Today’s Theme Music

This album had the honor of being the last piece of vinyl that I bought. I was living on Okinawa in Japan, then, assigned to the 603rd MASS at Kadena AB. DVD players arrived during my tour’s final year, so I bought one for $400. That’s since been replaced by less expensive players with better quality many times over. Before CDs, I bought music on vinyl or cassettes.

This album, ‘Come On, Feel the Noize’, by Quiet Riot, was bought while we still lived off base on the economy in 1983. I had Bose 301 and 910 speakers with a Sansui amp. The combination filled the tiny apartment. Ah, to be young and stupid. We moved onto base housing the next year but rotated to the U.S. by the end of ’84.

I no longer have the album, selling it at a base yard sale.

The song was originally released by Slade in 1973. For fun, here is a video of them with that. It’s such a tamer version but their clothing was very interesting, very glam rock. I was surprised that people commented that they’d never seen or heard Slade in the states. I remember buying and listening to their album in 1973.

Today’s Theme Music

An old favorite, Steve Winwood wrote this song. Blind Faith with Winwood on vocals, recorded and released the song in 1969. Others covered it multiple times. I like this live version from Guitar Crossroads, with Steve Winwood, Eric Clapton, Derek Trucks and Doyle Bramhill.

It’s a good walking song, and easy to sing in your head. Enjoy.

 

Romantic Movies

My wife was reading lists of romantic movies yesterday, and disparaging the lists. After reading them to me, she asked me what romantic movies I would recommend. We like these games.

Four movies came to mind after brief thought:

Harold and Maude

Benny and Joon

An Affair to Remember

The African Queen

After realizing I’d given four, I decided I needed a fifth. “And of course, one of my favorite movies, ‘Blade Runner’.”

Pausing, she looked up in thought, and then smiled and nodded.

Today’s Theme Music

Pulling one out of the memory cloud, I came up with a classic. ‘Black Magic Woman’ was written by Peter Green and performed by Fleetwood Mac.

I did not much care for that song and rarely heard it.

Two years later, Carlos Santana put it on ‘Abraxas’. I think that’s the one most people know. Most people think Santana wrote ‘Black Magic Woman’, and are unaware of Fleetwood Mac’s version. I’m speaking of the people I know in America. Other peoples in other countries, or or other ages and persuasions, may know differently.

The differences, IMO, is that Green came up with the lyrics but he and his band couldn’t provide it with the musical structure needed. Carlos, on the other hand, with his powerful licks set against that soft, mysterious organ, a steady bass that sings the lyrics at times, a Latin beat, and Gregg Rolie’s vocals, seems like a much more fully realized vision.

Today’s Theme Music

Did anyone else feel that last night? Felt like a giant rubber band had been stretched to its limit. Now, snap, it was released. A shift took place.

Perhaps it’s only a personal shift. I awoke this morning feeling fantastic, like I’m twenty years younger. I slept well and experienced deep and clear, OMG amazing dreams. Feels different for me today, though. I hope others encounter this feeling of change, too. It’s a fine elixir and an awesome way to start a day. Yes, even better than coffee.

In honor of the changes I feel, I searched the mental cloud for a song that felt right and pulled on out of the file marked ‘Feb, 1996’. One of the hot groups then was Smashing Pumpkins. This song of theirs, about Billy Corgan’s coming of age when he was twelve, feels about right. It was a different sound for the Pumpkins; I like it.

Here is ‘1979’.

The Beater

Nice weather always steers me toward washing, waxing and polishing the cars when time becomes available. We only have one car wash in town. Reliable and pleasant ten years ago, it’s a wreck of a business today. Three of the five stalls don’t work. The other two have issues. It’s often a dice roll as to what’ll happen.

I tried washing the car first on Saturday afternoon. Six other drivers were pursuing the same idea so I went back Sunday. Both stalls were in use. After studying their activities to see which might end first, I chose stall one and pulled up to wait.

A woman was cleaning a Subaru in stall one. A beater, I thought, noting the tells of its narrowness, narrow, small wheels and tires, and elderly design. A beater is a car that’s usually old. Typically missing its wheel covers, as this one was, the car runs sufficiently for local errands but isn’t to be trusted going too far or too fast. It usually has mechanical idiosyncrasies, windows that no longer align, or doors that don’t open and close correctly. Sometimes they’re missing knobs and things like the cigarette lighter. Based on memories of friends’ vehicles, I reckoned her Subaru was a mid-1990s model. She was cleaning out its back with some household cleaner and a rag.

“This is against the roles,” my resident citizen huffed within. “You’re not allowed to use rags to wash the car at this facility.” My indignity climbed. “She doesn’t even have money in the machine!”

Well.

My interior philosopher roused himself. “Relax.”

