Category: pop culture

Thursday’s Theme Music

We drove over to Medford for some errands yesterday. It’s just four Interstate exits away, less than ten miles as the Mazda rolls. While there, songs about being in a city topped my mental stream during quiet moments.

I like cities and their energy but admit, I think of them as a good place to visit, but I wouldn’t want to live there. The city’s energy steals too much of my energy in general — it’s the people, you know. But Medford is not a large city. It’s a very comfortable experience outside of the current COVID-19 restrictions and limitations. Not bad at all, though were were there for only two hours, including the drive to and from.

Amazing number of excellent songs about cities and being in the city. An old Joe Walsh favorite percolated in. “In the City” (1979) was originally by him and put into a movie, The Warriors. Joe joined the Eagles. They liked his song and included it on their album. Now, you often hear it attributed to the Eagles.

What interests about the song is how it’s a soft reflection of the city not being a very nice place. Yet the refrain, “In the city,” is a gentle, wistful wind throughout the song. Well, that’s how I hear it in my head.

Hope you have a good one. Wear a mask, please. Cheers

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Floof Convention

Floof Convention (floofinition) – 1. A meeting or formal assembly of animals.

In use: “Floofcon One is the largest and longest running floof convention on Earth. Originally started by dinosaurs, it was discontinued for several ice ages before being rebooted by mammals. Humans were invited to the rebooted meeting but chose not to participate, and have been left off the invite list ever since.”

2. A rule, method, or practice established by animals for animals to follow.

In use: “By floof convention, humans are not permitted to learn floofspeak, the universal language that animals employ.

3. West Floofman floof disco (floofco) recording act formed in Floofnich in 1974.

In use: “Floof Convention’s biggest hit is “Fly, Robin, Floof”, which reached number one in the Floofnited States.”

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Wednesday’s Theme Music

Several times a month, a song or fragment hits my auditory stream and lingers. Some call this an earworm. I call it an annoyance.

Once in a while, I post those as my theme music to get them out of my head. It seems to work. Sometimes, though, the stuck song isn’t deserving of being the day’s theme music.

That’s the case today. This song isn’t the theme song, but I’m sharing it with you. It’s from a famous movie, so you might now it.

Yes, it’s “The Thermos Song” by Steve Martin from The Jerk (1979).

I don’t want it for today’s theme music.

As The Jerk came out in 1979, I started thinking about that year. While placing myself in that moment, my mind had a perverse idea, introducing The Smashing Pumpkins’ song, “1979”, from 1996, in my head. Oh, that brain, what a rascal.

It’s been over a year since I used “1979” for a theme song. (Yeah, I looked it up.) Why not, I thought. 1979 was a simpler time for me. Not for others, of course. As we slide over the time spectrum, time and life, and their impact on us, shift. Sometimes things skip off his like a stone skimming across a still pond. Other days, news whacks us like an asteroid taking the Yucatan Peninsula.

For me, though, best memories are not the ugly ones, but the sweet ones where I remember laughing with friends, getting ready to go out, and generally worrying about things other than drought, war, pandemics, politics, and climate change. It was like a day of freedom from stress.

Not all people have such stress-free days, but I’ve had some. Some of them were back in 1979. Mind you, that wasn’t a stress-free era. We still lived under the threat of nuclear war. Mr. Jimmy Carter was POTUS, and the Iran Hostage crises was the story of the day. But besides all that, I went to the movie theater with my cousins and wife in San Antonio to watch a movie called The Jerk.

Yeah, it was a good time.

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The Village Floofs

The Village Floofs (floofinition) – Floofmerican floof pop (floop) and floof disco (floofco) musical band formed in 1977. The group became widely known for their suggestive lyrics and elaborate costumes and stage productions, hitting their peak popularity in the late 1970s.

In use: “The Village Floofs had several major hits, including “Y.F.C.A.”, “In the Kennels”, and “Macho Floof”, all of which scored big with floofco crowds.”

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Tuesday’s Theme Music

It’s a cold, wet, chilly, dull, day. Yeah, I know that cold and chilly seem redundant. I think the day calls for it.

Like, where is the sun? Out there somewhere, I surmise from ambient lighting. Just not breaking through. Not warming us up.

We’ve been wanting rain, so complaints are moot. We’ve been enjoying an October and November warm spell. I like that expression, ‘warm spell’. It was in the low seventies here last week, down into the mid forties at night with, as Alexa puts it, “a lot of sunshine throughout the day”.

Of course, we needed rain and wanted rain. Actually need snow to build up our Cascades snowpack. The snowpack is our summer water supply.

But I’m a ranter (which reminds me of the ol’ Dr. Pepper commercial, “I’m a ranter, he’s a ranter, she’s a ranter, wouldn’t you like to be a ranter, too?”). With that done, naturally, my head turned to music. What music speaks to me from this weather and this rant?

Why, the Rascals with their 1968 song, “People Got to Be Free”. Yeah, that makes total sense. Who else do you think of when all the leaves are brown and the sky is gray, right?

