Thursday’s Theme Music

I was walking toward my writing location today, a coffee shop owned by others, yes, but it’s my usual place, and thinking about what I was going to write. Boom days have continued, which is always a pleasure. So I told myself to just keep chugging along.

Then I plugged that into an old standard, “I just keep chugging along, singing my song, side by side.” Well, naturally, that prompted me to remember the song, “Side By Side” into my stream. Coming out before my Mom was born, leave off me, it’s one of those songs that’ve been part of the national consciousness for decades. There’s no doubt that I know it from my mother singing it, sometimes to me, sometimes to herself, and sometimes as it played on the record player.

The song’s real lyrics vary from cover to cover, but travel is almost always used, not chug, and not plug, but I like to plug in chug and plug instead of travel. The lyrics often go, “We’ll travel along, singing our song, side by side.” Of course, it was just me and my muses, and no one else beside me when I chug along, unless you count my shadow.

But “Me and My Shadow” is another song altogether.

Here is Patsy Cline with her cover of the 1927 song, “Side By Side”.

Tuesday’s Theme Music

News stories stayed with me late yesterday as I finished walking and headed home. Too many tales about murders and suicides, impeachment and politics, wars and disease. It all felt a little heavy.

Some lyrics stole into my stream:

Been a long, a long time coming
But I know a change gonna come, oh yes it will

It’s been too hard living, but I’m afraid to die
‘Cause I don’t know what’s up there beyond the sky

I couldn’t remember more of the song, and worked on that as I reached home and made lunch. Other pieces came in but not enough for attribution. It seemed like an old song. I was finally forced to Google to find it.

There it was, Sam Cooke, “A Change Is Gonna Come”, from 1964. It’s dismaying to think of that song being written in the early sixties because of what he endured in Shrevesport, LA, one night. How humans treat others because of their differences remains a sad situation. We’ve made some progress on this, but we’ve also slid backwards. At times like these, I fall back on Parker’s quote, “The arc of the moral universe is long but bends toward justice.” Parker was a clergyman in the 1800s. I always thought the quote belonged to Martin Luther King, Jr., but I found in reading that he was quoting another.

No matter who first said it, it endures. As Sam Cooke wrote and sang,

It’s been a long, a long time coming
But I know a change gon’ come, oh yes it will

I’m indebted to Metrolyrics.com, Songfacts.com, and Wikipedia.org for refreshing my memory.

The Waves

Stressed and blessed

encouraged and discouraged

he’s riding the waves of the day

Angry and numb

frustrated and feeling dumb

she’s riding the waves of the day

cascading and rising

falling and sliding

the waves lift you up and

take you under

man and woman

no matter skin or order

all of us ride the waves of the day

Wednesday’s Theme Music

I was doing my pre-writing walk through Ashland this morning, shuffling through golden leaves that’d lived their last, pushing against a nippy chill and leaning toward thin morning sunshine whenever it was found, when songs streamed in from the ethos. First up was the Beach Boys’ “Good Vibrations” but “Get It On (Back A Gong)” by T. Rex replaced it after a few blocks.

I decided the latter would be a good theme song this morning, but I wanted to go with the cover. Who the hell did the cover?

Well, my mind quickly abandoned that question, returning to writing — that’s what the walk is all about — but as I entered the coffee shop at the end of the two miles, my brain said, The Power Station, 1985.

Oh, yeah.

Fast Start

I love starting a new project. I love the energy that comes with a new writing project. Energizing and freeing, it’s like I’m taking on a new life.

Nothing — I mean, writing projects — ever really starts easily for me, but then, if I can find and dislodge the right piece of idea, it all starts crashing down in an avalanche of story and characters. This is my third day of working on my new novel, working title, It Begins. The first two days were sputtering efforts. I’m a pantser, so I’d muddled some concepts, characters, and settings together. I managed about a thousand words on each day, but they were gritty writing sessions, real plodders. In today’s session, I managed to dislodge the right little piece, and the rest crashed in. All I could do was hang on and type fast. After an hour of that, I’d added over fourteen pages and thirty-three hundred words. Then I stopped and created the book’s bible so that I could keep track of everything.

Now, I’m depleted and hungry. Half a cup of cold coffee remains. As usual, writer ass afflicts me, and both buns feel like they’ve gone to sleep. Time to walk, wind down, think about the next piece of story, and find food.

It’s been a good day of writing like crazy.

