A Random Stream

‘Hey Ya’ is playing in my head but otherwise, thoughts are normalized streams of randomness.

  • Eva Lesko Natiello posted a blog about not quitting. I was happy to read it and read it again today because her words summarizes my writing process. Here’s one paragraph.
    • “Yesterday my manuscript was torturing me. I couldn’t move forward. Stuck in my puzzle. I was having trouble with the order of disclosure and who’s POV it should be. Should the dialogue contradict what the character was really thinking? Maybe she wasn’t thinking that at all. What was she thinking? Maybe it wasn’t her place to reveal it. Perhaps we should find out some other way.”
    • I like how she captured this process. Later, she mentions that she becomes frustrated and pushes herself to sit it in her chair and squirm it out. I don’t squirm; I close my eyes and bow my head. But’s it’s the same thing.
  • Earlier in February, Barbara Froman published an interview she conducted with Dr. Harrison Solow in 2013. I read it again this week. I recommend it. I like what Harrison said in this paragraph:
    • “And someone has had the great good sense to leave this book alone. Or if altered, respectfully tuned to perfect pitch by an invisible hand, so that each word has the unmistakable ring of authenticity. The reader perceives nothing enharmonic. A true book and a beautiful one. But although there is no false note, neither is the entire composition a universal symphony. There is vision here — intensely personal, internally arranged.”
    • There is the difficulty, finding the notes so no false notes are played in the novel.
  • Gray, cold air cups the buildings and trees this morning. Walking past a row of apartments, I smell…laundry detergents and fabric softeners being vented out. Nostalgia strikes a chime. This is a day like my Pittsburgh childhood. Smells often transport me.
  • Striding past the cemetery, I acknowledge, again, I like cemeteries but I don’ t like them. The history they represent touches me and prompts questions about the lives beneath the headstones. But I think the land where cemeteries reside could be better used for other things. I’ve never had the interest in visiting them to talk to people who passed on; I just speak to them in my head. But it matters much to others. I guess I’m an unsentimental jerk.
  • Watched  ‘Hacksaw Ridge’ on Friday night. Wasn’t impressed. It seems like, as my wife called it, a movie war, dated and hackneyed. Others obviously think differently, as they nominated it for the Best Picture. Again, it must be me. I do admire Desmond Doss, the conscientious objector (cooperator, he calls himself) at the story’s center. I thought Garfield did a good job, but overall, Mel Gibson as a director seemed heavy handed. I found Hollywood vs History’s details about the differences between the movie and the facts very interesting.
  • Many smart houses, with their smart thermostats, are actually connected to apps that allow you to call it from your phone and change the temperature or turn the lights on or off. That’s not a smart house, but a remote control. A smart house, to me, is one that I don’t have to program and set reminders other than to provide it with some basic operating instructions. For instance, my system is programmed for fifty-eight degrees at night. But if the temperature is dropping into the mid twenties Fahrenheit, like this week, I turn it up to sixty-four at night. Part of this is because the house design; the furnace is mounted on its side in the attic space. It’s not insulated, and the drip line runs through it and down inside a garage wall that also isn’t insulated. That sometimes allows the drip line to freeze. It’s a shortcoming that I’m working on to fix, but meanwhile, a smarter house would be helpful.
  • ‘Nocturnal Animals’ was last night’s household viewing feature. Well done and everything, but not my style of movie.
    • During the movie, my wife turned to me and asked, “Have you ever killed me in a novel?” No, I haven’t.
    • Jake Gyllenhaal’s character, Tony Hastings, is a writer. During a conversation, he states, “All writers write about themselves.” I kind of agree; I am the baseline from which I begin, but then it changes according to the character and story’s needs and expectations. Often, though, I model a character on another person and use how I would expect them to behave as my guide.
    • My wife also wondered what I thought of Tony’s revenge. While it’s not something that I would have done, I can see how a writer can end up going there.
    • If you don’t know what I’m writing about, sorry. I don’t mean to be obtuse but didn’t want to reveal too much of the plot.
  • Now time to dip myself back in the imaginary world of an imaginary future, technology and people. In other words, I’m going to write like crazy, at least one more time. I’ll probably do a little squirming, too.