“Relax?” How dare he suggest that I relax. Rules were being broken. Why, without rules –

“What tangible impact do her actions have on you? You’re going to wait a little longer, that’s all that I know. Do you have somewhere you’re rushing to be? No. Show patience and tolerance.”

Well. His reminder miffed me. Mind you, he was right, but still. It’s the thought, right? She’s breaking the rules. And being intolerant and inconsiderate, right? If she’s breaking these rules, what other rules does she break?

“As if you don’t break rules,” the philosopher said. “Distract yourself. Kill time. Play with your stereo.”

I did as he suggested. After a few minutes, I glanced up. She was spraying her car now, actually washing it.

Well.

Another car had arrived. I glanced at the other stall to see how far they’d advanced. Walls obscured my view. I didn’t know how close they were to ending. They were using the wand again, versus the brush.

Well.

I resumed fiddling with the stereo. Her car’s engine noise drew my attention. She pulled up to the end of the stall.

What the hell?

What was she doing?

She continued cleaning but obviously not with the spray.

Was she finished?

I pulled into the stall. Exiting my car, I called, “Are you done in the stall?”

“Yes. I need to do more but I ran out of quarters.”

The facility has a change machine. I always bring sufficient quarters because the change machine is often broken. I collect them for this purpose. How anal am I? “I have quarters, if you need them,” I said.

She laughed. “No, I think it needs more than quarters. It’s an old beater. My last kid has left the nest. I don’t need a beater any more, so I’m cleaning it to sell it. You know, first impressions.” She laughed again.

“I see.” She was right. The car needed more than a car wash. Wax, polish…paint…rust remover….

“I’m hoping someone else will buy it,” she said.

Well, of course it would need to be someone else, I thought with irritation.

She continued, “Somebody must need a beater.”

I nodded. “Yes. Everyone should own a beater at least once in their life.”

Washing my car, I thought of my beater. That horrible brown Oldsmobile was at the top of the list. What a mess it was but my wife and I were both working, and had needed a second car. Other beaters? None came to mind. The cars I owned in Germany, an Audi, BMW and Merc, were over twenty years old by the time I gained title to them but all were robust and well-maintained vehicles. My wife fondly remembers the BMW 2002 as one of the best cars we ever owned. The newest of the trio was the 1980 Audi 100. It was the one that failed us, throwing a rod while blazing down the Autobahn. Likewise, the Toyotas we owned in Okinawa were more than ten years old but mechanically and cosmetically fine. I didn’t consider them beaters. I trusted all of them. Of course, Okinawa was an island. We couldn’t drive far without running into ocean.

The woman finished. “Have a good day,” she called, getting into her car.

I nodded. “Good luck selling your car.”

She laughed. “Thanks.”

I watched her drive away. The car looked okay.

I hoped she sold it. Somebody probably needed a beater.

 

Today’s Theme Music

It’s a springly day again. Yes, Winter still wields a razor edge wind. Circling and prowling the valley, his blade sometimes scores your cheeks and hands. The sunshine helps keep him away. Everyone believes there is one Winter but there are several. The more aggressive ones that roam the U.S. have gone East. The one remaining with us makes many threats but he’s mostly benign. Sunshine intimidates him and drives him into the shadows.

Sunday, of course, is quiet. This area, southern Oregon, is a realm of traditional American values that developed in the last century plus as trade unions successfully campaigned for having weekends off. Sunday mornings are not for working unless it’s an essential service. The list of essential services has grown, and fewer people dress and go to Church, but Sunday remains a quieter and more relaxed morning than the week’s other days.

Into that scenario, I introduce a little Led Zeppelin. From ‘Led Zeppelin II’ and 1969, it’s time once again to ‘Ramble On’, a very good walking song.

Downstreams

Some mental activity racing along my axons today.

