I arrived home as a young man. Mom gave me a room. I was happy to see her and happy to be there. We were living on a train, and the room she gave me was an entire train car. Long and narrow, I had a bed, desk, dresser, bookcase, chair, and wardrobe. I set them up to provide separate sleeping and living areas, using the bookcase and vanity as a makeshift wall. As I set it up, my young sisters came in and visited. Sometimes they brought young neighbor boys that they were watching. Mom would also occasionally come by.
I stacked my books and organized my desk, made my narrow bed, and slid against one wall. One side of the train had windows, and I set my desk up under them so I could look outside.
Young people in a sixties era Chevy Impala convertible (after the fins were dropped) began driving by. Whenever they did, some of my things would get shifted, annoying me. This worsened; even as I cleaned and organized again, they drove by, knocking things over. They never reached in or anything, but I knew it was them, as they were laughing about it.
I decided I’d put a stop to that and devised a way by changing the room around. The new arrangement was less satisfying, but it was staying neat and still workable. However, one of the little neighbor boys my sisters were watching kept sneaking into my room and tearing things up. He was fair and blonde, giggling often, but crying whenever he was stopped or reprimanded. I kept putting him out, warning him not to do that, and warning others to keep him out, and then cleaning up again, and again, but he kept getting in there. Mom came to me and told me to be more patient and tolerant because he was a small child and had mental and emotional health issues. I complained to her but took her point and promised I would try.
The train with my room went on the move. That pleased me because I thought we’d moved away from the boy causing the problem. But he got in there again. I was bewildered. My sisters explained that he’d come with us. I felt that I had no choice but to close and lock my doors. After I did that, I discovered him sliding in under the door. It looked like he could completely flattened himself, becoming as pliable and flexible as a sheet of paper.
My exasperation and irritation spiked. How was I supposed to deal with that. I took hold of the boy to take him out of the room. He immediately screamed, writhing and crying in my grasp. Others came running in. I said that I hadn’t done anything to him, that he was overly sensitive, defending myself with the claim, I was just stopping him from ruining things again. My sisters took him out of my room.
Dream end.
By Eugene Robinson
Meet David Zinn, an artist from Ann Arbor, Michigan who is well-known for his “ephemeral art,” created on the streets and composed entirely of chalk, charcoal, and random objects found on the premises. Cracks, holes, and small grooves are enough for Zinn to notice the figures they suggest and that’s where he gets most of his inspiration from; his work is done on the go. David has been drawing since 1987, making various quirky chalk-and-charcoal creatures in site-specific areas that helped the drawings wash away with the rain. His professional commissions included theatrical posters, business logos, educational cartoons, landfill murals, environmental superheroes, corporate allegories and hand-painted dump…
Michael Seidel, writer 