The Last Four Movies

We’ve seen four movies in five days to cap off our annual Oscar whirl. I already posted about the terrific animated film, ‘Kubo and the Two Strings’. Following it was an absurdist black comedy, ‘The Lobster’

Colin Ferrell, Rachel Weitz and Jenna Coleman star. These are all actors I enjoy. Their portrayals in this were all low energy, as if people were straining to comprehend what was happening. Emotional responses were muted, like too much emotion had already been expended in their lives.

We follow Colin Ferrell’s character from his arrival at the hotel and orientation. One hand is cuffed so he could appreciate, “Two is better.” The premise, that if you don’t have a mate, you will be turned into an animal, and that this is now the accepted social norm, is never explained. Nor is the hotel’s limitations on clothing so that everyone is dressed in the same manner, or having the women hunt in dresses. It’s absurd, right? None of the concepts underlying the plot are explained. You just go along with it. Strange, but engaging.

Behind ‘The Lobster’ came something one hundred and eight degrees different: an animated film about animals as people, Zootopia’. The movie takes it name from the animal nation’s major urban area, Zootopia. Central to the is Judy Hopper’s dream of being a police officer, and her life as the first bunny copper in Zootopia. A crime spree has sprung up in which animals are disappearing. It’s a good movie for young people to watch. One of the baristas, a twenty year old, has watched it four times while baby-sitting children. Her take is that its message is not to stereotype people, which is demonstrated by individual’s roles as wolves, foxes, weasels, sheep and bunnies. It is more, she acknowledged. The movie takes on bullying, determination and persistence, and pursuing your goals despite obstacles. All of this is done through a clever, humorous lens that’s more slanted toward adults, such as the lemmings, all dressed the same, leaving the Lemmings Brothers building.

My wife asked, which movie, ‘Zootopia’ or ‘Kubo and the Two Strings’ would receive my Oscar vote? I loved Kubo’s beautiful, amazing artwork, and the film’s ethereal aura. I also enjoyed and admired the plucky young main character’s good nature and determination. Yet, ‘Zootopia’ edged it out to receive my vote. Kubo is better at art; I thought ‘Zootopia’ was better at entertainment. A fun movie, ‘Zootopia’ kept my interest. I would have given the Oscar to ‘Zootopia’, but the edge was the thickness of a sheet of paper.

Last, last night, we watched the documentary, 13th‘.  This film meticulously states facts connecting the end of the civil war and the transition from black people being slaves as owned property to slaves as criminals. The documentary attacks the issues from multiple points of view, laying out a convincing narrative that letting slaves go wasn’t financially acceptable, and all the manners in which blacks, especially men, were portrayed in popular media and entertainment as criminals, thugs and murders.

Blacks naturally reacted. As blacks reacted, whites reacted. We follow the political arc, beginning with the Thirteenth Amendment. The Thirteenth Amendment abolished slavery and involuntary servitude, except as punishment for a crime. There was the out, the loophole. Blacks were locked up in greater and greater numbers as drug use was criminalized by the legal system. ALEC – American Legislative Exchange Council – established its agenda of feeding states the legislative measures and acts that furthered a reactionary social agenda but also helped its members realize increasing profits through state laws. From that, CCA – the Corrections Corporation of America, an ironic name if ever heard – is born, as is the monetized incarceration system that establishes prisons as profit centers. Now America has fallen from leading the world in many areas, but has managed to imprison more people than any other nation. And disproportionately imprisoned are blacks, and more specifically, black men.

It’s demonstrated in the documentary how the system is gained so that many blacks who are arrested, even when they’ve not committed a crime, are never convicted of a crime but end up spending time in jails and prisons through plea bargains, and how the fear of the maximum sentence is leveraged to encourage plea bargaining.

Senator Cory Booker points out that most race riots begin with incidents of police brutality. The hype over the threat from the Black Panthers is portrayed as the greatest danger to America. Footage Angela Davis’ gripping, powerful testimony in her trail is presented.

