Another F1 Driving Dream

A bounty of dreams again last night. I again had one about being a Formula 1 driver. I’ve now had several in the past few weeks. In the previous ones, I was a fast up and comer. Last night, though, I was now champion. It was, look out, Alonso. Slide aside, LeClerc. Out of my way, Max and Lewis. I have arrived.

The dream was mostly a montage of me in a sleek F1 car slicing around tracks and taking checkered flags. At the end, I was congratulated on being World Driving Champion. I was then shown an image of my sick black cat; his tumors were gone. Then, I was given my prize: two cans of cat food to feed him.

I was quite ecstatic. My cat was better, I had food for him, and I’d won the WDC. Ah, the stuff of dreams…

Friday’s Theme Music

The wheel keeps on turning, and the day is Friday again. February 11, 2022. It’s another stunner of a sunny day out there, already up to 55 degrees F, according to my office weather station. The earth turned us into the sun at 7:13 this morning and will turn us away at 5:38 PM. They tell us it’ll hit 76 in the valley today, which would be a new record. Maybe, but my part of the valley didn’t see the 75 they claimed yesterday. We’re now into a historic stretch of dry weather, a sad promise that the drought will probably continue and deepen this year.

I have a strange one in the morning mental music stream: “The William Tell Overture”. I’m speculating that it’s because of the horses in a dream I had. Though they were tiny horses — smaller than a cat — they triggered a memory of “The Lone Ranger”. That was a television show that played on Saturday mornings in my youth, alongside “Sky King”, “Looney Tunes” (featuring Bugs Bunny and the gang), “Mighty Mouse”, “Tom and Jerry”, “Deputy Dawg”, and “Top Cat”. What glorious morning television! Then, eat fast, dress fast, and bang, out the door, often on my bike, unless the snow was too deep. In every season except winter, my baseball mitt hung on my handlebar, so I was ready and available for any pickup baseball or softball game that I came across.

“The William Tell Overture” is associated with “The Lone Ranger” because it was used as the theme music. A teacher took note of this and used it as a teaching moment, introducing us to classical music. From “The William Tell Overture”, we ended up exploring “In the Hall of the Mountain King”, “Peter and the Wolf”, and many others. She’s the same teacher who prodded me into reading more and expanding my reading interests. I owe her a huge debt.

So, let’s return to those thrilling days of yesteryear. It’s a rousing, heroic melody, ideal for your weekend beginning, weekend, whatever. Stay positive, test negative, wear a mask as needed, when needed, and get the vax and boosters when you can. Here’s the music. Hi-Yo, Silver, I’m galloping off for some coffee. Cheers

The Tiny Horses Dream

We began with my wife and I in a car. I was driving. We were a young couple. Our car was a tiny but new silver import. As I went to turn right, I became aware of other cars racing up around me. Unable to see them, I just stopped the car as they went past, including a small, bright red car. Several turned right up the street that I was going to use. My wife and I talked and complained about the cars. I turned right and went up the hill into a modern housing plan. We immediately saw several wrecked cars, including the red car. As we commented that there was an accident, I realized that there were many more wrecked cars, and that there hadn’t been an accident; they had been attacked.

I stopped the car, but we stayed in it. I started to call the police on my cell phone but we heard sirens growing louder. Although we thought the police would want to question us, I was more worried about our safety and drove home.

We were in our house. It was a massive but beautiful, rambling place, with several levels. Airy, well-furnished, with many windows. Very clean.

One door led downstairs where we had several suites of rooms. These connected with other people’s places. We discovered a large, strange family had purchased one of the neighboring places. They were settling in. From their clothes and accents, it seemed like they were from a rural area and had just moved to the city. Talking to a female teenager, though, I learned that her mother just retired from the Navy and had moved there to take a new job.

Meanwhile, the new family was going into our rooms that were attached to their area. A few of them began moving some of their items in our rooms. I went upstairs and talked to my wife, confirming that those were our rooms. We then found a warning written in red marker on a brown paper bag on the floor: “I CAN FIND YOU.” The writing was terrible, but we were unnerved because it was in our house. I suspected that whoever did this came in through the downstairs part that connected to neighbors’ houses. I went down to try to make it secure so no one could get in that way. I realized that I couldn’t, and complained that this was one of the house’s shortcomings. I then told the new people that they couldn’t use those rooms because they were our rooms. They were confused and this entailed some extended conversations with different people, including the mother, before they understood. One aspect was emerged was the mother had pink skin and platinum blonde hair but two of her sons were very swarthy and hairy, and her daughters seemed Hispanic. There seemed to be about ten children running around. It was very confusing.

