The Process

He had his talismans, his gold-plated 2001 quarter, the pen with which he’d written the first short story he’d ever sold, once lost, but then found in a box of memorabilia, and his tumbled and polished lapis lazuli. With those in his pockets, he processed his mental checklist. Keys, money, wallet, computer, backpack, sunglasses. Donning his coat, he gloved up and left the warm house for the cold, sunny day.

Squirrelly grey clouds marbled the sky’s blue arena. Sidewalks squished with remnants of last night’s rain. He walked fast, shifting from thoughts of cats, wife, social engagements, and news to his stories, drawing up where’d he stopped, what he’d planned since then, and where else he might go, considering the scenes and words like they were night stars.

One mile he walked, warming up over the twenty minutes, two as the land dried out under the sun, reaching the coffee shop in less than thirty-eight minutes. Warmth, conversation, and music percolated inside the small, modern, glassy place. Weird, it didn’t smell like coffee.

He knew many faces but spoke to no one but those needed to get coffee. After ordering it, he set up his computer at a table and powered up. Documents were opened. Internet connections were made.

Hot, black coffee was sipped. Words and ideas were contemplated again. Setting the coffee down, he raised his fingers over his keyboard.

Time to write like crazy, at lease one more time.

A Day Without Writing

I didn’t write write yesterday. I had a full schedule of other activities planned. Yes, it’s rare that I take a day off writing. I think there are usually six days a year that I don’t write, and they’re usually sick days, travel days, or holidays. Might as well face it, I’m addicted to writing.

When I say that I didn’t write, I mean that I didn’t sit down with computer, crayon, or paper and pen. I wrote, but it was all in my head. I’ve noticed before that not writing and breaking out of my routine to do other things stimulates my writing. Same thing happened yesterday. I was writing fast in my head.

After getting home close to midnight last night (and with over twenty-six thousand steps on the Fitbit), I had a lot to write this morning. The writing session was one of those intense, fast-paced, and focused affairs that I so love, one where I take one or two gulps of hot black coffee as prelude to the process, and then unleash the muses. An hour or two later, butt sore and with half a cup of cold coffee still available, I stop, spent like a marathon runner.

It’s been an excellent writing week. Having discovered that simultaneous submissions to agents are now considered normal (yeah, you probably all knew that already, didn’t you?), I’ve submitted Four on Kyrios to six agents. I’ve taken my writing approach to procuring an agent. With writing, I write and press on, and with agents, I submit and press on.

Meanwhile, I’ve jumped into a new novel-writing project, April Showers 1921. As always, it’s great fun here in the beginning, when ideas spin like polished, multi-faceted gem stones, letting me think about all the possibilities. Often, though, as I contemplate the facets, the muses say, “Here, we’re going this way. Come on.”

That’s how it’s been. I’m not arguing with them. Fools argue with muses, because mortals always lose any argument with a muse. That’s just fact. I looked it up on the Innertubes, and found a Youtube interview with Shakespeare about it, so you know it’s true.

Now, though, I’m at the après writing juncture that requires me to stop. Don’t really want to stop because it’s been great but I know that I’m finished for the day. Other things remain to be done, my energy is shifting, and my body is saying, “Excuse me, but can we move? Would it be possible to bend and stretch, reach for the sky, stand on tippy toes, and all that?”

Sure, body. We’ll go do some of that. Time to stop writing like crazy, for at least one more day. Just let me gulp down this cold coffee and we’ll get out of here.

Waste not, want not, right?

Catching Wind

I encountered a friend last night. “How’s your writing going?” he asked. I’m paraphrasing the conversation.

As I’d been socializing more, I’d created an elevator answer for that question. “Great. Finished writing a series of five books last year, and then I edited and revised them, completing that at the end of the year, wrote a synopsis of the first novel, and compiled a list of agents for submission. Meanwhile, I’ve started writing a new novel.”

“You’re already writing another book? Don’t you need to take a break?”

“No. Writing is a pleasure. I didn’t need a break. Starting a new novel is always energizing.”

“How do you come up with ideas?”

“There are always ideas. Ideas come on from watching animals, the weather, people’s voices, expressions, and stories, newspaper articles, new inventions, dreams, reading, watching television, movies, music. Deciding which one to pursue is the challenge.”

“How do you decide?”

“It’s really about which one catches the wind and takes off. I don’t make a conscious decision about what to work on so much as I start writing. Then it comes out.”

Thinking about that today as I finish my day of writing like crazy, I reflect on all the story, novel, play, and musical ideas locked up in my mind, wondering which will ever be realized. I think if I physically could, I’d be writing twenty-four hours a day to satisfy my imagination and muses, and that still might not be enough.

Ironically, I dislike socializing. Socializing is an energy thief. It requires that I carve time out, set it aside, and focus on being polite, friendly, and speaking with others. All that is exhausting. Yet, inconveniently, socializing stimulates my writing ideas. Listening to people, watching them, and breaking out of my routines fire new ideas. There’s always a catch, isn’t there?

Now, sadly, time to stop once again. Bummer.

Syn-Syn-Synopsis

I brushed off writing my synopsis like I was signing a birthday card with élan when I wrote about it in a post earlier this month. Writing a synopsis wasn’t that easy for me.

It’d been yonks since I’d written one. I wanted to do the best that I could. I knew the idea was that it’s a brief summary. How long should a synopsis be? How much detail should be given? Should I describe the character and setting?

Searching for answers, I pulled out books on writing and publishing that I have on hand. I read magazine articles, newspaper articles, and blog posts about how long a synopsis should be, what it does, and what it shouldn’t be. I panicked. I read agents and publishers’ opinions about what’s at stake in the synopsis in their opinion for accepting or rejected a novel. I read what authors shared about their rejections and their initial efforts writing synopsis, and I grew disheartened. Then I brushed that off and got busy.

After creating a synopsis file, I opened the latest version of Four on Kyrios and began reading it. After refreshing myself with the chapter, I wrote one or two sentences about what it was about. I did so chapter after chapter. One paragraph typically captured a flow of events about what the characters were doing, where they were doing it, and results. I resisted doubts and over-thinking it while I was doing it.

I won’t lie, working intensely, it took me most of a week to write. Did I do it right? I don’t know. As with everything, I learned what I could and applied the knowledge and tried to do the best that I could. As with everything else in life, that’s all that I can ever do.

Got my coffee in hand. Time to write like crazy, at least one more time.

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