Sex, Memory & Imagination

You’re living a long time. One hundred and five is now the average age of a human. That average is creeping up. We’re all living longer as medical technology monitors and addresses issues 24/7. People aren’t being born, and some children are being kept as children.

Thereby is an argument: if a child is kept physically, emotionally and intellectually at six years old because that’s the age their parent(s) prefer them, but they’ve been alive for forty years, how old are they? Most planets, corporations and governments hold that if they’re maintained at an age, they count at that age if it’s an age whereby they’re somebody’s wards or in a protected status. So, for example, some are adults (which varies mightily in the future) but look like they’re twelve, because they liked how they looked then, so they’re counted as their true age. But if they’re twelve and are treated as twelve years old even though they’re fifty, they’re treated as twelve.

Civilization is more complicated in the future.

One decision many face is what to embody. As memory is augmented to provide greater storage and enhance recall abilities because people are living longer, people typically embody their memories as an avatar that can be compiled as a physical presence. That way, instead of just engaging in internal dialogue with themselves, they can call out their memory and invite them to have a drink or share a meal while they discuss their recollections. Brett’s memory is a tanned blonde woman in a red dress (who doesn’t have a name) and Handley’s memory is a pirate named Grutte Piers, based on the real Piers Gerlofs Donia. These aren’t their first memories but they’re their current memories in ‘Long Summer’.

Something similar has evolved for sex. Many people have decided that fake sex with an avatar of their design is more enjoyable than having sex with another actual person. People have foibles. Foibles can be very irritating. The foibles can be mitigated to some degree but people are a bit unpredictable. Many people have learned that they don’t like their sex partners to be unpredictable.

To solve these issues, people often create one (0r more) sex avatars (sexatars?). Like the memory, it’s an embodiment that’s compiled to exist for a period. People can decide exactly who they resemble and how they’ll act. If they want, they can create animal avatars and have sex with animals as a human or compile or modify themselves to be animals and enjoy their sex. Whatever creepy depravities humanity enjoys can be indulged by creating sex avatars. A few people have married their sex avatars. Avatars are people, too, my friends, except they have different rights.

Sex and memory are the two main items people have embodied as avatars but a few people create others. Some have their intelligence or imagination embodied as an avatar that they can call out for visits. Brett has created an embodiment of his personal computer and communications systems, and calls it Carl. Others have gone the good and evil routes, creating twins of the opposite end of their moral spectrum (as they see it). A few enjoy themselves so much that their have avatars that are exactly like themselves created so they have themselves as company. Most find this doesn’t work well, that as people, they’re not the wonderful companions they thought they are.

All of the avatars are as that as anything humans create. Maintenance is needed or the avatars break down and cease functioning.

With all these facets acting in parallel, the population of humanity is slowly cresting, and the average age is creeping up. The oldest humans are upward of three hundred years old. Despite proliferation of new communication technologies and people living longer, people are living more and more in isolation, with only their memories, sex and other embodiments as avatar companions. Sometimes, they miss family or friends and have ideal avatars of them created, too. It makes for happier holiday meals. Meanwhile, Mom, Dad and Sis are alive on other worlds but never hear from Bro.

Yes, it’s an interesting and complex civilization, in the future. Another day of writing like crazy is in the books (ha, ha).

This post has been brought to you by coffee. Coffee: it’s good for thinking (and bowel movements).

Today’s Theme Music

I dreamed of pretzels. People, mostly women, were pushing around small forest green shopping carts crammed with food. Many had large pretzels in them. I wanted one of those pretzels. I tried asking, “Where did you get your pretzel?” But each turned away as though I wasn’t there. I took to a double-decker bus to find the answer, and returned to the same place where I began. I till didn’t have a pretzel.

Ah, pretzel logic. I always fail to grasp it. ‘Pretzel Logic’ was also the name of Steely Dan’s third album. But this is Fond Final Friday, so I elected to post ‘Black Friday’ from their fourth album, ‘Katy Lied’. Sue me if I got it wrong.

Sing along if you know the words. Fake it if you don’t.

My Problem

I’m naming names today: Jenn Moss and Alan Sorrentino.

Alan Sorrentino is in the news about his letter to the editor decrying women wearing yoga pants in public. I know what Alan is talking about. His yoga pants were my muffin tops.

A muffin top is the fleshy overspill above a waist band, developing and exposed when one is wearing a tight lower garment – pants, shorts, skirt – and a cropped top. They were most prevalent among girls and young women. Probably still are. I haven’t seen one for a while.