We got into our car to go somewhere. The car was a green golfcart. Rain started falling. I drove past railroad tracks. Glancing right, I thought I saw a tiny horse. I told my wife and then started trying to turn around to see it again. Reports came to us that a tiny horse had been spotted trapped on the railroad tracks. My wife urged me to go rescue it. Rain was pouring. Although I knew the tracks were no longer used, I agreed to rescue the horse, but thought I needed to get some tools first, so we went by our place.

When we arrived at the tracks, we discovered two tiny brown horses. Located on a sidetrack used for deliveries, these horses were smaller than cats. They weren’t trapped and didn’t need rescued. They were pretty lively, as evidenced by them starting to play with a white and calico cat that showed up.

The rain had ceased. We got out of our car to watch the two tiny horses as they played with the cat.

Dream end

SIDE NOTE: I’ve dreamed about this house, a sprawling place with a downstairs that connected to several other homes, multiple times before. It’s weirdly familiar.

Wednesday’s Theme Music

Wednesday has bloomed, fresh as a middle-of-the-week day can be. The sun popped over the mountains and turned on its blaze at about 7:15 AM, immediately registering as a positive on the sky’s light and warmth levels, taking us up off our 38 degrees F low. It’s already 58 outside. Fingers crossed that we’ll reach 67 F as they forecast. Friends and I are going to sit outside at a local brewery and toss back one or three before the sun drops out, taking its heat and light with it, at 5:36 PM.

A dream I remember from last night called today’s theme music into the morning mental music stream. “In the Navy” was a 1979 hit for the Village People. It was one of those songs that suddenly arose to be played everywhere, it seemed. Of course, its simple lyrics and strong beat made it memorable, and the general goofiness to it — I mean, you couldn’t take it seriously — made it a popular dance and party song for a while. Like many eras and their memes, you really had to be there to understand.

Stay positive, test negative, wear a mask as needed, and get the vax and booster when you can. Now off to the kitchen, where I’ll sing, “In the kitchen, you can make a cup of tea,” to the tune of “In the Navy”. Cheers.

The Navy Dream

I dreamed that I was the U.S. Navy but was preparing to get out. (Amusing to me after awakening, as I’d been in the U.S.A.F. for a career.) While I was in the Navy, I started making some improvements on some forms and processes they were using, and briefing commanders. My briefings became popular; the commanders sought me out for information, which provided a great positive vibe.

All that prompted me to think, maybe I should stay in the Navy. But my wife said, “No, don’t you want to get out and become a doctor?”

I answered, “Yes, I do, but I really want to be a writer.”

My wife replied, “You always said that you wanted to be a doctor.”

“Yes, I do,” I answered, “because I like helping people and I think I’d do it well. But I want to write. Why can’t I do both?”

She said, “There’s no reason why you can’t do both.”

We agreed I’d get out of the Navy and do both.

Dream end.

The Mountain Claims Dream

As a young man in this dream, I was on team. We were competing against other teams to claim part of a mountain. The mountain was good sized, thick with forest and grassy, rising at a steep angle, with cliffs and sharp drop-offs on either side. Don’t know why claiming this mountain was being pursued. That was never mentioned.

All the teams managed to claim some of the mountain. Some had better parcels than others. My team was dissatisfied with their parcel and were inveigling the other teams to get more parcels or better parcels. I tried telling my team that more mountain was available. None paid attention to me so I trudged up the mountain on my own.

The weather had been cold but clear. Now, as I trudged, the environment turned dark and icy. I kept going up past where the others had claimed parcels and began claiming more for my team.

Some of my team caught up with me and wanted to know what I was doing. I explained it all, which delighted them. They were surprised because they didn’t know the mountain went on past the claimed parcels. The weather cleared as they looked at the new parcels I’d claimed. Two of the other teams tried coming up to get some but realized they were too late and that I’d already claimed the best. I then found a new cement four-lane highway came up to the parcels I’d claimed. When the rest saw what I’d found, they began celebrating.

Sunday’s Theme Music

It’s a gorgeous Sunday out there, pure blue sky and sunshine, the sort of day, in my working past, when we would leap up and say, “It’s a gorgeous day. Where should we go? What shall we do?” But today, we’re on our computers, in our books, in our chairs, in our office, reading, eating, communicating, writing.

