Gabriel Said
Building By Deleting
I’m continuing to work on the novel-in-progress, April Showers 1921. Its challenges remain remaining and satisfying with a few dips into frustrating.
I’ve recently re-discovered the joy of deleting to build and improve the tale. When I began with the concept, it had a bajillion directions that it could take. I wrote about half of them, writing two to three thousand word chapters about the directions, exploring the characters, plot, and arcs. That resulted in a complex novel with a complicated plot, and extensive raw material. As I neared completion of the first draft, I met the muses at a crossroads. We agreed that some matters needed clarified and changed.
With mostly their guidance, I went through, exploring that first mess. Sometimes I attempted to work something into the mix, mostly because I enjoyed the passage. But, as often noted, sometimes killing favorite scenes help. As I deleted them (putting them into another documented that was a collection of these things…just in case…), I discovered how much the process sharpened my insights into the characters, situation, storylines, plots, and arc. With more focused insights, my writing and story-telling became crisper. My direction was better defined; I had more understanding of the final destination.
All of this wasn’t done overnight, but through several days of frequently frustrating searching and thinking. Sometimes I went backwards and then had to retrace my steps.
Now I’ve gone on into thinking of this mass as more like a giant piece, waiting to be sculpted molded, or carved. Unlike working in clay, wood, stone, or other hard, substantial materials, the novel’s characteristics change, depending upon how, where, and why they fit. Some pieces of the novel are solid. Only fine chiseling and polishing are needed. Other sections are thick, and I carve whole chunks away. Some are softer and more pliable, demanding shaping to improve coherency, pacing, motivation, and story-telling.
The process of writing and thinking about writing a novel often intrigues me as much as the novel-in-progress. As every novel is unique, so is the process used to write it.
Got my coffee. Time to write like crazy, at least one more time.
Another Mary Said
Sounds ’bout right.
Saturday’s Theme Music
After a night of interesting dreams – no family, games or military, but soup, spilling, and reach – I awoke and turned to thinking about the novel-in-progress. I focused on where I’d stopped yesterday, conducting a what’s-next exercise. Then I catapulted into more generalities before spinning the wheel to think about the greater story.
The muses were present and engaged, so it was a comfortable exercise. One said, “We can do this,” and another said, “I know we can.” “Yes, we can,” a third said.
That’s when I realized that they were channeling a 1973 Pointer Sisters song, “Yes We Can Can”. Although mostly about politics, change, and unity, it’s a powerful, energetic song about trying and confidence, too.
We got to iron out our problems
and iron out our quarrels
and try to live as brothers.
And try to find peace within
without stepping on one another.
And do respect the women of the world.
Remember you all have mothers.
Read more: The Pointer Sisters – Yes We Can Can Lyrics |
Nineteen seventy-three. It was yesterday, and faraway. Here we are, dealing with madness in the White House, and setting up for more military conflict in the Middle-East. You know, because bombing other lands has all gone sooo well.
Beep…beep…beep
That’s the sound of me backing up. It annoys many others in the coffee shop when I back up when I’m writing. “Can you stop beeping?” they shout. “I’m on my cell and I can’t hear myself think.”
Sorry.
I’m backing up from yesterday’s writing. Oh, what a miserable day. I don’t know where the muses were, but they weren’t here. Did they stage a walk-out? Maybe. Don’t know.
I knew I had to make some links, slow down and let the story breathe, to improve the novel. That’s what I was trying to do. After a fitful session, I’d written a lot but I felt like it was horrible. I didn’t like it.
The muses agreed this morning. As soon as I awoke and finished thinking about my dreams (more family and dogs – WTH?), a muse rep said, “You know that stuff that you wrote yesterday?”
“Yes.”
“Well, it’s terrible.”
“I — ”
“It muddies the flow and does nothing for the pacing or coherency.”
“Yeah, I — ”
“This is what you need to do instead. First, delete all of that crap.”
“Crap is a little harsh, don’t yo — ”
“And then, this is what you write.” He proceeded to tell me.
I thought the proposal over. It was a lot better, and made more sense. I nodded. “Okay, I will. Thanks.”
My thanks went to empty air. The muse was gone. Guess they were off to help some other poor writer.
Got my coffee and took my first gulp of the blessed hot, dark, bitter brew. Time to write like crazy, at least one more time.
Michael Seidel, writer 