Yes, write like crazy and ride the wave of words and ideas. Then edit and revise.
According to Another James
I agree. Get it written. Then you can correct it.
Embedded Plans
A friend asked my wife, “Is Michael always so affable?”
I laughed, of course. The friend was encountering social Michael. He’s affable, but he has a very short half-life.
To her credit, my wife said, “Mostly. He has his moods. He’s okay as long as I don’t disrupt his writing time. Then he turns into a bear, and it’s not Yogi or Boo-Boo.”
My writing day doesn’t begin until about eleven A.M. I walk before my writing session as part of my process. When I’m writing, I target scenes to measure progress, and not word count. I’m frequently able to think about where I left off, and then resume writing it in my mind as I walk. When I get in and sit down, I usually know what I want to write.
This doesn’t always work because the muses have their own plans. I try to be flexible, but it’s a struggle. I like having plans. Plans provide me with structure and illusions of control.
When the muses throw me off with their reveals, I often need to stop to see where they’re taking me. Since my writing time is precious, I’ll frequently go back and edit what I’ve written when that happens. That keeps me engaged in writing while giving my subconscious mind the opportunity to meet with the muses and hash it out. (There’s not actually any hashing out. The muses know where they want to take the story. It’s up to me to do as told. I like to say we’re hashing it out because it gives me the illusion of it being a collaborative effort.)
My writing session only lasts about two and a half hours. Plans are embedded around it, especially walking. Walking is my number one form of exercise, and it helps me process information.
My walking plans change by season. That’s not just spring, summer, autumn, and winter, but the embedded seasons of hot, fucking hot, cold, fucking cold, wet, and smoky.
We’re into the fucking hot season now, defined by jokes like, “Look, the temperature has dipped. It’s ninety-seven.” The forecasted highs range between ninety-nine and one hundred two for the next ten days.
For all the seasons, I break my walking down into bite sized goals. My overall walking goals remain about twenty thousand steps and ten flights. During the FH season, I try to make fifty-five hundred steps before I start writing at eleven. After I write, I then target ninety-one hundred steps. That gives me four miles by three P.M.
After that, plans are flexible and adjusted according to what else the day requires. I frequently end up walking about two and a half miles in the evening, leaving the house about eight forty-five and returning an hour later. Because we live in a hilly area, my flights go up to about sixty one these days. (I can do that during this season because we have more hours of daylight. This doesn’t work as well when it’s cold and dark, so I adjust.)
For all that, they are just plans. They rarely survive reality. In the end, I ride the wave of the day, seizing moments and narrowing my focus as needed.
Okay, today’s therapy is finished. Time to write like crazy, at least one more time.
Another Joan Said
I understand this feeling. Why, then, do I feel responsible for the quality of the words?
Well, because I’m the filter. The vision and story is being told, seen, and experienced as the muse guides me, but I ultimately flutter over the words, periods, commas, and all the other elements that writers must endure to get the story out.
Sarah Said
I so agree with this quote. I expended several years finding my quiet place. Because of the classic stereotype, I thought that it was an office in my house with a desk and a typewriter. When that failed to satisfy my writing desires, I bought notebooks and pens and haunted coffee shops. The next step in my writing evolution was to walk to the writing location to clear my mind of non-writing and re-focus on my writing efforts. The last step was to take my laptop with me and forego the pens and notebooks (although I always have one of each with me). The coffee shop is noisy with business, music, and conversations, but it’s free from the interference and incursions of writing at home.
It took years, but the result is worth it. If you want to write, don’t just do what others are doing; find what works for you.
Another Charles Said
I laughed when I saw this quote. I’m always chasing details to get everything to fit together, and worry that I’ve missed some.
The Turn
The turn I’ve encountered with my muse and the characters develops into a complex scene. I struggle to see the setting and put the pieces together.
It’s not writing block. This is like trying to solve a complex logic puzzle by assembling and analyzing disparate bits of information. Part of me is bucking against the muse, because it’s work, and I feel like I should understand it before I write it, while the muse just encourages me, “Don’t worry, just type.”
Part of this is laziness of the whiny, I-don’t-wanna immature sort. It’s groan-inducing work to think about how this fits into what has happened and seeing how these twists and turns affect the ending.
Part of it is annoyance of the sort experienced when you think you’re almost done and then experience a last-minute delay.
A friend comes by. I haven’t seen him in a few months. He apologizes for interrupting me,. I brush that off, and we chat. (His interruption secretly relieves me.)
His wife died of lung cancer almost two years ago. He’s been at a loss and he’s now seeing a grief counselor. He’s visiting his son and grandchildren, and his brothers. One brother lives down in Healdsburg, he said, which surprises me. I thought this brothers live in Chicago and New York. Yes, the one that lives in Ithaca still has a place there, and still teaches one semester a year at Cornell, but has decided to live in California for most of the year.
We chat further and exchange offers and promises. Who knows if we’ll keep them?
Returning to writing, I realize that his interruption was fortunate. As my muse knows, I over-analyze. Part of my issue when I do that is I fall into the weeds of the details. Down there, I can’t see the larger parts and picture.
I know and recognize this from my days as an analyst. It was always useful, after being presented with a problem, collecting and compiling information, to walk away and let my subconscious mind work on what it’s seen without the interference of my conscious mind and its foibles. Because I knew that worked, I cultivated the methodology and was successful with it. Collect, compile, regard, walk away, and then come back. The break always allowed me to see with sharpened focus and new clarity.
It happened today with the writing as well. Resuming, I understand where the muse is taking me and what I need to type. Lesson learned, once again.
Now I can write like crazy, at least one more time.