Monday’s Theme Music

Today’s theme music comes by way of yesterday’s choir performance. The Rogue Valley Peace Choir performed as part of an afternoon called one voice. Participating with RVPC were four peace choirs from Portland and Eugene, Oregon, and California.  It was an enjoyable afternoon. One of the songs presented is the well-known “La Bamba.”

An old Mexican folk song, I learned of it from Ritchie Valens release. It came out two years after I was born. He was dead by then, so part of my maturing process was hearing about this song (and his other music), learning about why Richie Valens didn’t perform any more, and learning about the plane crash in which Valens, Buddy Holly, J.P. Richardson, and the pilot, Roger Peterson, were killed.

Though Valens died two years into my life, a movie of his life, “La Bamba,” starring Lou Diamond Philips, was released in 1987. Los Lobos performed “La Bamba” for the movie, sparking a new appreciation for the song and Richie Valens.

Turn it up and sing along. Happy Monday.

Sunday’s Theme Music

Many of you know this song because it’s one of those ubiquitous tunes that started during one era, and gets pulled out and employed to make a point.

The song is “The Beat Goes On,” originally by Sonny and Cher. Sung in a flat, almost monotonous style, it features words and stanzas that reflect superficial changes even as certain defining trends of an era continue. “Drums keep pounding a rhythm to the brain.” “Cars keep going faster all the time. Bums keep asking, hey, buddy, do you have a dime?”

Yes, cars are getting faster. We don’t call them bums, hobos, or panhandlers any longer, but there are still people out there asking for money, usually more than a dime, because a dime just doesn’t buy much in these times.

Here it is, from 1967.

Friday’s Theme Music

I’ve always like the elemental approach of this song. This was one of those songs that Mom said, “What are they singing?” She also disparaged the singing. “That’s not singing. That’s…I don’t know what that is.”

No, it’s not very smooth. One generation always struggles with the next generation’s interpretation of what they’re passing. But when the band sing, “I’ve been waiting so long,” I can relate. Seems like I’m always waiting so long, somewhere, sometime, to check in, check out, get in, get out, get on, get by, although yesterday’s shopping went very fast. We only waited to check out in one line out of three.

Here’s Cream with “Sunshine of Your Love,”

Thursday’s Theme Music

In 1971, I was fifteen years old, and entering high school. Richard Nixon was president.  The Vietnam War continued, and the Pentagon Papers were printed while the U.S and U.S.S.R. continued their arms race. Protesters marched against the war and the bomb. Although it was a new decade, we hadn’t turned the page socially. The summer of love, Watts riots, and Chicago ’68, among many events, all still resonated through our awareness.

Peace was a major topic. From it came songs, like this one, “Peace Train.” Cat Stevens wrote and released it. He’d soon add to the national conversation by becoming a Muslim and changing his name to Yusuf Islam after almost drowning.

He’s an interesting, talented person.

The Green Tooth (An Abridged History)

I’d forgotten about my green tooth. 

How did I forget? It was right in the front of my upper set of teeth. Dark green, it beckoned others’ curiosity, disgusting them. I saw that in their expressions.

The tooth was a product of playing blind man’s bluff in our Pittsburgh cellar in the dark. The cellar had a few steel support poles. I ran into one in the dark and broke off the bottom half of my tooth.

That was fifth or sixth grade.

We were a lower middle-class family struggling to get by. It took a few months to get my tooth repaired. Meanwhile, I walked around with half a tooth in my grin. Already a little shy, retiring, self-effacing, and insecure, I took to smiling and talking less. When I spoke, I mumbled, to avoid showing my teeth. Eventually, though, I received a nice fake white tooth on a post.

Then I knocked it out.

It was replaced.

I knocked it out again.

This happened several times. Eventually, that fake white tooth turned green. Nothing I could do about it. So I endured, thirteen years old, with a green tooth. A perforation developed in my upper jaw bone. The summer I became fifteen (the year I met my wife), my upper gums became swollen and infected. I solved that by thrusting sharp objects into my gum and squeezing until the pus burst out. It was a little painful and bloody.

Did I mention that I’m not too bright? That’s pretty evident by now.

I moved in with my father that summer. The perforation remained. My gum would become swollen and infected about once a year. I’d heat a steak knife, cut it open and drain it. I got pretty good at it. Yes, I know how lucky I am that the infection didn’t worsen and kill me.