Tuesday’s Theme Music

I was walking and thinking yesterday (amazing that I didn’t hurt myself), pursuing a flotilla of random thoughts when a scene between a traveler and a Tesla driver caught my eye. Traveler is the name given to homeless around here. Homeless is an easy term for a complex situation. Local agencies have interviewed a number of homeless and discovered that some are homeless by choice and enjoy traveling from area to area along the I-5 corridor. Ashland doesn’t welcome travelers but the community strives to enjoy everyone has a few meals a week and shelter during cold weather.

I don’t know what the conversation was about between the Tesla driver and the traveler. I knew the man was a traveler because I’ve seen him before and had bought him food a few times. I hadn’t seen him for a while, and thought he’d moved on. Maybe he did, and came back.

Watching the exchange, though, lyrics from the 1968 Sly and the Family Stone song, “Everyday People” came to mind. I feel fortunate that Sly and the Family Stone was making music then, as they released several terrific albums. This song is just one that I remember and enjoy.

The song’s sentiment is timeless.

Sometimes I’m right and I can be wrong
My own beliefs are in my song
The butcher, the banker, the drummer and then
Makes no difference what group I’m in
I am everyday people, yeah, yeah

There is a blue one
Who can’t accept the green one
For living with a fat one
Trying to be a skinny one
Different strokes
For different folks

And so on and so on
And scooby dooby dooby
Oh sha sha
We got to live together

I am no better and neither are you
We are the same, whatever we do
You love me, you hate me, you know me and then
You can’t figure out the bag I’m in
I am everyday people, yeah yeah

There is a long hair
That doesn’t like the short hair
For being such a rich one
That will not help the poor one
Different strokes
For different folks

h/t to AZLyrics.com

Yeah, we’re all everyday people.

The Shoe Dream

So, as many of my dreams have taken me in the past, there I am, back  in the military after being out for several decades. It’s not a surprising dream sanctuary, and makes sense in many practical ways.

Once again, I’m there, in a command center or command post such as the ones that I spent much of my time. This one has windows, though. That rarely happened. We were often in  secure buildings or underground. As with other dreams, I’m trying to put together a uniform, and it’s all messed up, because I’ve been retired from the military for so long. With much joking and laughing, I get it together and get a semblance of an Air Force uniform on. There are others in this situation, so I’m not overly concerned with the bit. We’ve been called up…enough said on that, right? Yeah, my mind’s workings can be pretty transparent.

I’m worried about my shoes, though. They’re on, but they’re not in great shape. Meanwhile, the situation is developing. I’m senior enlisted there, and the experienced command post guy. The commander, a colonel, has arrived. He’s concerned about the sit. I share his concerns. Beyond the windows is a swollen gray ocean active with slow, heavy waves. We’re walking along the command post, looking out the windows, searching for an impending attack from across the water. Lights draw our attention. We watch, and watch, hoping that they’ll resolve into something more than blurry lights in the distance, ready to act if they do.

We begin walking toward the other end of the command post. I’ve been thinking as the commander and I scanned the sea, and I’d developed a sense that something wasn’t right. Maybe we were looking at the problem the wrong way.

Just as I formulate this to myself, I turned to look through another window and see a huge wave. Rising like a movie scene, it’s rushing toward us. As I see it, a young airman shouts a warning about the wave.

I spring into action, giving orders and directions about what to do as people begin running in panic. As they’re panicking and only a few are doing as I say, I take it upon myself to act.

It’s too late. As I realize that the wave is about to hit, I tell everyone to find cover and find cover myself. The wave slams into the building. Coming through windows, the powerful water wrecks the interior.

It’s over in a flash. I survive in good condition because I’d protected myself. My biggest concern is my…shoe.

Yes, I’m upset because my right shoe is coming apart. It’s not shiny and black, as I kept it throughout my mil career, as trained to do, as we all did; it is dull and white. Man, am I exasperated.

But we need to take care of things. It’s clear that we can’t continue operations in the current location. I and two others, a male and female, take off walking for the alternate command post location. We’re walking alongside a parade ground. I’m lamenting about my shoe as I go.

While walking to the alternate location, we start moving faster. The two I’m with cross to the other side of the parade grounds. We engage in an unspoken pseudo-race at fast walking speed. They become distracted with conversation. Seeing that, grinning, I surreptitiously speed ahead. They notice, and start walking faster, almost catching up. The guy starts running, so I do, too. Laughing, we reach the alt at the same time, and wrestle to get through the door first. I win.

Inside the small, old places, we find things that were left behind, like candy, gum, toys, and clothes. I’m amused as I go through some of the stuff and think about how to make it operational as a new operating location.

