As I’ve thought about what was happening and where I’ve decided to go, Peter Gabriel’s song, “Solsbury Hill” (1977) came to me. The song is about making decisions, taking risks, and changing, coming about when he left Genesis, the group he’d helped begin almost a decade before, to begin a solo career.
Many of the versus reflected his uncertainty about the decision.
A simple song today, streaming an old favorite. This came out in ’72, when I was just getting my driver’s license, still in high school, and living with dad. Don’t know what kicked it into the stream this morning, but I’ve always liked its sound and energy.
Let’s enjoy some Led Zeppelin with “Rock and Roll”. Rock out 2018, rock in 2019.
A friend was once singing today’s song, “Timothy”, by the Buoys, shortly after it was high on the pop charts. I asked him if he knew what this song was about, because listening closely, it seemed like it was about two guys eating the third one with them, Timothy.
I probably haven’t thought about the song since ’bout the time of that conversation in 1971. Recalling the song last night, I looked it up. Yep, it was about a cave in, and the two survivors eating the other, with the singer claiming that he must have blacked out, but he awoke with a full stomach.
Strangest to me, I learned that Rupert Holmes, who wrote and sang, “Escape (The Pina Colada Song)” (1979), wrote “Timothy”.
That’s the net’s fun aspect, looking things up to answer, what the hell?
Today’s theme music is Live’s “Lightning Crashes” (1993).
I have several Live albums, but I find I must be in just the right mood to play them. It’s a very narrow space.
“Lightning Crashes”, though, came to me this week because one of my nieces gave birth to her third child. All this was shared on Facebook. Everyone is doting on the sweet newborn, including my mother, and there’s rich photographic evidence. The newborn is Mom’s seventh great-grandchild. That juxtaposition of Mom holding this young new life invited “Lightning Crashes” into my stream and the circle of transference of life and existing. One dies, and one is born, and so it goes. There’s a lot of overlap as it happens.
I’m agnostic in my religious approach, with some new age and pagan shavings. Our house is lightly decorated for the holidays with a few Douglas Fir swags over the fireplace and front door, and a large wreath on one of the living room’s high walls. Each is lit by strands of small white lights at night. I like sitting in there and thinking of the centuries past, when darkness and cold descended, and people wondered what was to come. Gee, just like as it happens now, innit? I also sip a little mulled wine or wine with wassail, just to put me in the right mood, when I sit in there.
Perhaps it’s cheesy by some standards, but I like this rendition of Bing Crosby and David Bowie doing “Little Drummer Boy/Peace on Earth”. I was stationed in the Philippines when it came out in November, 1977, and didn’t see it for years. My assignment was due to end on December 28, 1977, and I’d go home then, and on to my next assignment, but the Flying Tigers, which was the servicing airline the military contracted, had an extra 747 available. They announced that seats were available for anyone who could get leave or process through to end their assignment, if their assignment was due to end in December.
I ended up on that flight, along with maybe a dozen other people. Landing in L.A., I found flights to Cincinnati to Charleston, WV, and took a bus for the final miles, arriving home just after a snowstorm, but still on Christmas Eve. I’d called my wife from Charleston to meet me at the bus station. That was the first she knew of my early homecoming. I think I was the only person who got off the bus.
Time for another visit with the Alan Parsons Project. This song, “I Wouldn’t Want to be Like You”, came out in 1977. I awoke with it bouncing around my stream, along with songs about rain. I went with Alan Parsons.
Today’s theme music came out when I was three years old. It’s so damn popular, though, I imagine anyone who follows American pop-culture even peripherally is familiar with it.
The Isley Brothers originated “Shout”. Mom was an Isley Brothers fan, so of course I grew up hearing it. The song made a huge comeback when Otis Day and the Knights performed it in Animal House (1978). It then became quite popular for dead bug dancing. Green Day and Robbie Williams both did the song. The song was inducted into the Rock and Roll Hall of Fame. Come on, you must know one version of it.
In honor of the gopher dream that I had last night, I thought I’d use Kenny Loggins’ song, “I’m Alright” from Caddyshack (1980).
As an outside, I was stationed in Kadena Air Base, Okinawa, Japan, the following year. VCRs were becoming big. We bought one. Caddyshack was one of the first movies we rented and played on it. A popular movie, it was played in the MAC Terminal to entertain people while they awaited flights. The command post where I worked was located in that terminal. It seemed like it was on whenever I left the command post. It came to drive me nuts.
I haven’t seen it in years, and I don’t want to see it, thank you. Meanwhile, Kenny did pretty good with movie songs for a while, didn’t he?
Today’s song choice, “You Talk Too Much” by Joe Jones, was fluttering along my mindstream this morning when I awoke. It seems like I’ve known it my whole life. Small wonder there. Wikipedia states that it was released in 1960. I was four then, but Mom liked playing it and singing it. I remember her singing it to me whenever I was pestering her for something, apparently her counter-measure to my non-stop demand. It would infuriate me to the point of stamping my feet as I demanded that she stop singing.
That just made her smile as she continued singing.
Michael Seidel, writer 