  • Love that first slurp of my quad shot mocha at the Boulevard. The baristas know my preferences and do a great job of blending everything and then topping my coffee drink with with a skim of dark chocolate powder. I love the contrasts of flavors in that first tasting. Sensational.
  • It’s National White Shirt Day! This day recognizes the end of a 1937 UAW strike at GM for better working conditions. I have my white tee shirt on, under my natural wool sweater.
  • I don’t recall any dreams from last night. That’s unusual. Wonder why. Sleeping period, six and a half hours, seems about normal.
  • I’ve been reading a series of articles on sleep and whether we’re evolving from being biphasic. The latest article was on Van Winkle and provided a brief summary of the last eight thousand years of sleep.
  • I realized Part I of my  science-fiction novel in progress requires some serious editing and revising. I first realized that about a week ago and tried rejecting it. My writer within was willing to overlook changing it; the resident interior editor was reluctantly accepting of it. However, the reader in residence said, “Oh, no. That needs work.” Trust the reader. After we argued a few days, the writer and editor agreed with the reader’s points. However, the writer came up with some interesting ideas to explore in parallel.
  • The editor, though, urged us all not to make any changes until it’s all done. He pointed out that Part I is the way it is because the stories and concepts were still being explored. True; I write to understand myself, to order and structure and expand my thoughts. He pointed out that since I’m still writing the other parts, I can save myself some potential work by fully completing an entire draft before making major revisions. I accept his contention and put it on hold until the first draft is completed.
  • The novel in progress is ‘Long Summer’. Science-fiction, it’s not quite a sequel but is collateral to ‘Returnee’, as it stars Brett and Castle Corporation, and continues with many of the same themes of technological alienation and isolation, and socializing with yourself via virtual beings you develop to help people cope with life as they live far longer.
  • Talking with the barista today. “Fun plans?” she asked. Because, it’s Saturday; in her working and school world has meaning that has left my writing world. I don’t segregate the days into weeks and weekends any longer. I barely notice the date. “Movies,” I answered her. “We’re going to see ‘Lion’.” She wasn’t familiar with it. I mentioned Dev Patel and a few of his movies. Yes, she remembered ‘Slumdog Millionaires’. It didn’t occur to me until later that she was eight years old when Slumdog was released.
  • That conversation pointed me onto new vectors of changes and the differences in my values, perceptions and experiences as a sexagenarian and the same in her as a young adult. It’s the same conversation I had as a young adult with those forty to fifty years older than me. I was twenty in 1976. Those who were sixty in 1976 had been born just after World War I ended. They fought in World War II and remembered the atomic bombs dropped on Japan. Grandparents had been part of the American Civil War. The Soviet Union was founded during their lifetime and the Cold War dominated world politics.
  • It’s interesting to put into perspective. What I think of as ‘normal’ isn’t the same as the previous generation or the next generation. Besides when we were born forming us, so do our education levels. More strongly and interesting, we saw how where we live and our education and economic situations affect national politics during the 2016 presidential election. Now, this article on FiveThirtyEight tells about how where we live affects our deaths. It’s a telling insight to me.

Cheers

Today’s Theme Music

When I was young, I sought better sound in my stereos.

Whether from imagination or real ability, I often detected hums and distortion that irritated me. Conducting trail and error set-ups in those pre-Internet days of the mid 1970s, I separated power wires and speaker wires and ensured I had solid connections between everything. I bought gold wires to improve the sound and kept searching for better equipment. Vinyl had the best initial sound IMO but it was a fragile state that would begin deteriorating with play. Cassettes and eight track players always introduced warble and distortion as the tapes stretched. Muddiness would creep in.

I ended up buying an open-reel system. I developed a habit of recording my vinyl on an open reel. Although a cumbersome system, open-reel maintained the best sound quality. I would record the album on open-reel for my home use and cassette for my portable use and store the vinyl to protect it. Once the cassette quality began diminishing, I would record it anew.

But while noticing the sound difference on my systems at home, I also discovered that some albums came out sounding better in the beginning. Their colors were sharper, finer and clearer. A few of those albums mesmerized me with the beauty of their sound. Some combined that with wonderful lyrics and melodies, becoming astonishing, special albums.

The first of these that struck me in such a way was Pink Floyd’s ‘Dark Side of the Moon’, a now classic rock album. But it was only one album, not much of a data set. The second album that established itself as having high production values (as I learned it was called) was ‘Songs In the Key of LIfe,’ by Stevie Wonder. I don’t know much about music production, then or now, but I thought that Stevie’s album was beautiful in and of the ways I mentioned. I was stationed in the Philippines, at Clark Air Base with the 3rd Tactical Fighter Wing, when the album came out. Intent on staying active, reading and saving money, I did a lot of walking.

‘Sir Duke’, from this album, was my favorite walking-around sound for that era’s mental playback system. It’s a good theme song to bring on Friday.

(As an aside, I wince at hearing this digital version; it sounds way too tinny to me. But that’s me.)

 

Today’s Theme Music

“This is a song Charles Manson stole from the Beatles. We’re stealing it back.”

I was thirteen in 1969. The Tate-LaBianca murders exploded over the news. I remember newspaper headlines, photographs and television news coverage of the Manson Family actions and the subsequent investigations as clearly as I remember the assassinations of RFK, JFK and MLK, the Watts riots, or the Apollo moon landing. Helter Skelter became the symbol of the murders because the words were written in blood at the scene. The murders became books and movies under the name ‘Helter Skelter’.  It wasn’t an accident. Charles Manson believed and taught the Beatles’ ‘White Album’, including ‘Helter Kelter’, contained coded messages for him and his followers.

If you can escape the murderous connection, the lyrics are good to sing as you’re walking around:

When I get to the bottom I go back to the top of the slide
And I stop and I turn and I go for a ride
And I get to the bottom and I see you again

The song, written by Paul McCartney, would never be heard the same for many of us. Here is U2, trying to change it back for us in 1988.

 

 

 

 

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