Today’s Theme Music

Politics, television, advancement, publishing – I can’t get no satisfaction.

Yeah, baby. The Rolling Stones sing it best. The guitar riff, thumping, unrelenting beat and the Mick’s vocalizing of the frustration with the commercial world all come together fantastic in that nineteen sixty-five rock classic, “(I Can’t Get No) Satisfaction.” Jesus, I was just nine but something about that combination spoke to me. While Mick is singing about being pissed over the world’s increasing commercialization and the things he’s being sold, I get that same sense from the news of the world and my efforts to move myself forward. It’s like one stride forward and a long fall backward.

Seeing it on the old “Ed Sullivan Show” is fun. Simpler times, friends, but isn’t that what each generation notices about how life changes?

Today’s Theme Music

Drop it all, whatever troubles you and weighs down your body, just let it go. Close your eyes and let yourself feel light and alive. It’s summer in the north, and winter’s coming south of the equator, but we can all come together and do a little dance.

Marvin Gaye, Mickey Stevenson, and Ivy Jo Hunter wrote it. It first found popularity in the U.S. with Martha and the Vandellas in nineteen sixty-four. David Bowie covered it with Mick Jaggar, Van Halen covered it with David Lee Roth singing the lead vocals, the Mamas and the Papas, and the Grateful Dead covered it, among others. Those are the ones that I remember. You probably know it from somebody else’s cover. If not, the words are easy and the beat is contagious. As they say, “Summer’s here, and the time is right, for dancing in the streets.”

Get up and sing and dance with Martha Reeves and the Vandellas with the first popular version of “Dancing in the Streets.”

 

Today’s Theme Music

Today’s song came out during a time when I navigated the usual issues with understanding myself, love and life during my teenage years.

The song was written by Toy Caldwell, a founding member of the band, and a person of passions. He passed away in nineteen ninety-three, forty-five years old, from cardio and respiratory problems associated with cocaine use. It’s his lead guitar on the song.

The song is, “Can’t You See,” by the Marshall Tucker Band. It came out in nineteen seventy-three, and it’s one of those songs that captures the despair you can feel over something you’re enduring. The song’s sentiments ends up capable of being applied to many moments of frustration and hopelessness. “Can’t you see what you’re doing to me?” “Can’t you see what this job is doing to me?”

To me, to you, to us, you can run through the gamut and come out on the other side with the same vows the song encapsulates. “Gonna find me a mountain, jump off, and nobody’s going to know.” You’ve been pushed to your end. Then, after the release of all these thoughts, you reach a binary moment: which way you going to go? Are you really going to get on a freight train and run away, or jump off a mountain, or you going to suck it up, endure the pain, and find another way to press on regardless?

Some end up lost somewhere in the middle, unwilling or unable to commit to either direction.

 

Today’s Theme Music

This is a “recent” song for me. It came out in two thousand one, so that give us a sense of reference about how much I follow music these days.

That’s true with multiple areas. Matters about baseball, football, pop-culture, music, television, and auto-racing are less followed today. Instead, I follow housing starts, unemployment rates, consumer confidence, politics, and news. I think I’m beginning to mature.

This song, “Blurry,” came out in the aftermath of 9/11, but it’s appropriate for today, because this is Father’s Day in America. This song is about a young man trying to be a good father to his son after separating from the child’s mother. It’s a common theme in today’s America.

Here’s Puddle of Mudd.

Today’s Theme Music

I had a song selected for today. Then I saw episode eight of “The Handmaid’s Tale” last night.

The episode, ambiguous, powerful and emotional, full of shifting insights, was highlighted with a Nina Simone song. Man, I love her music. It was a perfect choice to mark the scene’s denouement.

The other choice, the original song, is “School’s Out,” by Alice Cooper.

There’s a striking dichotomy between the two songs, and the thinking behind them. The Simone song was about choices and the road being taken. The Alice Cooper song is a spiteful, joyous celebration of celebrate children’s ‘freedom from school’. I wanted to play “School’s Out” not because I go to school, but with school out, we don’t need to slow down for the school zone. Almost every major road in this small town goes through a school zone, forcing traffic into a tedious crawl. It’s a small, but annoying price, for safety, right? But hooray, speed! We can go five, sometimes ten miles per hour faster. Woo-hoo!

After some thought about it while brewing coffee this morning, I went with “School’s Out” because I didn’t want to debase the use of the Simone song in “The Handmaid’s Tale.” That powerful and shocking cautionary story shouldn’t be dragged down into the meanderings of a mindless blog like this.

Besides, Alice Cooper was part of my first concert I ever attended. The other two acts that day at Three Rivers Stadium were Uriah Heep and Humble Pie. Excellent concert. Memorable.

Here it is, from nineteen seventy-two, “School’s Out.” Crank it up and sing along, if you know the words. Just fake it, if you don’t. Nobody cares.

 

Today’s Theme Music

It’s a funky Friday, perfect for those funky musicians, Sly and the Family Stone.