Politically, Lee Atwater’s notorious recordings are heard about how to manipulate voters. Willie Horton is brought up again, and how it turned the election for Bush. Bill Clinton’s role and his erroneous policies are shown, and their tangible impact, along with the insane, ‘Three Strikes Law’.

Political hype feeds fears; fears led to election victories; election victories lead to increased demonizing of blacks; increased demonizing leads to greater criminalizing, which develops into greater profits. A direct result is Donald Trump’ s election as ‘the law and order president’. His boogeyman are the brown people, refugees and immigrants. Guess which pretty little group of white dominated men is profiting from increased worries about immigrants and refugees?

Yes, ALEC.

As a final straw, prisons are being used as source for cheap labor for American companies to build their products. Meanwhile, poor, unemployed and underemployed people are distracted into believing the problems lie with immigrants, refugees and terrorists. And as each political party tries to regain office, they must outdo the previous administration’s stance as being tough on law and order. President Obama was finally one to begin to point out what was happening; Hillary changed her stance from hard on crime to intelligent on crime.

I recommend you see the film.

So here we have these movies, which teach our children to be strong and unafraid, to be honest and hopeful, along with one mocking our position on marriage as an institution, and finally one demonstrating the truth about how politicians and corporations manipulate and guide people to fear and hate, and vote and profits.

This, by the way, is why I march against Trump’s Agenda.

Today’s Theme Music

Today’s song is from a movie. I saw the movie back in the mid-1960s when I was a child. For some reason, it popped into my head last night and stayed awhile.

So, here it is, from the 1965 production of ‘Cinderella’, Leslie Ann Warren singing ‘In My Own Little Corner’. 

Kubo and the Two Strings

We watched ‘Kubo and the Two Strings’ last night. Great tale. Great mythology. Sensational imagination on display. Wonderful artwork. Neat, different ideas – at least for me. Some, of course, predictable. That’s to happen if you’re a thinking reader or movie watching.

Themes develop. Characters are established and arcs developed. The story unfolds. It’s rarely totally new or fresh. The beauty and pleasure often arrive with the nuances of execution and the story’s internal truths. This reflects humanity, art and history. We build on what’s gone before, even when we can’t remember what’s gone before, even when it’s been distorted to portray another existence.

The song at the end was an unexpected pleasure. George Harrison could have been thinking about Kubo’s tale when he wrote ‘While My Guitar Gently Weeps’. Regina Spektor’s presentation chilled and moved me. ‘Rolling Stone’ called it haunting. I agree with that. I have a new regard for the shamisen.

Today’s Theme Music

Today’s song is one that used to start up whenever I’d hit the road during my military and civilian career, or during holidays. For a while, it was a lot of traveling. It looks glamorous on paper between all those countries, states and cities, but it wasn’t.

It’s simple beat and lyrics make it a terrific song for singing while walking around, to. From 1980 and the movie, ‘Honeysuckle Rose’, here’s Willie Nelson with, ‘On the Road Again’.

Hell Or High Water

This contains spoilers about the movie, ‘Hell Or High Water’. If you’re planning to see the movie, don’t read further, unless you’re okay knowing some important matters.

My wife and I watched the Academy Award nominated movie, ‘Hell Or High Water’. It stares Ben Foster, Chris Pine, Gil Birmingham and Jeff Bridges. There are women in this movie but this is about men, men and their relationships to one another, life, and women.

It’s a harsh movie, mournful and painful. Watching it, you think, “Jesus, people in Texas are really angry and (or) mean.” And you know, almost from the beginning, what will happen. If, after watching five minutes, you asked me to write down what events will take place, I would have written this down.

Texas Ranger Marcus Hamilton (Jeff Bridges) will be alive. His partner, Alberto Parker (Birmingham) will be dead.

Tanner (Ben Foster) will be dead. Marcus will kill him. Tanner will nobly sacrifice himself for his brother, Toby (Chris Pine). Pine will be shot but he’ll live. Pine will get away with the robberies.

Toby will not reconcile with his wife. He’ll remain estranged with his boys. Hamilton will visit Toby after ‘it’s all over’ to try to confirm Toby was part of the robberies.