I think the Rascals song arrived via a Venn splice in my mental stream, where dreams, current events, and music came together. One dream featured a 1968 Camaro. I had one, once, pushing the nostalgia buttons. That may’ve called the song up on the mental shuffle.

Politically speaking, the song fits the times.

You should see, what a lovely, lovely world this would be
If everyone learned to live together
It seems to me such an easy, easy thing this would be
Why can’t you and me learn to love one another
All the world over, so easy to see
People everywhere just wanna be free
I can’t understand it, so simple to me
People everywhere just got to be free
Ah, ah, yeah . . . ah, ah, yeah
If there’s a man who is down and needs a helping hand
All it takes is you to understand and to see him through
Seems to me, we got to solve it individually
And I’ll do unto you what you do to me

h/t to Metrolyrics.

These are, of course, socialist thoughts that progressives like me push, that so many others fear. Helping others? Everyone equal and free? Why, how barbaric.

Have you read this far? Then, thanks. Have a good one. And wear a mask, please. For all of us. Merry Christmas.

What, too early?

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Floofwave

Floofwave (floofinition) – Jamming floof musical (floofsical) group formed in the United Floofdom in 1975. Floofwave combined floof funk (floonk) with floof disco (floofco) for a vital floof rock (flock)/floof pop (floop) sound.

In use: “One of Floofwave’s largest hit was the 1977 single, “Boogie Floof”, from their debut album, Too Floof to Handle.“

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Monday’s Theme Music

I watched some NFL football yesterday. As I feared, the Pittsburgh Steelers played down and made it too tight as they played the Dallas Cowboys. The Steelers pulled it out, but damn; do they need to take it down to the last second almost every week?

The Seattle Seahawks and Tampa Bay Bucs weren’t able to redeem themselves, though, and went down. Injuries, penalties, miscues, bad luck, good luck…

Which is where today’s music arrived. A 1980 song by Kurtis Blow, “The Breaks” employs wordplay and a refrain that I enjoy. “These are the breaks. (That’s the breaks. That’s the breaks.)”

Yeah, that’s often how life goes, like a football bounce, chaos theory in action, fractals made real. These are the breaks.

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Murray Floof

Murray Floof (floofinition) – Flooflish actor and floof rock (flock) singer from Floofdon, Floofland. His younger brother is Anthony Floof, who is known for his role as Floofpert Giles in Floofy the Vampire Slayer.

In use: “Murray Floof is probably best known for a pair of international hits, “Superfloof” and “One Night in Floofkok”, which charted well in several countries.”

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Sunday’s Theme Music

Sorry, but it’s sort of a quasi-politically inspired song again. (Wow, such a wishy-washy caveat and apology.) There’s also a writing angle.

Thinking about not just Trump but about life in general summoned John Mellencamp’s 1987 song, “Paper in Fire” to mind. I was thinking about aspirations and permanency and how often what people do amount to nothing or disappear like…well, like paper in fire.

And the days of vanity
Went on forever
And he saw his days burn up
Like paper in fire

Trump comes into this because of the vanity angle. He couldn’t govern and lead by getting legislation probably passed and put into place as law. Part of this was that he didn’t want to share glory. He wanted to be the one who was seen to originate the idea, to demonstrate his smarts. As he couldn’t, he instead used executive orders or chose not to enforce laws. Many of the executive orders meant almost nothing except to signal his desire, but others of them actively circumvented due process.

Much of what Trump seemed to be to appeal to his base. He loved their adoration. His actions and words were a reflection of that vanity.

Of course, Joe Biden intends to countermand Trump with more executive orders. This ends up in a cycle that creates a stronger executive branch to the detriment of the other branches, breaking the system of checks and balances. It becomes more dysfunctional and less stable and sustainable.

Of course, part of all this is the existential logjam that’s taking place in Congress. Democrats in the House pass bills, with partisan votes, but Republican McConnell in the Senate won’t bring them forward for action.

Beyond that, many of our individual dreams are like paper in fire. We diligently pursue them but they often come to little or no fruition, disappearing after we stop like paper in fire.

Sounds like it might be unhappy thinking. It’s not. We had our first snow dust this morning. Peering out at the cold scene with coffee in hand prompted reflection. Besides Trump and the US government, I also considered my characters and their motivations and dreams. They’re mostly in survivor or service roles even as unusual and unique issues impact them. In many ways, while they affect what happens in their world, their names will disappear like paper in fire.

So, there it is. Good rock tune with an Appalachian musical vibe. Hope you enjoy it and that you’re having a good one. Wear a mask, please. Cheers

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Los Floofos

Los Floofos (floofinition) – Floofmerican floof rock (flock) musical group from East Floof Angeles. Formed in 1973, floof and roll, Floof-ex, country, and F&B influenced their sound, along with more traditional genres such as floofbia, floofleros, and floofteña. The band  achieved its first major success in 1983.

In use: “Los Floofos most major hit is “La Floofba” in 1983, itself a cover of Ritchie Flooflens’ version of the floofditional folk song.”

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