, yea! I’m basking. Now, I have my quad shot mocha. To work.

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