All this happened. Yet, expecting them to happen didn’t detract from the movie. This film was about relationships and the nuances their existences create, and how relationships continue to live and drive behavior even after some of those involved in the relationships are dead.

The movie, while about Texans Rangers and bank robbers, law and society, men and their women, and brothers and their family, is ultimately about love and betrayal. The largest betrayal is their belief in the land and the country, and how their expectations of what to believe betrayed them.

When the movie ended, after Toby and Hamilton have their conversation, and Toby invites Hamilton to come by and finish it, my wife commented, “That was an odd ending.”

“No, it wasn’t.” It was exactly about the title to me. Although the line, “Hell or High Water,” is used in reference to getting some money to a bank on Friday regardless of hell or high water, it’s clearer to me that the title is about relationships and life.

They are the hell or high water that’s endured.

 

Romantic Movies

My wife was reading lists of romantic movies yesterday, and disparaging the lists. After reading them to me, she asked me what romantic movies I would recommend. We like these games.

Four movies came to mind after brief thought:

Harold and Maude

Benny and Joon

An Affair to Remember

The African Queen

After realizing I’d given four, I decided I needed a fifth. “And of course, one of my favorite movies, ‘Blade Runner’.”

Pausing, she looked up in thought, and then smiled and nodded.

Sheru

We saw ‘Lion’starring Dev Patel and Mara Rooney at the theater today. Now I’m suitably grounded. Stories of refugees are heard and read daily. Less often do we hear of the orphans and poverty in places like India. All whip me for my smugness about my ‘difficulties’. Yes, we all recognize there are different types of struggles along Maslow’s hierarchy, and when we overcome the basic needs of food, shelter and security, we find new intellectual, technological and emotional complaints. My first world complaints about poor television quality available when I’m streaming, our ‘outrageous’ prices for goods and services and the lack of restaurants should be vanquished for a while.

As for the movie, I thoroughly enjoyed it. No flaws were noticed. The story is that of Saroo Brierly, who became separated from his family and lost when he was five years old in India in the late 1980s. Dev Patel plays the adult Saroo Brierly.I’ve always admired Dev Patel’s acting skills and he didn’t let me down. Sunny Pawar, the actor who played young Saroo, gave an excellent performance. It was impressive work for a first role. Nicole Kidman gave a strong performance, as did many others.

The first twenty to thirty minutes, exploring and developing what happened to Saroo and his brother, Guddu, were taut and gripping. My shoes were drenched by the film’s end, from my wife and others crying during so many emotional scenes. I, being a testosterone loaded man, didn’t cry nor sniffle. Yeah, right. Throughout, I admired Saroo and his relationship with his mother and brother and the desire to find them, cheering him on as he struggled through the effort. Adapted from the true story, the film is based on the book, ‘A Long Way Home’.  Besides the title differences, HistoryvsHollywood.com reports few factual differences from the book.

The film has been nominated for six Academy Awards. It’s as worthy a contender as ‘LaLa Land’, ‘Hidden Figures’, ‘Moonlight’, ‘Silence’, ‘Arrival’, ‘Florence Foster Jenkins’, Manchester by the Sea’, ‘Loving’, and ‘Fantastic Beasts and Where to Find Them’. We’ve see all of these for this awards season.

We’re going to see the Oscar nominated short documentary films this afternoon. What of you? Have you seen any Oscar nominated flicks?

Downstreams

Some mental activity racing along my axons today.