Muffin tops caused me problems. How could someone wear something so tight and not be appalled by the flesh spilling out? Do they know how they appear? That developed my second problem. I’ve always been irritated by America’s ideals of beauty and perfection, and how humans should look. And here I was, sucked right into it. Damn America.

So I wanted to praise these people for being indifferent about my problem and showing their body as it is, and without embarrassment. But, sigh, I was also disturbed, because these people looked obese and overweight. Shouldn’t they be taking better care of themselves? That led directly to self-confrontation: is that what you think about NFL players with their big bellies? 

No, Michael, it usually isn’t. I was all about the player and what they brought to the table.

Alan, of course, was writing about his problem in what the yoga pants revealed to him about his opinion of female curves. Just like me and my muffin tops, the yoga pants were not about the people wearing them: the problem is him and his perceptions.

Now let’s move on to Jenn Moss. She’s a writer who posts on roughandreadyfiction.com. On Meta Monday, she posted about seeing Richard III at STNJ. Dwelling on Derek Wilson and his awesome guns, she wrote about how this buff actor compared to people’s usual perception of Richard III. In her final paragraphs, she wrote:

Meanwhile, this whole muscle thing got me thinking: what kind of assumptions do we bring to a play or book that we know well? Have you ever rejected a portrayal of a beloved character because it just didn’t match the vision you had in your head? Did a remake or reboot ever leave you cold? I love the Star Trek reboot, for example. But the 2005 film version of Pride & Prejudice just doesn’t do it for me.

I’m going to keep asking myself this question whenever I see a revival or any other remake: How open am I to a different look or fresh interpretation of a favorite character?

Why yes, Jenn, I have thought about these questions. I mutter and rant quite often about what so many – like you, Guy Ritchie – do to Sherlock Holmes. I grimaced at the treatment endured when the television show, ‘Wild, Wild West’ was made into a movie. And then someone did it – gasp – to the ‘Man From U.N.C.L.E.’. Look what’s going on in the Marvels Universe movies. And ‘Star Trek’…grrr…. “What is the world coming to?” I bitterly huffed in best BitterBen fashion.

Of course, I was always talking about my problem. I didn’t realize it until I grasped that I do the same thing to the fiction I write. I take original ideas and torture them into something else. In my science fiction, I discard the intelligent scientific foundations from the likes of Asimov and Clarke. The science and technology just are, a big leap from here and now. Sure, internal logic to the novels is solid, but I make no effort to explain how we made advances in space travel, FTL, teleporters, compilers, terraforming, and colonizing other planets: they just are as part of the setting, much like televisions, cars, cell phones, malls and aircraft travel just are as part of a modern setting.

Reluctantly I concluded, it’s a good thing when a television show, movie, novel, song or idea is re-interpreted and presented in a new light. It is how art, science technology, and government in all their forms have worked since just about the first time a story was done, a ruler proclaimed, a tool was created, or a drawing was made on a wall. Someone saw it and thought, “Wouldn’t it be better this way?” Then they offered their interpretation – thesis, antithesis, synthesis.

We’re always doing this, imagining, re-imagining and re-interpreting all the art, technology, history and events of time.

Now leave me alone. Time to write like crazy, at least one more time. After all, that’s what all this is really about.

And that’s my problem.

 

Twelfth Night

A friend gave us tickets to Oregon Shakespeare Festival’s ‘Twelfth Night’ as a thank you gift.

We attended the play last Sunday night. It was updated to take place in 1930s Hollywood. That premise seemed a little thin at times, as characters were still called the count and the jester, and the studio was referred to as a land. Overall, it was well acted and enjoyable…for as much as I paid attention. For as the lights dimmed and the play began, I thought, “What does Handley’s imagination look like?”

Almost everyone (future studies estimate over ninety percent of people) in the future have an augmented memory. The augmented memory has a variety of options available. One of them includes creating an avatar of your external memory. This presents you with the opportunity to talk to your memory about your memories and life. Your memory can also be a memorable companion, so you’re never alone. You always have your memory, which is useful in space.

Madison Handley, however, went a little further than the norm. Although she embodied her memory as an avatar, she also embodied her imagination as an avatar. Thus, she and her memory played with her imagination as well as her friends when she was young. But, as her mother warned, “Someday your imagination is going to get you into trouble,” her imagination caused trouble and Handley took the fall. (It is her imagination.) After that day arrived, Handley banished it. Now her memory is requesting an audience for her imagination on its behalf because her imagination has some suggestions to help Handley out of her current situation.

All of this led to the standard use questions about the character. As I developed the background to this while at the play, I thought of other imaginary characters and the troubles they caused. A movie was semi-recalled. It seemed like it was in the 80s or 90s. The imaginary character was green and male. They had disappeared, but now they were back.

