Category: childhood

Today’s Theme Music

I woke up in a Foghat state of mind.

I’d had an exciting and interesting dream about a recent dream. Without disclosing more, it was tremendously uplifting, bolstering my self-confidence to scary levels. I will note that I dreamed about the number eight again, which makes, unofficially, but what I can remember and enumerate, seven times. I’m waiting to see if I’ll dream of eight an eight time to end the series.

Back to Foghat. Those of you of certain ages and inclination will remember this song. “I Just Want to Make Love to You” is a blues staple that’s been well-covered by some great artists. But I encountered Foghat’s version first. It was nineteen seventy-two, and I was sixteen, a wonderful combination. By then, I was enamored with rock and guitars. Foghat’s cover of this song opens with rocking guitars, and doesn’t let up. What else needs said?

0

Can You Remember?

On this day, the moon landing took place.

I remember it. I was a newly-minted thirteen-year-old. I watched the historic event downstairs. Downstairs was the cellar, or basement, as we called it, in Penn Hills, Pennsylvania. That’s where the family room, laundry room, garage, and my bedroom were located. It used to flood when it rained hard. Fortunately, the Pittsburgh, Pennsylvania, suburb only experienced rain about half of the year.

The lights were off in the family room, and cool air bathed the space. Sitting on the couch, the one that used to be upstairs before we bought new living room furniture, I watched Eagle land on the moon on a big Magnavox console color television. I always thought the television was stolen and purchased from a fence. Even when new, it had a small area in the upper right corner where the picture tube – televisions had picture tubes, back then – appeared cracked. At least, what it showed was a distorted bubble of rainbow colors.

It was good enough to watch the moon landing, though. There wasn’t even a need to rotate the outdoor antenna or adjust the rabbit ears. All three major networks were carrying the event. We only had the three, then. Cable news wasn’t carrying it, because cable hadn’t proliferated around the nation like a blackberry bramble gone wild, and there weren’t any national cable news channels. They were still in our future.

We were excited about the future, despite what was happening and had happened. Perhaps I was only excited because I was young. The Vietnam war still continued, and Nixon was in the White House. Watergate was still a few years away. So was our first gasoline crises since World War II. Microwaves were only emerging, and we mostly played music on forty-five and thirty-three R.P.M. vinyl records. We also listened to music on radios, especially in our cars, especially A.M. It was pretty impressive that our old Dodge had a push-button radio. Later on, after the first man walked on the moon and made his famous utterance, I went outside and gazed up at the stars, wondering what the future would bring.

All in all, it was a pretty cool night.

8

Today’s Theme Music

Modern technology hasn’t solved all our of ancient ills, but it’s facilitated widespread, easy entertainment. For me, in the sixties – that’s the last century, for those of you keeping score at home – that meant a transistor radio. Made in Japan, it was deplored as a cheap import, but it worked quite well in the hands of a nine or ten year old boy, until he took it apart to see what a transistor was.

Before I encountered the British invasion, before I discovered rock, I heard the Motown sound. A huge part were groups like the Four Tops, Temptations, and Supremes. I hadn’t appreciated what a large part they played until I looked up music for those groups last night. I was looking them up to refresh myself with their music, because we’re going to go watch the Four Tops and Temptations perform tonight. Should be fun.

As a reminder, here are the Four Tops with “Reach Out (I’ll Be There),” from nineteen sixty-six. It’s a sweet sound.

 

0

Today’s Theme Music

“Driving that train, high on cocaine. Casey Jones, you’d better watch your speed. Trouble ahead, trouble behind, and you know that notion just crossed my mind.”

Those were the words I was singing one day while passing through Mom’d living room. She was busy cleaning. Mom did – and does – have a spotless house. I was fourteen or fifteen, with long hair that irritated Mom and Dad, and a faint mustache and goatee that annoyed my school and coaches. Mom said, “What are you singing?”

I stopped and grew still, as children often do when suddenly challenged by an adult about something that seems obvious. “Singing “Casey Jones.””

“But what were you singing?”

“I don’t know.”

Yes, claim amnesia whenever possible. Mom didn’t look happy but, after waiting for follow-up questions, I discreetly scurried away. Later, I concluded, it must have been the cocaine part, right? I chuckled about that.

Mom and Dad were divorced, and still later, while at Dad’s place, I was walking through his living room, singing…you know it.

“What are you singing?” he asked.

Having been through this questioning and being older, I skipped ahead to the lyrics instead of providing the title. After hearing them, he shook his head. Smiling, I moved on.

Here it is, as performed by the Grateful Dead, “Casey Jones,” from nineteen seventy.

 

0

Today’s Theme Music

Had beers (Caldera Pilot Rock Porter for me, thanks) with my friends last night. A staid group, they’re retired materials and sound engineers, doctors, university professors, and physicists. A small group, just eight last night, I’m the youngest by eight years. None of those present last night knew this song. Hope you do.

Here’s ZZ Top performing “Beer Drinkers & Hell Raisers” on their nineteen seventy-three album, “Tres Hombres.” I listened to this album a great deal during my junior and senior high school years, especially in art class.