Holding up a piece of old candy in a weathered wrapper, I say, “I remember leaving this here.”

The dream ends.

The Start

You’d think the start was when the body was found. That’s the beginning of the crime investigation. It isn’t, of course, the crime’s beginnings. For that, you need to slip into a wayback machine and ride time to when the killer was young and beginning their career, back to before the victim and killer had ever met, back to a nascent moment when everyone was happy and oblivious to the future.

After all, the killer just wanted revenge. Their victim had killed first, but the body hadn’t been found. At least, that’s what the killer believed.

They were always one to act on their beliefs.

The Whirlpool

I finished the tenth draft of the latest novel-in-progress, April Showers 1921, several weeks back (Surprise!, September 26). I thought it was the final draft but knew that I had notes which called for more work before I could say that it was finished as a draft. I hesitate to say final draft. Nothing is final about a novel-in-progress until it’s published. I prefer to call it the working final draft. Yeah, that’s pretty ambivalent, isn’t it?

I’d begun April Showers 1921 back in January, 2019. It originated with a dream of a book that I’d written, resulting in a powerful impetus to make it real. It’s a hefty ms., one hundred eighty thousand words and six hundred thirty MS Word pages. I recognize that an editor will probably cut through some of that beef. The story is told by skipping back and forth through multiple versions of the same fourteen-year-old protagonist, Anders. I struggled with that, and that facet pushed multiple revisions until I fully recognized and understood why and how the multiple Anders interacted (or didn’t interact) with one another.

The other matter is, I’m sure that the working title of April Showers 1921 will probably be changed. April Showers is a machine invented specifically to interact with Anders, a human. As a machine, she generally acts and looks human. That simple claim gets complicated because the novel is about how multiple levels of filters interact to create realities and alterverses. After exploring everything, April Showers’ role was reduced from what I’d originally expected it to be.

I was right about having some work remaining. I’d identified five sections in my notes for further work. Before I dove into them, I read through the notes, remembering why I’d jumped ahead of those sections. Two of them deleted. I thought they were needed but they weren’t. This happens to me. As I write a novel and explore everything, I develop a sense about where it’s going and what’s going to happen. Sometimes, though, those insights are overtaken by events and turn out to be superfluous to the final tale.

The other three sections were filler/bridge sections. Impatient critter that I am, I didn’t feel like dealing with minutiae that these three sections demanded. As I read the preceding pages to them, I easily slipped into what needed to be done (all hail the muses!).

What became more time-consuming were the side roads I frequently stumbled down. To confirm a point of continuity or clarity, I’d open a second window and hunt my notes and the manuscript for specific points. I inevitably ended up becoming engrossed in the ms, reading chapter after chapter, which I call the writing and editing whirlpool, because it just sucks me in. Small errors, pacing matters, and typos were typically addressed during these periods, but I was mostly indulging myself. Part of the process was sometimes coping with surprise about what I’d written and where that section went.

Seems strange, doesn’t it? I wrote it, so it follows that I should know what I wrote. My conclusion about it is that I’m working on a different level. Two, my writing process is like weaving. I don’t hesitate to dip into a section of the book and edit it to meet my preferences. That tangibly results in many sections being re-written, revised, edited, and polished multiple times. I often wear reader or editor hats when I’m doing that, instead of my writer hat. Maybe I’m just blowing smoke, though, to cover a weak or faulty memory.

Anyway, I’m out of the whirlpool. The final working copy is completed. Now, the part I loathe, presenting it to the world begins. I need to write up a blurb, summary, elevator pitch, synopsis, etc., to entice others into my world.

It’s been a good nine months of writing, editing, and revising like crazy. As other writers have mentioned, and I’ve echoed before, finishing the novel leaves a void. A friend is gone, a puzzle has been finished, a routine has been completed, a desire has been fulfilled. Leaves me with wondering, where do I go from here?

Well, yeah, there is the aforementioned loathsome tasks. I don’t really celebrate the completion except to mention it to a few close, supportive friends and family members, and privately toast myself, “You did it. Well done.”

Then, I begin thinking about the next novel. There’s so much to read, research, think about, and write. Existence is a rich mine of potential stories to be found and written.

Off I go, at least one more time, to write like crazy.

Floofspiration

Floofspiration (floofinition) – The process of being mentally stimulated by an animal, especially a housepet, to do or feel something.

In use: She was down, but the dog walked up with this dopey look, with his leash hanging out of his mouth. Floofspiration seizing her, she laughed. “You’re right. It’s too nice a day to sit here feeling sorry for myself. Let’s go for a walk.”

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