That’s all I could remember. I thought I would google it sometime but didn’t get around to it. Then, today, while thinking about the imagination and shaving, I remembered, ‘Drop Dead, Fred’, Phoebe Cates, Tim Matheson, Marsha Mason, 1991. Then, remembering those sudden details, I searched for confirmation on the net. Yea, verily, I was correct. The movie only received 9% on Rotten Tomatoes, so I wondered, why do I remember it so well?

All of this cogitation, delays and results – the process – amused me. Took a while of circling but the memory finally landed.

Now back to my novel. I still don’t know her imagination’s appearance but I believe that will come. Time to write like crazy, at least one more time.

 

Today’s Music

So many songs call me today. My spirits are high, but we’re bracing ourselves for a storm. The remnants of typhoon Songda is heading our way up in the Pacific NW, so thoughts drift that way as we prepare for high winds, power outages, and possible flooding. We appear to be on the fringe as we’re inland, but we’ve gone through storms elsewhere, so we prepare.

As always, though, I’m looking forward and back, riding the wave of the day. Some John Cougar Mellencamp creeps through my mind, as does Boston, Pit Bull and Farrell. But then comes a memory from 1971.

‘Riders on the Storm’ was the last song The Doors recorded before Jim Morrison’s death. I vividly remember the first time I heard it in Pittsburgh. I was fourteen, on the verge of fifteen, on the verge of moving out of my mother’s house to join my father. The day was overcast, with a slight drizzle, and this song played. It seemed perfect for my mood and the moment. After hearing it, I sat in a small shed I’d made out of found construction plywood and huddled as the rain finally opened up to full throttle.

1971 seemed like a continuation of harsh years and fast change for me. Jimi Hendrix and Janis Joplin had died the year before, and now Jim Morrison was dead. Listening to rock, drawing, and reading were my escapes, and one leg of that tripod was breaking down. It may sound depressing. I don’t consider it depressing but enriching, and the beginning of my growth as a more introspective person. Of course, I also became more withdrawn then, and socially awkward, trends I still continue. It probably didn’t help that I was reading books like ‘Catch 22’, ‘Catcher in the Rye’, ‘War and Peace’, ‘Cancer Ward’, and ‘Crime and Punishment’ in that period.

Stop and listen to the storm as we brace. Stay safe, wherever you are and whatever you’re doing.

A Bullshit Free Day

I’d like to declare a national day free of bullshit. We can call it National No Bullshit Day. NNBD. Although bullshit is spelled as one word, some call it as BS, or more colloquially, B.S.. So we could do NNBSD. Naturally, I like my idea better. We can have shirts and tee shirts, and raise money, or some other bullshit.

You know BS when you hear it and you call it by your expression. Mularky. Bull. Bullshit. B.S. Garbage. Crap.

We were used to it in the military. Bullshit inundated us, which, if you think about it, which I try not to do, is actually a lot of B.S. We had our bullshit meters. Hearing something that we knew as bullshit, we’d say, in a sort of laconic way, “That just pegged my bullshit meter.” That statement meant that the needle went all the way to the right. Another expression used was, “That buried the needle on my bullshit meter.” Buried the needle was an old expression referencing tachometers and opening throttles to the point where the needles entered the red zone or went as far as it could. Of course, the ultimate bullshit expression was, “My bullshit meter just broke.”

Most bullshit meters used to go to ten. Mine, of course, went to eleven. It was the Spinal Tap Special. (rim shot)

I suppose, in this precise digital age, that bullshit meters are way more accurate. They’re probably on a scale of one to a thousand, enabling the ability to assign a more accurate bullshit value to a given statement, action or news. There are probably apps that can be downloaded and installed on your smart phones, iPhones, iPads and tablets. Being sixty, I don’t need a bullshit meter, and will tell you, with a sniff, “I don’t need a meter to tell me when something’s bullshit. I’ve experienced enough bullshit to know bullshit when bullshit is around.”

But many naive and gullibles do not recognize bullshit. They believe you can get something for nothing. I, of course, believe that’s bullshit. Of course, the problem with bullshit is, once it’s in your system, you can’t get it out, debilitating your immunity to bullshit. You soon can’t even detect it.

Still, there times when my bullshit meter gets broke. For example, when a car manufacturer, like Ford, declares they’ve completely re-invented a car, I think, that’s bullshit.

When they announced literally no longer means literally, I shook my head and said, “What bullshit.”

When I see the price of my quad shot mocha is five dollars, I think, that’s outrageous bullshit, even though it’s not, really. Bullshit often depends upon your frame of reference. I have some years behind me so my frame of reference has gotten pretty damn big. First, I would tell you, “Nobody sold mochas when I was a kid. We didn’t have a Starbucks or coffee house on every corner. Coffee houses were part of the beat generation. Only artists and poets went there, not people.”

