The Green Tooth (An Abridged History)

I’d forgotten about my green tooth. 

How did I forget? It was right in the front of my upper set of teeth. Dark green, it beckoned others’ curiosity, disgusting them. I saw that in their expressions.

The tooth was a product of playing blind man’s bluff in our Pittsburgh cellar in the dark. The cellar had a few steel support poles. I ran into one in the dark and broke off the bottom half of my tooth.

That was fifth or sixth grade.

We were a lower middle-class family struggling to get by. It took a few months to get my tooth repaired. Meanwhile, I walked around with half a tooth in my grin. Already a little shy, retiring, self-effacing, and insecure, I took to smiling and talking less. When I spoke, I mumbled, to avoid showing my teeth. Eventually, though, I received a nice fake white tooth on a post.

Then I knocked it out.

It was replaced.

I knocked it out again.

This happened several times. Eventually, that fake white tooth turned green. Nothing I could do about it. So I endured, thirteen years old, with a green tooth. A perforation developed in my upper jaw bone. The summer I became fifteen (the year I met my wife), my upper gums became swollen and infected. I solved that by thrusting sharp objects into my gum and squeezing until the pus burst out. It was a little painful and bloody.

Did I mention that I’m not too bright? That’s pretty evident by now.

I moved in with my father that summer. The perforation remained. My gum would become swollen and infected about once a year. I’d heat a steak knife, cut it open and drain it. I got pretty good at it. Yes, I know how lucky I am that the infection didn’t worsen and kill me.

I did this alone because my adventures with my tooth upset my parents. They were exasperated that I kept knocking it out. That exasperation spread to me. I also became aware of being studied and judged. I didn’t like the judgement I heard. I became overly self-conscious, and secretive about my tooth and what was going on with it. My mumbling increased.

Eventually, I joined the Air Force. Uncle Sam replaced my post with a pink, plastic denture. That lasted about ten years. I’d break that tooth off, too, then glue it back into place. I struggled to eat with it, so I’d take it out, usually wrapping it in a napkin so that others didn’t see it. Of course, that left a tooth-sized gap in my smile.

My wife would sometimes need to remind me not to forget it after I’d taken it out.

A metal bridge replaced the pink one. Also uncomfortable, held into place with little silver holds that wrapped around my bicuspids, Seeing those metal things, people would ask, “What are those silver things on your teeth?” I’d explain it was my denture, and offer to show it to them.

It was pretty flimsy. The bridge would end and twist. I’d try fixing it. Eventually, a new fake tooth on a new post was installed.

Naturally, I broke it off. While eating a hamburger, in fact. I glued it into place. It broke off again. That became my regular thing: glue it into place, and then break it off while eating.

After years of going through all this, I had a new, permanent bridge implanted. It cost me thirteen thousand dollars, but it was worth it. By then, I was fifty years old.

It’s interest how such a trivial matter affected me and my life, and how much of it I’d forgotten. Most of us have something like this that shapes us.

When I think of all the things that others endure, I’m fortunate that it was so trivial.

But I still mumble.

Tuesday’s Theme Music

I first heard this song as a version by the Byrds in 1969. Then it sorted faded away, but resurfaced a few years later, by the Doobie Brothers. I’ve found that many others have covered it. It’s just one of those songs.

“Jesus Is Just Alright” has interesting (but not numerous lyrics). Upbeat, with changing tempos, it has religious overtones but remains light and reflective, and a simple statement. “I don’t care what they may say, I don’t care what they may do.” I love that firm belief, this is what I believe, believe what you want.

I feel obliged to mention that it’s about faith, not facts. You can have firm beliefs in your faith; that’s cool. If you’re a fiction writer, you can create your own facts within the structure of fiction. But when it comes to reality, you can’t just declare, this is what I believe, I don’t care what your facts say.

Challenging to hold this apparently contradictory processes and directions in your head. Messy, innit?

Something to think about on a Tuesday.

 

 

Monday’s Theme Music

Ah, folk rock.

Today’s song comes to me via “Frankie & Grace.” Robert surprises Sol with tickets to a folk rock cruise. Sol gets on Internet message boards and exclaims, “There’s a rumor Dan Fogelberg is going to be the special guest.” Robert replies, “I think Dan Fogelberg is dead.”

I looked it up on Wikipedia. Robert was right. Fogelberg died in the last decade when he was fifty-one years old. Thoughts of Fogelberg triggered memories of the folk rock music of the late sixties and early seventies, and Fogelberg’s work. It’s all “Part of the Plan.”

I have these moments
All steady and strong
I’m feeling so holy and humble

The next thing I know
I’m all worried and weak
And I feel myself
Starting to crumble

h/t azlyrics.comh/t azlyrics.com

The Memory

Billy got hit by a truck, he says.

He thinks, a truck hit Billy, but he doesn’t say anything. The other is still speaking in slow, backwoods twangs and drawls.

Boy, do I remember that day. We were standing on one side of the road, by the school entrance. Billy was on the other side. He saw us and got this big grin. One of them big-ass coal trucks was hauling ass toward us, but Billy started running across the road. It was all so fast, I didn’t even have time to shout or think. The truck driver slammed on his brakes. The tires locked up in screaming smoke, and the brakes were grinding and squealing in what seemed like forever. I swear to God, I saw Billy turn and look at the truck at the last second, like he’d just realized it was there. Then the truck took Billy down the road.

His shoe flew off. I saw it fly away, like a damn bird. It landed off the side of the road. Then the truck was stopped, and it was all quiet for, I don’t know, it seemed like forever, but it wasn’t. Then someone shouted, Billy, and we all started running for the truck.

His blue eyes get still and wide, staring far off across time and space. Man, I remember that day like it was yesterday, he says.