The sun burst over the mountains at 7:19 AM and we’ll lose the sunshine at 5:32 late this afternoon. It only dropped to 38 degrees F last night and quickly reach fifty today, promising to, um, 70 degrees F. What? Can the weather service be right? Is this really mid-winter in Ashland, Oregon? Well, the record high, in 1992, was 72.

Today’s song trickled in as I thought about the landslide dream this morning. “Landslide” by Fleetwood Mac was written by Stevie Nicks and released in 1975. Although covered well by The Smashing Pumpkins and the Dixie Chicks, I have connections to that original song. In ’75, I was nineteen, married, serving in the military without my wife in the Philippines. So when you’re sitting in your room after work at night, getting your uniform ready for work the next day, sipping some alcohol, listening to music, connections are created.

Stay positive, test negative, wear a mask, and get the vax and booster when you can. Time for a coffee break. Cheers

The Landslide Dream

It began with me as a teenager visiting in a small town. I was going from house to house, slipping between hedges, visiting friends. All the friends happened to be elderly women. One was my great-grandmother. The town was lifted out of the fifties, with small houses, typically white, single levels, with shutters, and tidy yards lined with flowers. I always entered the houses through the back, kitchen door, because that’s where I knew the people would be. And I was always right. They were in their tiny kitchens — smaller than the bathrooms in my house — busy cooking, moving around a small table with four chairs. All greeted with smiles and laughter and offered eagerly accepted food, mostly cookies and donuts.

After, though, I left, and found myself wandering in old homes where no one lived any longer. The further that I went, the less there were of the houses. First absent were the flowers and lawns, and then the walks and the windows. Inside, I found empty, dusty rooms.

I was a little older now, perhaps in my twenties. Soon the houses lost their roofs and doors, their siding. I was out where the hills rose, then found myself in a quarry. A house or building, maybe part of a mining operation, had been erected to one side. Little remained of it except an oddly stout brown wall.

I went through the quarry, clambering over boulders and rocks, scaling short cliffs. I became aware that two children had entered the quarry. They were about eight, blond and fair. One was taller than the other by two or three inches.

I watched them for a moment. They had as much right to be there as me, so I continued my exploring. As I climbed a sheer wall, picking handholds on the sandstone and flint outcrops, dirt and rocks fell over me. I threw myself back and away just in time to avoid a huge granite boulder. I didn’t know where it’d come from; its size astonished and scared me. As I recovered from jumping back and away, I saw a large slab of the wall break free and fall.

Scrambling backward took me to safety. As dust rose, I thought of the children. I saw them about forty feet away. They’d climbed as I had and had reached a ledge. I shouted at them that it wasn’t safe, that we need to leave. Rocks tumbled around them. From my vantage, I saw larger, heavier rocks breaking free above them and called out a warning.

The children slipped into a small crevice about twenty feet above the quarry floor. Rocks fell without striking them. Yellow dust thickened as gravel slid down the cliff. The children were coughing. With more rocks falling around me, I made my way over rocks and stones across the quarry to help the children.

Their rock wall moved in, like it was taking a breath, carrying them in with them. The children disappeared from sight. Dodging rocks, waving away dust, I hurried to find and help the children. A rock taller than them pushed them out of the crevice. As they moved aside, it teetered for a moment before rolling down the cliff, jarring more rocks loose with its thunderous landing.

I was almost to the children. Realizing their danger, they were taking action to get down. I reached them in time to help them to the quarry floor. The walls on three sides were spasming and then stilling. I feared something more catastrophic was about to happen and raced with the children to get out. When we reached the point where we’d entered, we discovered our way blocked by collapsed rocks.

The children were panicking. So was I. Frantic to do something, I saw the brown wall. Crossing to it, I jumped up and caught the top of it. Very carefully, I tilted it backwards into the quarry. I found a huge off-white strap, inches thick and about four inches wide, which reminded me of a fire hose, that I used to help me leverage the wall back toward us.

When the wall was low enough, I directed the children over it. They climbed onto it and slid down the other side. Once they were safe, I precariously balanced the wall. More quarry fell in behind me. As it did, I used the white strap to cautiously climb up and over the wall to safety. When I was done, I pulled the brown wall back up into place and regarded it before moving on.

Three Dream Vignettes

I experienced three highly detailed, vivid dreams last night, all in a row, flowing from one to the other. First up.

I’m in a car driving in a city in the late afternoon to early evening. I’ve come up to a large and busy intersection. The light is red. I have friends in other cars. We’re all going somewhere. My wife is with me in the car.

I think the light is green and go forward. In a flash, like it’s a film being shown, I see cutaways to friends in other cars saying, “Why is Michael going? The light is red. He shouldn’t be going.” They blow their horns.