And then I will tell you, “I remember when a cup of coffee cost less than a dollar.” Someone with a bigger frame of reference will naturally top that and declare, “I remember when it cost ten cents a cup,” and another will say, “I remember when it was free.” I’m not sure if coffee was ever free, so that moves my old bullshit meter needle a little bit, but that’s okay, because they’re old, and it’s honest bullshit.

The Internet doesn’t help. I mean, come on, there is so much bullshit on it that it seems possible that the bullshit will take it down. Which would be a pretty good news lead: “In today’s top story, bullshit broke the worldwide web. More coming up, after this word from your sponsors.” Which is bullshit in its own right, to need to wait to hear about this important news until you’ve heard someone try to sell you something.

I may be showing my age there.

You’d think some tech company could design an application that not only detects bullshit but blocks it, just as intrusion detection and prevention software works. Then, as you’re downloading a page, a little popup arrives on your screen and says, “Warning. Bullshit was detected and blocked.”

We could even assign the bullshit levels of threat: faint, mild, average, serious, dangerous, and OMGWTF infuriating.

I dream of a time when television commercials could contain the disclaimer, “This commercial contains no bullshit,” and you can sit back and listen and know, you’re not hearing any bullshit. Because if they were spreading bullshit when they made the commercial, some great Bullshit God would zap them with a laser and declare in a thunderous voice, “No bullshit allowed. Not on my watch.”

But, yes, that’s a fantasy. For now, I’ll dream of a bullshit free day, or even just, like an hour when I don’t read something and say to the cats, “Can you believe this bullshit?”

I don’t think it’s going to be until after November 8th.

 

Greetings from a Sexagenarian

Back when my mother was in her late seventies, she went dancing on Friday nights. She often mentioned how much she enjoyed it, and enthused about the old people and their dancing skills and energy.

That always drew my laughter. “The old people? Mom, you’re old.”

Impatience snapped through her response. “I mean the really old people, you know, in their nineties.”

While I understood her point, it amused me that she didn’t think of herself as old. Now, at sixty, I understand better.

My wife was in a conversation with a man in his mid-eighties. She’s a few years younger than me and mentioned to him that she was middle-aged.

He seemed amused. “Middle-aged? Isn’t that well behind you?”

I was taken back when she told me. If she’s younger than me and she’s not middle-aged, than what am I? What constitutes middle-age?

Does it matter?

Not really, and yes, and no. Middle-aged, as already demonstrated, is a vague, inaccurate term. Definitions by psychologists and institutions vary, as it does by era and culture.

Part of it, which disturbed Mom, and bothers me, are the connotations associated by these terms, young, middle-aged, and elderly. Think ‘young’ and contemplate the images and ideas springing to mind. Substitute ‘elderly’ and ‘middle-aged’.

Yet, in most of the advanced world, these labels mean less and less. So I’m taking up the Latin route. I’m sixty, so call me a sexagenarian. I like it. Easy to spell, and it has sex embedded right in it. Mom, in her eighties, is an octogenarian.

I mean, what does middle-age conspire to mean? I’ve been accused of being immature, old beyond my years, and an old man before his time. I’ve also been deemed young at heart by some, immature, or young in spirit by others. My older friends – in their late sixties to upper eighties – call me their young friend.

It’s all context and impressions. Like everything else, a spectrum of behavior, expectations and impressions establishes others’ perceptions and judgement. Yet this can change by day. Give me a short night of sleep and I can appear as a cranky old man. Pour a little beer in me and I can be as immature as a two-year old. Mostly, I’m somewhere in between.

I don’t dress ‘old’ but nor I dress ‘young’. I adopt dress that is neat without calling attention to me. My hair is thinning and retreating as fast as antarctic ice (but with less alarm), and when the sun gets its rays on it, it goes silver and white. Do I care?

Hell, yes.

And hell, no.

See, I’m trapped on that spectrum. I logically understand aging and its impact. I also appreciate the freedom of aging, and its limitations. I know I can’t do anything about it, nor influence others’ impressions of my age and their labels, so why care? But then someone says, “Isn’t middle-age behind you?” and I’m newly irked.

In the future setting of my novels, ‘Returnee’ and ‘Long Summer’, you can bet it’s addressed, because we’re driven by advertising, perception and self-image, themes that sharpen in that future setting. You can bet that a civilization that has developed a technological work-around to dying has done the same with aging’s impact and their appearance.

