Thursday’s Theme Music

In one of those serendipity moments that I enjoy, I’d started streaming “Le Freak” by Chic yesterday. This was a disco era hit from 1978. It was all washing across the airwaves, so it washed into my brain.

Why was I singing along to the stream in my mind yesterday? Don’t knoaw. But reading this day in history, Studio 54 opened back in 1977. The place was a curiosity. Partiers and the famous and wealthy loved it, but it triggered a meh response in me.

Here is where the serendipity arrives. Chic band members wrote the song “Le Freak” when one of their members (Niles Rodgers) was turned away.

Here’s to the disco era. Let’s freak out!

Catass

Catass (catfinition) – Internet slang for people who are as amazing as a cat.

In use: “She was so catass, she had tens of thousands of Twitter followers. When she posted a video on YouTube, the number people clicking on it brought down the site. She was so catass, she did all of this before she was five.”

420, Come & Gone

420 came and went. We had a lot of ads for marijuana conventions and sellers on the radio, but little else. Nobody had a parade around here. Hallmark didn’t put out any cards, and very few places had specials.

Which is really sad and short-sighted. Do restaurants not know that people smoking grass often want a munchie? They should have been all over that.

Don’t know where Hallmark Cards and the other card producers were for Weed Day, eituer. These companies have impressive holiday/recipient card matrixes. Need a card? What’s the occasion? How much do you want to spend? Do you want it to be funny or religious? Who is the recipient? Is it for you father, mother, sister, brother, uncle, aunt, or a step parent? Is it to a child? What age? The card is available!

But not for Weed Day. I couldn’t find a single card to send mom. As far as I know, only Denver really seemed to get behind it. Which is why I’m so ashamed of Ashland. You’d think this place, which celebrates beer, wine, and food, along with chocolate, movies, plays, and the outdoors, would have had some kind of celebratory marketing campaign.

Even as I write, though, I’m sure marketing mavericks across America are toking while thinking, “How did I miss that opportunity?” I’m sure they’ll fix it soon, I mean, look how quietly the SuperBowl started, and what it’s since become.

Oh, wow, now I see it: the Marijuana Bowl. The halftime show can be Jim Stafford singing “Wildwood Weed.”

Wednesday’s Theme Music

Long hair and suits. That seemed to be part of the transition from blues to rock & pop.

“For Your Love” by the Yardbirds was part of that transition. I like watching this video for these pieces – the suits and hair, the somewhat bored or impassive expressions of the band members, the band’s setup, and what seems like a tiny, tiny drum set. Everything was simpler. This video was from 1965, and within a few years, changes would be visible in how pop/rock stars should dress and act. Fun to have YouTube and the associated technology to look back into the early years of the rock era.

 

The Little Ones

He volunteered to be a Little One (trademarked) the day after his eighteenth birthday in May. He could have become one before that, but that decision would have required his parents’ approval. He didn’t want to talk to them about it. They still believed he had a normal future in a normal world.

Admittedly, he didn’t understand the Little technology, but he also didn’t understand television technology, so…? Being a little person, he could reduce his bioprint. They would feed him and ensure he had water. They’d give him a little bonus for volunteering to be a Little One. He’d live in a domed little city where “the air is the cleanest air in America.” Called little SF, the city that agreed to take him was a recreation of the 1950s era San Francisco, except it had modern cars and technology. The city was located on the enormous recreation of the Pacific Ocean that they’d carved out of Kansas farmland. He could still communicate with everyone through the Internet and social media so it wasn’t like he was really leaving anything behind.

Like all Little Ones, everything in Little Land surprised him. The little cars and houses were exactly to scale. Eating utensils, computers, corn on the cob, cheeseburgers, beer cans and bottles — everything — were proportionate to his little hands. So were grass, trees, and birds. Little cows and horses dotted the countryside, and neighbors had little cats and dogs. Big little freighters came into the Little SF Bay past Little Alcatraz, docking at the Little Piers. Little fish populated the Little Pacific and the little ponds, streams, and rivers. Living there, he constantly reminded himself, “This is real.” 

He found a job in a little office where they published several little local newspapers. Little was required of him there, but the structure helped him cope. His favorite activity was to take the Little Train to Little SFO out on the Little Peninsula, and watch the Little aircraft take off, flying to other Little Land locations, like Little Chicago, Little Miami, and Little New York. He could buy a ticket and go to one, but he was, he said to himself with a wry little private chuckle, a little afraid.

Still, even with all of the evidence and his experience, he struggled to accept it was real. He began to think he was in a computer simulation or a virtual reality. He began thinking that nothing he experienced was real, that his mind and perceptions were being manipulated and conned. He began thinking, maybe it was the other world that was fake, and this world was always his real existence. He began to think, I’m a little afraid I’m not going to make it. I’m afraid I’m going a little crazy. I’m going to be a little suicide.

Then he met Candy. Her first words to him were, “Hi, I’m Candy. I’m a little tart, and a little sweet. Want to have a little fun?”

That was how he became a little bank robber. It seemed as good a way as any to spend a little time.

Tuesday’s Theme Music

A good friend of mine used to proclaim Tears for Fear’s “Everybody Wants to Rule the World” as the BEST SONG EVER. I’m always hesitant to declare a song BSE. Music speaks to moods and eras of life for me, just as books and movies do. What any of them depends upon how they fit into my life at the time. I can still use to them stream memories and experiences, though.

I haven’t seen this good friend in over twenty years. He changed, I changed, and we were in the military, and assignments changed. But, hearing this song, there’s his grinning face as he demands, “Turn it up.”

Thinking back on my life, I’m amazed how many songs are attached to moments with specific people.

Monday’s Theme Music

You ever get on the telephone, listen to ads, or generally engage with sales people, and get the feeling that they have music going through their head, and that music is some variation of “Money (That’s What I Want)”? Seems like a large proportion of the world’s population is has this theme song going.

It ended up streaming into my head this morning after reading the news (I read the news today, oh, boy). After a little thought, I went with the Beatle’s version because I’m most familiar with it.

Look back on a little Beatlemania in this clip, or, if you’re too young to know what I’m talking about, view it for the first time.

Sunday’s Theme Song

I heard “I’m A Man” by the Spencer Davis Group, but the Chicago cover (when the band’s name was still Chicago Transit Authority) is my preferred version. I have a fond memory of being sixteen. I was at a friend’s place with several others. We had the lights low, and were smoking some grass, drinking beer, and listening to “I’m A Man” cranked up. That opening bass begins, and then drums rise and other instruments join and build tension.

Ah, fond memory.

Saturday’s Theme Music

This was another song (aren’t many of them?) that prompted me to ask, “What are they singing?” This was P.I. (Pre-Internet), when the means of learning a song’s lyrics were more challenging today. (Cue old curmudgeon mode: “These kids today don’t know how good they have it,” except, of course, worries about getting shot in school, or being black and stopped by police.)

Sorry for the detour. When I heard Tool’s song, “Sober”, in 1992, I could clearly make out some lyrics. Others made little sense. Then, when I finally learned them all, I confirmed, the phrases and words aren’t necessarily the logical poetry of seeing a flower or a tree, or being a cloud. The person in the song was angry, frustrated, and confused, trying to understand themselves and why they do things, and sometimes asking for help to overcome their urges and needs. These are things many people face, but can’t fully articulate. This song, backed up by sharp, bitter guitar notes, expresses it better than most people can.

Powerful song. Not much for dancing, mind you.

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