Isabel Also Said
Monday’s Theme Music
Today’s music is “In My Blood” by Shawn Mendes. It was released this year, 2018.
I’d been thinking about the work left in my series, Incomplete States, just to finish the beta edition, and then the revisions and editing left to take it to publication. I was also thinking that it has a strong chance of being read by few to no people. With all that to do, and other writing projects and life opportunities in limbo while I’m working on it, I thought, why not give up? Give up writing this series, and write something simpler and smaller. Why, in fact, write at all, with the odds so heavy against me?
Then the lyrics from “In My Blood” streamed in.
Help me, it’s like the walls are caving in
Sometimes I feel like giving up
No medicine is strong enough
Someone help me
I’m crawling in my skin
Sometimes I feel like giving up
But I just can’t
It isn’t in my blood
It isn’t in my blood
h/t to genius.com
Researching the song, I discovered that Mendes had written it in response to his struggles with anxiety disorder. Once again, as often happens, I became revitalized by reading of others who struggled and succeeded. If they made it, so can I.
So, thank you, Shawn Mendes.
Another Complaint to Make
My characters are irritating me. I’m itching to get to the action, but here they go, talking it all out, establishing what they know. It’s maddening.
“Come on,” I shout at them. “Let’s go.”
But, no. They continue to challenge each other’s memories, grasp of what’s going on, and what they’re supposed to do. It rankles me.
Yet, I understand it. They’re people who have been forced together, selected for what they don’t know and what they haven’t done. They’re not the same people they were earlier in the series. Of course they’re confused. Some are also resentful, angry, and suspicious. In this situation, some don’t speak, but watch and listen. Others must verbalize it all.
I thought, hey, let’s initiate an attack on them.
No. That was rejected.
Not even a sniper killing one of them?
No.
A fight among them?
No.
An interruption, something that disrupts them and forces them to action, a realization, perhaps, or a sense of urgency? Only Richard has a sense of urgency. (Richard has assumed the mantle of mastermind at this point. The other character that’s restless and worried is Seven. But she’s an imaginary character, existing in imaginary time, biding the moment when she acts, waiting to see what happens, because she thinks she might have screwed it up.)
No; they’re talking.
They’re doing pages and pages of talking.
It’s too much dialogue, in my opinion. It kills the pace.
Sorry, the characters and muse answer. Pace isn’t our concern.
I guess I’ll let them talk for now, and then see if I can edit or revise it later. Honestly, working through their dialogue seems like the only way to move forward.
It was a frustrating day of writing like crazy. Thank god for coffee.
Douglas Also Said
Coffee, writing, beating your head against things, wondering where it all comes from…this quote is about it all.
Piece Work
I was thinking about my organic writing process, and how much of it is piece work.
Like many writers, I had a concept in the beginning. Then I developed a sketchy framework. Then, like many writers, I wrote to tell myself the story, to realize most of the facets, discover the plot, story and character arcs, and to find where I will begin and end. Today, I’m working on a climatic chapter, the penultimate moment. I’ve already written the end and denouement. Writing this series of scene that is this chapter means that the series’ beta version is done.
In true piece-work fashion, I’ll put together all these raw chunks of words and story until I can see the entirety. Then I’ll begin reading, editing, and revising, cutting and changing as necessary to find the right story (or stories) out of this mass of words. I’m reminded of a sculptor studying rock, marble, and wood, studying it to see what art is within the mass, waiting to come out.
From the beta will come the first draft. From the first draft will come a second draft, something that’s workable and complete. With the second draft, maybe I’ll have something to give to an editor. I’ll see. If I need to, there will be a third draft.
It’s been a long process for me to learn these things, that the first product isn’t the final product, that it won’t be perfect — that it’ll probably have substantial flaws — but whatever flaws are found doesn’t mean that I’ve failed. Writing is a journey and exploration. But it’s not just the story being explored; the novel isn’t the end-all of the journey. Most of the journey and exploration is about me, about learning how I think, what I imagine, and what I don’t know. When I write, more of myself and my attitude is revealed to me through the characters and novels than I ever realized would happen back when I first thought, “Hey, I think I’ll write a novel.” Part of this is learning, how do I cope with setbacks, disappointments, and frustrations? How do I found and maintain the pace and discipline to traverse the arcs and write a novel, or a series? How do I deal with going the wrong way?