0

Today’s Theme Music

Politics, television, advancement, publishing – I can’t get no satisfaction.

Yeah, baby. The Rolling Stones sing it best. The guitar riff, thumping, unrelenting beat and the Mick’s vocalizing of the frustration with the commercial world all come together fantastic in that nineteen sixty-five rock classic, “(I Can’t Get No) Satisfaction.” Jesus, I was just nine but something about that combination spoke to me. While Mick is singing about being pissed over the world’s increasing commercialization and the things he’s being sold, I get that same sense from the news of the world and my efforts to move myself forward. It’s like one stride forward and a long fall backward.

Seeing it on the old “Ed Sullivan Show” is fun. Simpler times, friends, but isn’t that what each generation notices about how life changes?

0

Today’s Theme Music

Drop it all, whatever troubles you and weighs down your body, just let it go. Close your eyes and let yourself feel light and alive. It’s summer in the north, and winter’s coming south of the equator, but we can all come together and do a little dance.

Marvin Gaye, Mickey Stevenson, and Ivy Jo Hunter wrote it. It first found popularity in the U.S. with Martha and the Vandellas in nineteen sixty-four. David Bowie covered it with Mick Jaggar, Van Halen covered it with David Lee Roth singing the lead vocals, the Mamas and the Papas, and the Grateful Dead covered it, among others. Those are the ones that I remember. You probably know it from somebody else’s cover. If not, the words are easy and the beat is contagious. As they say, “Summer’s here, and the time is right, for dancing in the streets.”

Get up and sing and dance with Martha Reeves and the Vandellas with the first popular version of “Dancing in the Streets.”

 

0

Today’s Theme Music

Today’s song came out during a time when I navigated the usual issues with understanding myself, love and life during my teenage years.

The song was written by Toy Caldwell, a founding member of the band, and a person of passions. He passed away in nineteen ninety-three, forty-five years old, from cardio and respiratory problems associated with cocaine use. It’s his lead guitar on the song.

The song is, “Can’t You See,” by the Marshall Tucker Band. It came out in nineteen seventy-three, and it’s one of those songs that captures the despair you can feel over something you’re enduring. The song’s sentiments ends up capable of being applied to many moments of frustration and hopelessness. “Can’t you see what you’re doing to me?” “Can’t you see what this job is doing to me?”

To me, to you, to us, you can run through the gamut and come out on the other side with the same vows the song encapsulates. “Gonna find me a mountain, jump off, and nobody’s going to know.” You’ve been pushed to your end. Then, after the release of all these thoughts, you reach a binary moment: which way you going to go? Are you really going to get on a freight train and run away, or jump off a mountain, or you going to suck it up, endure the pain, and find another way to press on regardless?

Some end up lost somewhere in the middle, unwilling or unable to commit to either direction.

 

0

Today’s Theme Music

This is a “recent” song for me. It came out in two thousand one, so that give us a sense of reference about how much I follow music these days.

That’s true with multiple areas. Matters about baseball, football, pop-culture, music, television, and auto-racing are less followed today. Instead, I follow housing starts, unemployment rates, consumer confidence, politics, and news. I think I’m beginning to mature.

This song, “Blurry,” came out in the aftermath of 9/11, but it’s appropriate for today, because this is Father’s Day in America. This song is about a young man trying to be a good father to his son after separating from the child’s mother. It’s a common theme in today’s America.

Here’s Puddle of Mudd.

2

Today’s Theme Music

I had a song selected for today. Then I saw episode eight of “The Handmaid’s Tale” last night.

The episode, ambiguous, powerful and emotional, full of shifting insights, was highlighted with a Nina Simone song. Man, I love her music. It was a perfect choice to mark the scene’s denouement.

The other choice, the original song, is “School’s Out,” by Alice Cooper.

There’s a striking dichotomy between the two songs, and the thinking behind them. The Simone song was about choices and the road being taken. The Alice Cooper song is a spiteful, joyous celebration of celebrate children’s ‘freedom from school’. I wanted to play “School’s Out” not because I go to school, but with school out, we don’t need to slow down for the school zone. Almost every major road in this small town goes through a school zone, forcing traffic into a tedious crawl. It’s a small, but annoying price, for safety, right? But hooray, speed! We can go five, sometimes ten miles per hour faster. Woo-hoo!

After some thought about it while brewing coffee this morning, I went with “School’s Out” because I didn’t want to debase the use of the Simone song in “The Handmaid’s Tale.” That powerful and shocking cautionary story shouldn’t be dragged down into the meanderings of a mindless blog like this.

Besides, Alice Cooper was part of my first concert I ever attended. The other two acts that day at Three Rivers Stadium were Uriah Heep and Humble Pie. Excellent concert. Memorable.

Here it is, from nineteen seventy-two, “School’s Out.” Crank it up and sing along, if you know the words. Just fake it, if you don’t. Nobody cares.

 

2

Blog at WordPress.com.

Up ↑