Today’s choice is for my little buddy, the mighty Quinn. Here’s Manfred Mann performing their hit-record version of the Bob Dylan song, “Quinn the Eskimo” (1968).
Science fiction, fantasy, mystery and what-not
Today’s choice is for my little buddy, the mighty Quinn. Here’s Manfred Mann performing their hit-record version of the Bob Dylan song, “Quinn the Eskimo” (1968).
A week out from election day, 2018, I find myself streaming an old Stevie Wonder song from 1973.
His hair is long, his feet are hard and gritty
He spends his life walking the streets of New York City
He’s almost dead from breathing in air pollution
He tried to vote but to him there’s no solution
Living just enough, just enough for the city…yeah, yeah, yeah!
We’re at a crossroads in America, where the divisions are strong and stark. We have white supremacists insisting that things need to change, and they’re willing to change it by lying, cheating, intimidating, and killing. Their hate knows few boundaries, becoming directed at liberals, minorities, women, science, education, and just about every other nation in the world.
At the head of this monster is a clueless POTUS consumed with self-adoration, an empty vessel that mouths calls for unity as he leads chants for violence and threatens everyone who doesn’t support his claims. Instead of seeking a brave new world of social justice and equality, he promotes greater divisions of wealth, opportunity, and hope. He builds more borders with words and threats, and builds walls with his mindless rhetoric. He places his optimism in a time that’s passed him by, but bolstered by people living in a hopeless fantasy existence, he remains empowered.
We end up, again, with people barely hanging on, coping, as Stevie Wonder wrote and sang, with just enough for the city.
I have mixed thoughts and emotions about today’s theme music, “Bad Motor Scooter”, by Montrose (1973). It’s an energetic song, but when I listen to the lyrics, I sometimes cringe. Then again, escaping on my bad motor scooter is really appealing on some days. Just race up through the gears and away from cares and civilization.
What the hell. It’s music. Love the rock attitude (rockitude?) on display in this video.
This is such a maudlin, sloppy song. It started streaming apropos of nothing that I can recall, but as I streamed it from memory, I thought about how meaningless the words might be for a younger listener.
“Sealed With A Kiss” came out in 1962, when I was six. It was a hit, so it was on the radios often, but I’m more familiar with the Bobbie Vinton version released when I was a teenager. This song is all about being morose because they’re missing their love, so they’ll send all their love, every day in a letter, sealed in a kiss.
I thought, well, these days, they probably wouldn’t be sending a letter. I imagined youth saying, why didn’t they just send them a text or a selfie? Why didn’t they just Skype?
I decided that, “I’ll send you all my love, every hour in a selfie, clicked with a kiss.”
WTH.
I awoke streaming this song, “Is It in My Head?”, in my head this morning (ha, ha).
I often wonder about the truths of perceptions, impressions, and memories. I don’t wonder about just mine, but how others came to their beliefs, and how difficult it can be to dislodge an idea after it’s burrowed into you. We’ve been exposed to evidence that the winners write history. History is often propaganda to justify and moralize decisions and sustain political or popular support. We all love heroes and myths.
So I wonder with myself about whether I remember something correctly, whether I’m too deeply embedded in silos and bubbles to perceive the truth and grasp it, and often, if I’m conning myself into hoping and believing that my writing efforts amount to anything. It’s a perpetual cycle of challenging, searching, and thinking.
Today’s song selection, made by my mind (and probably invited in by the latest rounds of dreams), “Is It in My Head” is from Quadrophenia by the Who. The album was released in 1973, when I became seventeen years old. I’d been searching and wondering well before I heard this song.
I continue searching and wondering today, almost fifty years later.
I awoke with Outkast’s “Hey Ya” streaming in my mind, but another song replaced it. The lyrics, sung by a woman went, “He’s the last of the secret agents, and he’s my man.”
I thought, was that Nancy Sinatra? Sure sounded like it to my brain. Thinking about Nancy granted permissions to stream “These Boots Are Made for Walkin'”, followed by a duet with Frank Sinatra, “Something Stupid”. Hearing Frank made the stream believe it was okay for him to join in, so I heard “Winchester Cathedral” and “Fly Me to the Moon”.
I’d decided I was becoming a basket case, which opened the ports for “Basketcase” by Green Day, followed by “Boulevard of Broken Dreams”. Thinking, enough, I went through a little of “Enough is Enough” by April Wine, followed by “No More Tears” (Streisand/Summers).
By then, I knew that it had been Nancy Sinatra streaming “Last of the Secret Agents” (1966). I never saw the movie, btw. Anyone know if it was any good?
Apropos of nada, I awoke to the song “City of New Orleans” (1971) streaming through me. Written by Steve Goodman, made famous by Arlo Guthrie, it’s about how people pass time while riding across America on a train, what they pass, and how the train trip is a metaphor for change in America.
Today, after awakening, rising, and feeding the cats, I began streaming a Bee Gees song called “Lonely Days” (1970). Don’t know what prompted my neurotransmitters to order this song today. I think it might have to do with rain. It was raining as I awoke, and stayed in bed, listening to it for a short period before thinking, “Must have coffee,” which prompted me to get up.
“Lonely Days” always strikes me as a rainy-day song. Something about its timbre reflects a gray, rain-swept landscape to me, a feeling that intensified as I walked on damp pavement and light drizzle.
Here you go. Have an excellent day.
Streaming something outta my yewt, a Canned Heat cover of a gem called “Let’s Work Together”, 1970. Don’t know why that song came to me this morning.
Yep, it’s a mystery.
My stream is back-flashing to high school. I remember talking with my buddy, Bob, about a new Moody Blues song, “Nights In White Satin”. I already knew the song and was puzzling about how I knew this song so well already. I told Bob that I was certain it was an old song. Later, on the radio, they mentioned that the song had been originally released in 1967, but didn’t chart well in the U.S., but had been released again in 1972, the year Bob and I were talking. I felt absurdly validated and pleased that I’d accurately remembered the song had come out several years before.