This was a perfect song to sing along when I was thirteen in nineteen sixty-nine. It’s even better now as a joyful anthem for an adult. Still, there were always questions about what in the world was he actually singing. I spent time when that song came on, to pause and listen, trying to decode the lyrics. They still don’t make a sense to me, but I still love them:

Stiff all in the collar
Fluffy in the face
Chit chat chatter tryin’
Stuffy in the place
Thank you for the party
But I could never stay
Many thangs is on my mind
Words in the way

Other lyrics made perfect, beautiful poetic sense to me:

Flamin’ eyes of people fear
Burnin’ into you
Many men are missin’ much
Hatin’ what they do
Youth and truth are makin’ love
Dig it for a starter, now
Dyin’ young is hard to take
Sellin’ out is harder

h/t to MetroLyrics

Let’s get funky with “Thank You (Falettinme Be Mice Elf Again).” It was years before I learned the correct title and the reveal that it was a mondegreen. So sue me; I was a kid.

 

 

 

Mom’s Dislikes

Since we’re coming up on Father’s Day, I’m thinking about the things that used to anger Mom that amuses me now. It’s a short list, but each of these earned a sharp word, snapped fingers, threats, or warnings, all delivered with “the evil eye.”

Mom’s threats were usually about giving us away, sending us to an orphanage, or putting her in the nut house. We weren’t a very P.C. household in the fifties and sixties.

Here’s the list:

  • Fighting, arguing, swearing and talking back. Her idea of talking back and our idea didn’t always align. We would protest, “What was I doing?” That is talking back. Don’t do it.
  • You’d better come when called…or else.
  • Cracking your gum, blowing bubbles with your gum, or clicking you spoon against your teeth.
  • No slurping! Do not slurp your soup or your cereal. Don’t you dare suck up the final fluids of a soda or milkshake through a straw, either.
  • Don’t sneeze too many times, definitely a peculiar irritation. You can see that Mom had a thing about noises. More than three sneezes would irritate her. Sneezing too loud would also annoy her. All that exasperated us. How are we supposed to control the number of times we sneeze, or how loudly?
  • Eat all your food. That was rarely a problem for me but one sister had issues. Food items couldn’t be touching one another. That just sickened her. But Mom would order her to eat her food; she would refuse, and would sit in the darkening room, refusing to eat, until Mom relented and took her plate away. That was a battle of wills.

A short list, and nothing too terrible. As children, we’d forget, and absently do these things until Mom voiced her irritation. As adults, we find it funny, and laugh about it. We’re also aware of these matters that irk Mom. If someone starts sneezing and goes more than three times — or loudly — in Mom’s presence, one of us is certain to say, “Here we go.”

What about you? Anything that your Mom did that amuses you in memory?

Today’s Theme Music

“Time Won’t Let Me” is a song by a group called The Outsiders.

In nineteen sixty-six, I was ten years old, part of a small group of neighborhood children on McNary Boulevard in Wilkinsburg that included Tracy and Carolann, and Mike and Richard. The group fluctuated as people moved, went on vacation, or attended Bible School. Technically, I’d moved away to Penn Hills, but I came back to visit friends.

I don’t know who, exactly, bought this record, or the rest. We listened to them on a little portable turntable. The record was part of a stack of forty-five R.P.M. singles. Setting up in someone’s basement during the summer months, we listened and danced to these records while pretending to sing the songs and play the instruments. The Monkees began dominating the stack, although Johnny Rivers had a strong presence. Others included Herman and the Hermits, Paul Revere and the Raiders, and Nancy Sinatra. As the summer passed, our interests and musical tastes shifted. But for a while, we had our forty-fives.

Now, watching this video, I laugh.

Today’s Theme Music

Today’s music is provided by Eric Burdon and The Animals, so it’s an old song, yeah?

I remember that Mom was really excited about Eric Burdon and The Animals coming on to television. I’m not sure what show they were appearing on, as I was about eight years old. I think it may have been “The Ed Sullivan Show.” I lived in Wilkinsburg, PA, on Laketon Road, across from Turner Elementary School. That’s how vivid this memory is of that week. Mom was talking about it while ironing and dressing to go to work at her job as a telephone operator.

Eric Burdon and The Animals’ appearance hugely disappointed Mom. Somehow, in the course of the advertising, she thought it was to be singing animals! My older sister laughed and laughed over that.

This song is an old stand-by for me. “We Gotta Get Out of This Place” was often selected as a theme song when I was down, depressed, frustrated, or bitter, which seems to be quite a bit. I would sing it to my self, my wife, my cats, my work teams, whatever. There’s something freeing and invigorating about singing, “We gotta get out of this place, if it’s the last thing we ever do.”

Yeah, that’s what I’m talking about. Whether it’s physical, emotional, or intellectual, if there’s a place you gotta get out of, this song is ideal for fortifying your determination to do so.

Here they are, from nineteen sixty-five, Eric Burdon and The Animals, with all the glory of nineteen sixty-five technology.

 

Today’s Theme Song

Accumulating steps and miles for my Fitbit in Ashland’s downtown yesterday, I heard a busker belting out an acoustic version of “Simple Man.” Remembering it from my high school years, I started singing along to myself. Lynyrd Skynyrd was part of the rising southern rock movement in the seventies, along with ZZ Top, the Charlie Daniels Band, and the Marshall Tucker Band.

The song, with its clear vocals and power guitars, reminded me of those years and a simpler period of life when my main concerns were getting gas money and passing tests in school. When the song stopped abruptly yesterday, I hunted the busker down in an unused business entrance on Main Street where he was changing a guitar string. We chatted a bit and I donated a few bucks to his cause.

The song, of course, hijacked my mental stream and stayed, so I pass it on to you. Here’s Lynyrd Skynyrd with “Simple Man,” from their first album in nineteen seventy-three.

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