Mark Said
Cliffhanger
I worry, is there too much dialogue? Is the story too obtuse? Is it too, is it too…arg.
I try to follow the muses as they flash their lights and urge me forward into the foggy writing night and a cocoon of dark imagery. Anxiety ripples through my torso. I want to ask the muses if they’re sure that this is the way, but you know that you dare not question the muses.
Peeking to either side to see what else could be there can’t be resisted but the muses have led me into a precarious wasteland. I feel like cliffs abut the path, and the path is growing narrow and precarious. I follow but I struggle with the catch the muses have clamped on me, a catch almost as beautiful as Catch-22‘s catch. My catch (for the characters) is that they need to remember to know what to do but if they remember, they can be tracked and dusted. (Dusted will be explained at another time, but use your imagination.)
Now all those characters are remembering and the protagonist, Anders, is freaking out, because he’s starting to remember, despite efforts not to remember, what happens when you’re dusted, and what this is all about. The others are coming, the trap is closing, and then, ‘lo, here’s a new fucking group running toward him from the opposite direction.
The muses gave no warning about them. In a panic, I wonder, who are they? What’s Anders going to do now? He was trying to ditch Jazmine and Petty because he remembers with growing certainty that remembering in one person is reinforced in another — memories beget memories — and that’s not good for here and now.
Pooh-poohing my worries, the muses wave their dainty fingers, dismissing my concerns. “We’re stopping for today,” they inform me. I picture them nibbling chocolate truffles. “We’ll pick up here tomorrow.”
It feels like, you know, I watched Avengers: Endgame, and here I am, waiting to see what happens. It feels like I’m watching Game of Thrones, waiting to be see the next death, the next twist.
Cliffhangers. Fun to watch, harder to write when the muses are guiding you on an organic writing trip.
Good day of writing like crazy in one sense, cause, hey, progress. We cheer progress. Mystifying day in another sense because of the questions created by this cliffhanger and the writer’s angst that it enjoins.
What happens next? Well, I go home to wait and see.
His Opinion
She used love and hate extensively. “I love pizza.” “I hate peas.” “I love Ricky Gervais.” “I hate heavy metal.”
He couldn’t remember her saying that she liked something. It always seemed like either love or hate. They seemed like narrow borders on a broad wasteland.
Sunday’s Theme Music
Today’s theme music entered my stream due to some nocturnal emissions.
Nocturnal emissions, if you don’t know, is also known as phantom writing. It’s the practice of writing in your bed when you’re supposed to be sleeping.
I’d been sleeping when both calf muscles seized, throwing me awake. After my wife and I rubbed the spasm with some toe-flexing help, I went through the dream I’d been in and then my thoughts drifted into the novel in progress. Turning to what’s happening in the novel, I thought, “What are these deeds? Who is doing them?”
That created an easy transition to “Dirty Deeds Done Dirt Cheap” by AC/DC (1976). With that rocking my head, sleep easily pulled me in.
Sing along if it moves you. The words are easy to learn.
Wobble Like Crazy
I’m back in the writing space following some unpleasant medical issues. In the last three days, I’ve averaged two thousand words each. It’s delicious to feel like I’m moving forward, no matter how word counts fall upon the writing spectrum in regards to their importance. I didn’t plan any word counts but they’re proof of something happening, a minor validation that I’ve been doing more than daydreaming.
After some arguing with the muses, me interrogating them to explain every thread, decision, and insight, and them laughing at me, I followed their instructions to, “Just write.” Some of the writing could be permanent but some of it might be delicately sculpted away or blown away with heavy explosives. Doesn’t matter. What I’ve written before during other writing projects may not help me this time. Each time that I write another novel, it’s a new adventure in learning how to be a better writer. I must write to have the material to shape, an interesting cycle. Write, edit, write, re-write, write, revise…where am I?
Well, I’m on the novel-writing spectrum. I slide along, following paths, retracing, forging new paths, falling off cliffs, and climbing back up. So it goes until there’s finally enough coherency for a novel to take shape, and then, finally, enough satisfying story in a reasonable order arrives, and then, at last, I pick a place where it can be comfortably ended with reasonable reward for readers who ventured through my thicket of words.
Can you say run-on?
I’m permitted a cup of coffee a day. I apply my allowance to my writing.
Illness is depressing, not because I have it, but because of its limitations. Bending down to pick up a piece of paper, scratch a cat’s chin, or put on my shoes and socks is slow and tedious and brings a measure of stinging discomfort. Walking remains uncomfortable and difficult, but not impossible. Of course, I have a history of rushing the healing processes. Press on, regardless, right? When I had a broken neck on Okinawa and wore a halo device, I pushed to go back to work and ended up dislodging that metal mother twice, sending me back into hospital. Anyway, I wobble around at a slow and careful pace, watching the ground to find the threads and seeds that the muses leave, then trying to parse their guidance.
Yeah, just write, baby. Stop critiquing, doubting, wondering, fearing, worrying, and questioning. Just get ‘er done. Pitter-patter.
Done writing like crazy for at least one more day. Sloshy, my drain-collection bag resting against my calf, is filled. Time to wobble on and empty him.