  • Love that first slurp of my quad shot mocha at the Boulevard. The baristas know my preferences and do a great job of blending everything and then topping my coffee drink with with a skim of dark chocolate powder. I love the contrasts of flavors in that first tasting. Sensational.
  • It’s National White Shirt Day! This day recognizes the end of a 1937 UAW strike at GM for better working conditions. I have my white tee shirt on, under my natural wool sweater.
  • I don’t recall any dreams from last night. That’s unusual. Wonder why. Sleeping period, six and a half hours, seems about normal.
  • I’ve been reading a series of articles on sleep and whether we’re evolving from being biphasic. The latest article was on Van Winkle and provided a brief summary of the last eight thousand years of sleep.
  • I realized Part I of my  science-fiction novel in progress requires some serious editing and revising. I first realized that about a week ago and tried rejecting it. My writer within was willing to overlook changing it; the resident interior editor was reluctantly accepting of it. However, the reader in residence said, “Oh, no. That needs work.” Trust the reader. After we argued a few days, the writer and editor agreed with the reader’s points. However, the writer came up with some interesting ideas to explore in parallel.
  • The editor, though, urged us all not to make any changes until it’s all done. He pointed out that Part I is the way it is because the stories and concepts were still being explored. True; I write to understand myself, to order and structure and expand my thoughts. He pointed out that since I’m still writing the other parts, I can save myself some potential work by fully completing an entire draft before making major revisions. I accept his contention and put it on hold until the first draft is completed.
  • The novel in progress is ‘Long Summer’. Science-fiction, it’s not quite a sequel but is collateral to ‘Returnee’, as it stars Brett and Castle Corporation, and continues with many of the same themes of technological alienation and isolation, and socializing with yourself via virtual beings you develop to help people cope with life as they live far longer.
  • Talking with the barista today. “Fun plans?” she asked. Because, it’s Saturday; in her working and school world has meaning that has left my writing world. I don’t segregate the days into weeks and weekends any longer. I barely notice the date. “Movies,” I answered her. “We’re going to see ‘Lion’.” She wasn’t familiar with it. I mentioned Dev Patel and a few of his movies. Yes, she remembered ‘Slumdog Millionaires’. It didn’t occur to me until later that she was eight years old when Slumdog was released.
  • That conversation pointed me onto new vectors of changes and the differences in my values, perceptions and experiences as a sexagenarian and the same in her as a young adult. It’s the same conversation I had as a young adult with those forty to fifty years older than me. I was twenty in 1976. Those who were sixty in 1976 had been born just after World War I ended. They fought in World War II and remembered the atomic bombs dropped on Japan. Grandparents had been part of the American Civil War. The Soviet Union was founded during their lifetime and the Cold War dominated world politics.
  • It’s interesting to put into perspective. What I think of as ‘normal’ isn’t the same as the previous generation or the next generation. Besides when we were born forming us, so do our education levels. More strongly and interesting, we saw how where we live and our education and economic situations affect national politics during the 2016 presidential election. Now, this article on FiveThirtyEight tells about how where we live affects our deaths. It’s a telling insight to me.

Cheers

The Edge of Tomorrow

My wife had her book club last night. This is important in the sequence of events. With her present, I would not have watched ‘The Edge of Tomorrow’. It stars Tom Cruise.

She does not like Tom Cruise.

Tom Cruise is, meh, to me. His acting doesn’t wow me but that means I set my expectations low. When they’re exceeded, I’m pleased. Most of his roles don’t require deep emotions. They’re generally action oriented. He’s required to show bewilderment, determination, and fearless resolve. He handles that fine.

I wanted to see ‘The Edge of Tomorrow’ because it’s a science-fiction film. Besides black humor, British humor, and drama, I enjoy science-fiction the best. It’s great if all of it can be combined in one film. I acknowledge, too, that I’m being redundant, calling out black humor and British humor as though they’re different. Well, they are; some British humor is silly humor.

I never read the original novel the movie was based on (‘All You Need is Kill’). I knew, from exposure, the general premise that Tom, as Major Cage, was trapped into repeating the same day again and again, and it was during a war with alien invaders. I winced when I saw his name was Cage and he was essentially caged by events, but that’s a personal problem for me. I knew, too, that he becomes a better soldier and saves the world through his groundhog day military life. I didn’t know the details.

I won’t share any more, though, so as not to give away further plot. I enjoyed the movie more than anticipated. It had fewer holes that I expected, and I didn’t find myself re-casting it. I particularly enjoyed Tom’s betrayal of Cage in the movie’s opening twenty minutes, as his paradigms are shifted for him.

Anyway, fun film, not too gritty or gory, not really violent as it’s all CGI. It’s worthwhile watching with a glass of wine when your spouse is out.

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