I did this alone because my adventures with my tooth upset my parents. They were exasperated that I kept knocking it out. That exasperation spread to me. I also became aware of being studied and judged. I didn’t like the judgement I heard. I became overly self-conscious, and secretive about my tooth and what was going on with it. My mumbling increased.

Eventually, I joined the Air Force. Uncle Sam replaced my post with a pink, plastic denture. That lasted about ten years. I’d break that tooth off, too, then glue it back into place. I struggled to eat with it, so I’d take it out, usually wrapping it in a napkin so that others didn’t see it. Of course, that left a tooth-sized gap in my smile.

My wife would sometimes need to remind me not to forget it after I’d taken it out.

A metal bridge replaced the pink one. Also uncomfortable, held into place with little silver holds that wrapped around my bicuspids, Seeing those metal things, people would ask, “What are those silver things on your teeth?” I’d explain it was my denture, and offer to show it to them.

It was pretty flimsy. The bridge would end and twist. I’d try fixing it. Eventually, a new fake tooth on a new post was installed.

Naturally, I broke it off. While eating a hamburger, in fact. I glued it into place. It broke off again. That became my regular thing: glue it into place, and then break it off while eating.

After years of going through all this, I had a new, permanent bridge implanted. It cost me thirteen thousand dollars, but it was worth it. By then, I was fifty years old.

It’s interest how such a trivial matter affected me and my life, and how much of it I’d forgotten. Most of us have something like this that shapes us.

When I think of all the things that others endure, I’m fortunate that it was so trivial.

But I still mumble.

Tuesday’s Theme Music

I first heard this song as a version by the Byrds in 1969. Then it sorted faded away, but resurfaced a few years later, by the Doobie Brothers. I’ve found that many others have covered it. It’s just one of those songs.

“Jesus Is Just Alright” has interesting (but not numerous lyrics). Upbeat, with changing tempos, it has religious overtones but remains light and reflective, and a simple statement. “I don’t care what they may say, I don’t care what they may do.” I love that firm belief, this is what I believe, believe what you want.

I feel obliged to mention that it’s about faith, not facts. You can have firm beliefs in your faith; that’s cool. If you’re a fiction writer, you can create your own facts within the structure of fiction. But when it comes to reality, you can’t just declare, this is what I believe, I don’t care what your facts say.

Challenging to hold this apparently contradictory processes and directions in your head. Messy, innit?

Something to think about on a Tuesday.

 

 

Monday’s Theme Music

Ah, folk rock.

Today’s song comes to me via “Frankie & Grace.” Robert surprises Sol with tickets to a folk rock cruise. Sol gets on Internet message boards and exclaims, “There’s a rumor Dan Fogelberg is going to be the special guest.” Robert replies, “I think Dan Fogelberg is dead.”

I looked it up on Wikipedia. Robert was right. Fogelberg died in the last decade when he was fifty-one years old. Thoughts of Fogelberg triggered memories of the folk rock music of the late sixties and early seventies, and Fogelberg’s work. It’s all “Part of the Plan.”

I have these moments
All steady and strong
I’m feeling so holy and humble

The next thing I know
I’m all worried and weak
And I feel myself
Starting to crumble

h/t azlyrics.comh/t azlyrics.com

The Memory

Billy got hit by a truck, he says.

He thinks, a truck hit Billy, but he doesn’t say anything. The other is still speaking in slow, backwoods twangs and drawls.

Boy, do I remember that day. We were standing on one side of the road, by the school entrance. Billy was on the other side. He saw us and got this big grin. One of them big-ass coal trucks was hauling ass toward us, but Billy started running across the road. It was all so fast, I didn’t even have time to shout or think. The truck driver slammed on his brakes. The tires locked up in screaming smoke, and the brakes were grinding and squealing in what seemed like forever. I swear to God, I saw Billy turn and look at the truck at the last second, like he’d just realized it was there. Then the truck took Billy down the road.

His shoe flew off. I saw it fly away, like a damn bird. It landed off the side of the road. Then the truck was stopped, and it was all quiet for, I don’t know, it seemed like forever, but it wasn’t. Then someone shouted, Billy, and we all started running for the truck.

His blue eyes get still and wide, staring far off across time and space. Man, I remember that day like it was yesterday, he says.

Sunday’s Theme Music

I was walking this morning when this one streamed out of the ether.

“Mississippi Queen” by Mountain was one of our art class staples in high school in my senior year, 1974. Scott had a large rock vinyl collection, and brought in a huge number of albums. I don’t recall how other students reacted to it, but Scott and I really enjoyed it.

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