It becomes an exercise for the characters and their thinking. Many embrace genetic sculpting to develop a look which they like and others appreciate. It’s just like hair, mustache and beard styles and colors, or even jewelry. Some take up the approach, how do I want to look today? What color should my skin, eyes, and hair be? Others emulate famous people, but more establish a look and keep it. A few chose to resemble cats, dogs, dragons, centaurs, and other creatures. It’s almost free and relatively easy.

The 4G in my future (the fourth generation of space colonists) have taken it to an extreme, part of their statement about who they are and their stand. Their leaders look prepubescent. That fad is spreading. They think it’s a meaningful statement of who they are and represent, but others who have lived longer and done more, mostly understand how little that appearance really means. There are some who are more easily swayed, or want to be included in the new youth movement. It’s fun to think about and one of the great joys of writing fiction.

In one of my vaguely conceptualized ideas, people who become zombies immediately look young and beautiful, which sways a large segment of weak thinking people, who want to look young and beautiful again. And as zombies, they have no cares about work, taxes, politics, wars, civil rights or the environment.

Which takes me from here to there and back again. Because, after all, weren’t we really talking about mindless zombie thinking about what it means to be old?

 

Apologies to Joss Whedon

Many science fiction works have affected and inspired me. Hundreds of books, of course, from fantasy like ‘The Hobbit’ and the ‘Lord of the Rings’ trilogy, to ‘hard’ science fiction, like Asimov’s Foundation series, and books and series by authors such as Bradbury, Clarke, Heinlein, Biggle, le Guin, Butler, and many more. The ‘Star Trek’ franchise is a large influence, but also ‘Battlestar Galactica’, movies like ‘2001: A Space Odyssey,’ ‘Bladerunner’ (along with several other movies based on Philip K. Dick’s works), ‘The Day the Earth Stood Still’ and more recent offerings such as ‘District 9’. One series and movie I really enjoyed, however, was Joss Whedon’s adventures of Malcolm ‘Mal’ Reynolds, and his crew on Serenity’.

Three things happen in my distant, planet terraforming, space-colonizing future. One is that people are still affected, inspired and shaped by these fictional works. Second, the series is often ‘rebooted’ multiple times. And third, when the reboot takes place, some fundamentals are changed.

Rebooting is a recent trend. We used to just call them a re-make. But as books and movies are rebooted, they’re often changed. Look at all the changes we’ve seen in the reboots and re-makes of Sherlock Holmes. They’re often updated (such as the ‘Holmes’ series, where Watson is a vet of the war in Afghanistan), or given new skills (see Robert Downey Jr’s performance of Guy Ritchie’s ‘Sherlock Holmes’), but their sex can be changed (like Lucy Liu playing Watson on ‘Elementary’), or their race (James West in ‘Wild, Wild West’), to provide new angles.

So, in my future setting, one of the characters was inspired by Joss Whedon’s ‘Serenity’. In their future, the movie was rebooted as a series, and then more movies followed. But Mal’s character was changed from a man to a woman. Mal was a man (in my version) who took on a female sex and appearance after his wife disappeared. See where all this is going? In a way, future Mal is a Josey Wales – Richard Kimball – Robin Hood aggregate. Mal is a female, with an all-female crew. Jayne, portrayed by Adam Baldwin, is re-named Mahrk, so the character, a female, would have a pseudo male name. My character fantasized about being Mal and traveling the universe in her own ship, and thus ended up working in space for a corporation.

Stealing from reality, many people actually believe Sherlock Holmes was a real person. Groups and societies are dedicated to this premise. Likewise, my hero, Handley, was once part of a group who believe Mal Reynolds was real, and part of a secret history that has since been covered up.

So, apologies to Joss Whedon for what I’m doing to your creation in the future, but thanks for giving it to us.

And now my coffee cup is empty, and I’m finished writing for today…for the moment.

Today’s Theme Music

Quiet rain plays with the material world, and I’m feeling it in my spiritual world. The soft beats heighten the sounds of silence, so here we are….

I saw Disturbed’s rendition of ‘The Sounds of Silence’ on the net. The original song is powerful, and the words are inspirational, but Disturbed’s presentation is infused with a sense of outrage and dismay. I selected their appearance from Conan’s show.

Music to think about.

 

 

Today’s Theme Music

I thought something uplifting is appropriate for this first Saturday in October and turned to Zucchero.

I first heard another song, ‘I Lay Down’, with John Lee Hooker, from Zucchero’s 2005 album and immediately went out and purchased it. Then I heard this song, ‘Diavolo in Me’, with Solomon Burke.

 

It’s a good jam to chase away some self-defeating spirits. Cheers

 

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