Sunday’s Theme Music

I was walking this morning when this one streamed out of the ether.

“Mississippi Queen” by Mountain was one of our art class staples in high school in my senior year, 1974. Scott had a large rock vinyl collection, and brought in a huge number of albums. I don’t recall how other students reacted to it, but Scott and I really enjoyed it.

Friday’s Theme Music

I enjoyed Bowie and his music, and lament his passing. Fortunately, technology and memories serve well to keep the music playing.

Today found my mind shuffling and streaming old Bowie songs like “Diamond Dogs,” “Suffragette City,” and today’s offering, “Rebel, Rebel.” No particular reason for singing it today, except I like the song for its laid-back approach and the amused, disdainful sense of observation and discovery heard in the lyrics.

You’ve got your mother in a whirl
She’s not sure if you’re a boy or a girl

Hey babe, your hair’s alright
Hey babe, let’s go out tonight
You like me, and I like it all
We like dancing and we look divine
You love bands when they’re playing hard
You want more and you want it fast
They put you down, they say I’m wrong
You tacky thing, you put them on

h/t azlyrics.com

Thursday’s Theme Music

The opening words to this song streamed through my thoughts last Saturday, when I participated in a women’s march in Medford.

Everywhere I hear the sound of marching, charging feet, boy
‘Cause summer’s here and the time is right for fighting in the street, boy

Hey! think the time is right for a palace revolution, but where I live the game to play is compromise solution

Hey, said my name is called Disturbance; I’ll shout and scream, I’ll kill the King, I’ll rail at all his servants

h/t to Wikipedia.org for lyric and historic context

Of course, when I thought of this song, it was winter, and I was in a women’s march, organized by women to remind the POTUS and America that they’re here and displeased, and want to continue the agenda of change in America that’s been going on, an agenda that includes equality regardless of gender, age, sexual orientation or preference, religion, ethnicity, skin color, and many other things that America claims to be free and equal about.

It was ironic, and a little disappointing when thinking of protest songs, that “Street Fighting Man” came to mind. Where’s the street fighting women? I was surrounded by them.

Mick Jagger said that events in the United States and France inspired the song when he wrote it. It seems like an indictment of the pervasive male oriented society that only men were mentioned from that era of protests in the 1960s. Despite its inherent sexism, the song, with its driven rocking beat and discordant sitar and guitars, is a powerful protest anthem, powerful enough that Chicago radio stations didn’t play it in the summer of 1968, fearful that it would incite more rebellion and violence in a city that was already struggling with the violence emerging in the shadow of Democratic National Convention as anti-war protesters and police clashed.

Stream forward through time a few years, and the publication of the Pentagon Papers display the American Government’s hypocrisy and cynicism, a reminder that emerges through the recent film, “The Post.” Watching that film, the calls for change and to shake up business as usual sharpen with understanding, along with the bitter taste arising from the belief that our government, no matter which party dominants, is failing us. Those parties apply lip-service to our demands, but their actions often sustain the status quo and business as usual. Most Americans want change, but often split about the shape of change desired. It’s the struggle of democracy. The path seems clear, but it’s messy an slippery.

“Power concedes nothing without a demand. It never did and it never will.”

~ Frederick Douglass

That’s why I joined those women and marched to demand change. I want change. I served in the American military to forward the ideals of freedom, democracy, and equality, with the simple truth that all people are created equal. I slowly learned how those words and sentiments are often more of a propaganda slogan and less of a governing ideal, and that many people, including our leaders, lack the principles and moral courage to fully embrace the ideals behind these words.

In the song, Mick asks, “What else can a poor boy do,” and adds, “There’s no place for a street fighting man,” a suggestion about the frustrations of limited options.

What a wheel of history we ride.

Wednesday’s Theme Music

1973 wasn’t the best of years for me.

I became seventeen that year. I’d moved in with my father the year before, 1972. He retired from the Air Force, and we moved to West Virginia. We bought a place, and it burned down. Just about all the few possessions I had when I quit living with Mom were gone. We didn’t have insurance. The paperwork and payment were on the dining room table, and burned.

I was hoping for better with 1973. It went great for a while, but then I cut off the end of my big toe while cutting the grass with a gas-powered lawn mower. That took me out of sports and doing many things. Frequently a loner, I retreated into art, music, and reading, which were always my natural sanctuaries.

Fortunately, ’73 was a good year for music. This song, “Drift Away” performed and released by Dobie Gray, summed up the year for me.

Beginnin’ to think that I’m wastin’ time
I don’t understand the things I do
The world outside looks so unkind
Now I’m countin’ on you to carry me through

Oh, give me the beat boys and free my soul
I wanna get lost in your rock ‘n’ roll and drift away
Yeah, give me the beat boys and free my soul
I wanna get lost in your rock ‘n’ roll and drift away

And when my mind is free
You know a melody can move me
And when I’m feelin’ blue
The guitar’s comin’ through to soothe me

h/t to elyrics.net

 

 

Tuesday’s Theme Music

Don’t know about you, but Gospel music often talks to me. Aided by a dream, this song streamed into my consciousness from the year 1972. “I’ll Take You There” was a great song for the time because its slow beat allowed a close, swaying slow-dance with a girl, something that I sought when I was a sixteen year old boy. It’s like a feel-good song of hope, not for love alone, but for progress and civil rights.

Here are the Staple Singers with their 1972 hit.

 

Monday’s Theme Music

This John Lennon song, “Whatever Get You Through the Night,” is energetic and peppy, and struck me as much different from his other offerings. I like the extensive, enthusiastic sax in it, which, with the piano, makes the song feel like it’s from a different era, and the twist on the lyrics that becomes “Whatever gets your through your life.” That’s how a lot of us live, somewhere between dreaming and striving, grabbing and holding on to what comes our way.

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