Category: writing

Botcheck

I botchecked myself (another noun becoming a verb). Verification was returned that I’m a bot.

The results trouble me, of course. If I’m a bot, why have they made me so human? (And who is they who made me?) I don’t need to struggle with weight and mood swings to convince others that I’m human, do I? I know many humans without weight issues and mood swings who seem quite human to me.

Maybe they’re not human.

Also, if they made me a human-like bot, why did they push me to want to be a writer? Was this by original design specifications, or has something gone awry with my wiring? It sure feels like my wiring might be off, with the plethora of crazy dreams I experience and all the muse bullshit that I endure.

After running this information through my systems a few more times, I settled on several questions as more important than the others.

  1. Who made me, and what was their purpose?
  2. How long will I be here?
  3. Am I on assignment, or did I arrive here by accident?
  4. Finally, most importantly, am I still under warranty?

You’d think that, as a bot, I’d be able to find this information without great difficulty. You’d think that, and you’d be wrong. For some reason, my maker is keeping me in the dark about these things.

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Baking the Novel

First, decide you’re going to bake a cake (write a novel). To start, make a cup of coffee to drink while you conceptualize what you’re going to bake (write).

Come up with a story idea from your concept. Collect some ingredients – characters, setting, initial incident. Start mixing them together (writing).

Realize that you’re missing some ingredients (like motivation, background, and other characters). Make some coffee and hunt for the missing ingredients.

Coming up with the missing ingredients, you add them in, and then decide to make something different (a variation of the concept that just blows your mind with excitement). 

Find and add more ingredients (setting, characters, motivation, story twists).

Realize that you forgot to turn the stove on (yeah, you overlooked some huge aspect and now have a gap in the story).

Go to turn on the stove but then stop to pet the cat, and then feed the cat. Smell the kitty litter, and clean it. Also notice that the floor is dirty. Turn on the robot vacuum.

Monitor the robot vacuum, cursing it as it goes around and around a piece of dirt you want it to pick up that you refuse to pick up because that’s why you have a robot sweeper. 

Decide to check the mail to get away from the madness. Come back and make coffee, go through the mail (why do they keep sending you this junk?) and also look for something to eat because you’re hungry (even though you just ate, like, three hours ago, but, hey, writing is a strenuous mental activity that drains energy (something that non-writers will never understand!)).

Discover that there’s nothing in the house that you want to eat. Decide to make a shopping list, and then go to the store. (While you’re out, you’ll also stop and fill the car’s gas tank and do any other errands (because you’re efficient).)

Because you’re now too hungry to return home and make something with the stuff bought at the store, go somewhere and buy something to eat right now.

Return home, put away the groceries. Make and drink coffee while thinking about your cake (the novel), nosh on a snack item that you purchased, pick up the stuff that the robot vacuum missed,  pet the cat (because he’s following you around and underfoot), give the cat treats (to buy him off), and then —

Brainstorm! Make the frosting because this cake with that frosting would be fantastic (in other words, write an ending because you think it’s the perfect ending).

Remember, you never did turn on the oven, damn it. You missed a huge step. 

Realize, this is a layer cake. And you can’t put the frosting on because there’s nothing to put it on.

But you really like that frosting, so you go ahead and make it (write it up) and set it aside for use later, and then — epiphany! — decide every layer will be a different flavor of cake, with a different icing. It’s not really a cake, but a torte, you decide, and then go off to the computer to jump on the Internet to research tortes and cakes.

Check your email. Catch up on Facebook (like, post, and share), Pinterest and other social media, blogs, the news (he said what?) and sports (or fashion). Play some games (because, without acknowledging it, you feel stressed, and games — going for a new high score, or beating others on an online game — gives you instant gratification and validates you).

Turn on the television. Surf channels. Shake your head at the things on television these days. Wonder if some of the actors you’re seeing in the re-runs are still alive. Turn the television off.

Then, oh, it’s late. You’re tired. Another cup of coffee is needed but you’re too tired for that, and it’s too late (where’d the time go?). The rest of the family will be home soon, and there are the things you’re supposed to do with friends and family, going to movies, dinner, cut grass, wash car, clothes, dishes —

Well, you’ll continue tomorrow, you tell yourself. This cake (or torte) is going to be a masterpiece. It’ll blow people’s minds. It’s just so exciting, but there’s so much to do. There are more ingredients to collect, and then it all must be baked, frosted, and put together —

It’s so real, you can see, smell, and taste it. You sit for a while, absorbing the wonder of the cake (or torte) that you imagine.

Tomorrow, you tell yourself, tomorrow will be different. You don’t want any half-baked cake.

Right, you’ll begin by making coffee and listing all the ingredients, and maybe brainstorming all the steps that you need to do to complete this masterpiece, like turning on the oven. Yes, that’ll be the first thing that you do.

Tomorrow.

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Embedded Plans

A friend asked my wife, “Is Michael always so affable?”

I laughed, of course. The friend was encountering social Michael. He’s affable, but he has a very short half-life.

To her credit, my wife said, “Mostly. He has his moods. He’s okay as long as I don’t disrupt his writing time. Then he turns into a bear, and it’s not Yogi or Boo-Boo.”

My writing day doesn’t begin until about eleven A.M. I walk before my writing session as part of my process. When I’m writing, I target scenes to measure progress, and not word count. I’m frequently able to think about where I left off, and then resume writing it in my mind as I walk. When I get in and sit down, I usually know what I want to write.

This doesn’t always work because the muses have their own plans. I try to be flexible, but it’s a struggle. I like having plans. Plans provide me with structure and illusions of control.

When the muses throw me off with their reveals, I often need to stop to see where they’re taking me. Since my writing time is precious, I’ll frequently go back and edit what I’ve written when that happens. That keeps me engaged in writing while giving my subconscious mind the opportunity to meet with the muses and hash it out. (There’s not actually any hashing out. The muses know where they want to take the story. It’s up to me to do as told. I like to say we’re hashing it out because it gives me the illusion of it being a collaborative effort.)

My writing session only lasts about two and a half hours. Plans are embedded around it, especially walking. Walking is my number one form of exercise, and it helps me process information.

My walking plans change by season. That’s not just spring, summer, autumn, and winter, but the embedded seasons of hot, fucking hot, cold, fucking cold, wet, and smoky.

We’re into the fucking hot season now, defined by jokes like, “Look, the temperature has dipped. It’s ninety-seven.” The forecasted highs range between ninety-nine and one hundred two for the next ten days.

For all the seasons, I break my walking down into bite sized goals. My overall walking goals remain about twenty thousand steps and ten flights. During the FH season, I try to make fifty-five hundred steps before I start writing at eleven. After I write, I then target ninety-one hundred steps. That gives me four miles by three P.M.

After that, plans are flexible and adjusted according to what else the day requires. I frequently end up walking about two and a half miles in the evening, leaving the house about eight forty-five and returning an hour later. Because we live in a hilly area, my flights go up to about sixty one these days. (I can do that during this season because we have more hours of daylight. This doesn’t work as well when it’s cold and dark, so I adjust.)

For all that, they are just plans. They rarely survive reality. In the end, I ride the wave of the day, seizing moments and narrowing my focus as needed.

Okay, today’s therapy is finished. Time to write like crazy, at least one more time.

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Another Joan Said

I understand this feeling. Why, then, do I feel responsible for the quality of the words?

Well, because I’m the filter. The vision and story is being told, seen, and experienced as the muse guides me, but I ultimately flutter over the words, periods, commas, and all the other elements that writers must endure to get the story out.

 

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