I’m driving through the intersection. My wife shouts, “What are you doing? The light is red.”

I’m looking up through the windshield. The light is red, but I thought it was a green light. I’m certain that I saw one.

The traffic turning left against us is light. The drivers of those cars are aware that I’m not doing something right. They give me space and distance. No one is hurt except me and my pride. What is wrong with me?

I pull over to the curb. I’m alone in the car. I’m trying to understand why I thought there was a green light. I look up in time to see a young driver execute in the other direction. He’s driving a mid-sixties Pontiac GTO. Classic muscle car. It’s in impressive condition, with a well-maintained, shiny body. As I watch, this young white guy, maybe seventeen years old, does a U turn and hits the side of my car.

I can’t believe this. He’s pulled over. I get out of my car and look at the damage. My car is silver. The damage is light, toward the rear quarter panel. I approach him, and tell him, “You know the drill. License, registration, insurance.” He’s crying because he just got his license. He knows he’ll face trouble. I feel sympathy for him.

My wife comes up. I ask for the camera. She starts making demands about how this will be handled, wanting me to make promises. We get into an argument. She won’t give me the camera. Irritated, I find my computer to take pictures. I know I can, but, the computer is missing its two AA batteries needed for the camera aspect. But, I have batteries in another part of the computer, use those and take the photos needed.

Number two.

I’m talking to a friend and mentioned something about the Chevy El Camino. I ask him if he knows what they are and how they look. He’s not familiar with it, so I tell him I’ll draw a picture of one. For whatever reason, I’m referring to the fourth-generation design from the early to mid 1970s. I’m explaining the design details as I draw it, talking about the front grill, and how it went from a single headlight to a double-stacked headlight on either side. I realize that I’m drawing on top of another drawing someone has done. I’m astonished. How did I not see that?

I don’t want to draw on another’s drawing. It’s a landscape, sort of a primitive style executed in charcoal. I admire it, erase my drawing, and find another piece of paper. I think it’s blank but as I begin drawing again, I see that there is a drawing on it.

I’m amazed. Why can’t I see those drawings before I begin drawing?

Number three.

We’ve arrived at a huge factory. Besides the factory, it has a large administrative/office section. I’m with a party of friends, all male. I think there are twenty of us. None of them are people known from RL but I know all of them in the dream.

A young brunette woman with a ponytail is showing us around the building. When we walk into one part, we men all start laughing. A tall space, it’s divided into sections and cubicles and is stacked from floor to ceiling with mechanical equipment and electronic gear. I exclaim, “This is exactly the kind of place that I used to work in.” The other men are saying the same thing. We’re all laughing and agreeing, it’s just like where we used to work. We just walk around, talking about the environment. I follow the path, remembering where my cubicle would have been located. In RL, I never worked in a place like this, but in the dream, I turn a corner, and there is my old workstation. Pointing it out to the rest, I laugh. When they see my station, they go off and start finding their own old workstations. How is this possible, we wonder, because we all worked in different places?

Another Airport Dream

I experienced three distinct airport dreams last night. Two were of the, ‘hey, I’m traveling in an airport’ style, once with my wife, and once without her. They were essentially just in the airport, milling around, waiting for my flights, without any events happening. The third was weird.

My wife and I were in our thirties and looked just as we would in photographs of that time. We were outside on asphalt, between low building with white siding. The buildings reminded me of military buildings erected in the late 1950s/early 1960s. Cyclone fencing encircled the site. Beyond were tall pines and firs in a sandy but flat land sketchy with broken asphalt and foundations where other buildings had been torn down.

We talked as we waited. I asked, “I wonder how much of this land and these buildings are going with us?” Because it was my understanding that they would fly us out by lifting the land we were on. I was struggling to visualize that process.

As time passed, we drifted into another area. Tall, fat, white, cylindrical pillars held ceiling up hundreds of feet above our heads. The paved area was open on all sides. People in knots, clumps, groups, were waiting all around although the center was clear. I walked around a while, looking, wondering when we were leaving, then found that I’d lost track of my wife. As I looked for her, I heard an announcement that our flight was ready and that we need to return to our places.

A stocky pale man with short hair, a red baseball cap, and a goatee asked, “Are you looking for your wife?” As I nodded and replied, “Yes,” he said, “She went to the Starbucks,” and pointed. I turned and saw my wife up on a platform, waving at me. Thanking the man, I walked toward her and waved her toward me, telling her, “Come on. It’s time.”

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