I think that may be where many beginning writers struggle; they don’t realize how much of writing is about themselves as much as it is about the story they’re writing. It can be daunting, descending into our private depths to face the person within. It’s a test of resilience to face yourself and your shortcomings, and find ways to address them.
Time to write like crazy, at least one more time.
A Manuscripts & Politics Dream
It began with my little sister presenting me with a manuscript. Handing over a large stack of paper, she explained that she’d written a novel and wanted me to read it and give my opinion. I agreed, but asked her to reciprocate: read my novel and give my opinion.
Gina’s manuscripts turned out to be a humorous mystery. I thought it had a lot of merit. That’s the feedback I gave her. Did she have feedback for me? No, she hadn’t read my ms. She started but then forgot.
Her answer frustrated me. I’d lived up to my end, etc. I was called away before we could finish the conversation. Gina and I agreed to meet later.
Going on somewhere else via dreamport, I was now in a hilly city. It had been rainy. I was standing on the corner by a street. A man in a dark suit and raincoat (who looked a lot like James Noble (the actor)) approached me. We knew one another and shook hands and talked. Within a few minutes, he was telling me that they’d just come out with word about who the new POTUS was going to be. He gave me a name. It as going to be announced soon.
The name surprised me. I knew the man’s name and so on, but didn’t know him. I expressed some concerns about him.
We started walking down the hill. He was concerned about the choice, too, and was wondering where the man was. He didn’t know if the man had heard yet. As we walked down the hill, the other man mentioned the name again, and then said, “Do you know who he is?”
I began talking about that when the other said, “No, he’s my father.”
That completely surprised me. We went through a conversation about their last names, which was something like LaFontaine. I said, “Pierre?” The other said with a smile, “No, that’s the NRA guy.”
As I was mulling that information, others arrived, and the conversation went on again about the new president. Then the new president drove up in a little old white imported economy car. While it ran without any problems, the car looked like it was forty years old, something small, with petite chrome bumpers, like a Datsun 510 (see the picture?) from the early seventies. (I’ve never owned or drove a 510, btw.)
The others all went off. I trudged back up the hill and, via dreamport, returned to my sister and the manuscripts. She’d read my manuscript and had some suggestions. As we began talking about that, a second younger sister, Sharon, arrived to give me her manuscript. I was surprised. We began talking, and as we did, I said, “I need to add more humor to my novel,” and was excited by immediate ideas that came to me about how to do that.
Then I awoke.
Then Again
I didn’t know what I was going to write today. I knew I had a scene in progress. In theory, there was another scene ahead. With it in mind, I was puzzling around what do I write today to get there, and considered just jumping ahead to write that scene.
That didn’t feel right to my instincts, though, so I sat down, and started typing from where the last sentence left off. Once again, I went off in an unanticipated, unexpected direction. When, twenty pages later, I finished the scene and stopped, I was pleased and touched by what had happened. It was so in character with the series and novel in progress. I hadn’t planned it; the characters and muse seemed in control. Intellectually, I know, it must be me, right? I’m the one with the brain behind the skull and fingers on the keyboard, but the writing had that dreamlike flow, as if I was a pipe and it was just being pumped through me.
It’s unnerving, honestly, because I wonder if I’m not a little crazy. (Okay, I concede that I’m a little crazy; I suppose what’s in question is how crazy I might be.) I like what I wrote, and I worry that others won’t like it. Then again, I don’t care. Some readers won’t; some readers will. The words are out there as part of the record, subject to the editing and revising processes just like everything else.
Now — amazing, I’ve been here for over two and half hours. My rear end is in pain from sitting. I still have coffee in that twelve ounce mug. An oily film covers the coffee’s cold surface.
Time to drink up, mask up, and call it done for another day of writing like crazy.
