Saturday’s Theme Music

I discovered myself humming “An Old Fashioned Love Song” (1971) performed by Three Dog Night this morning. The song came out in 1971. Cannae tell ya’ where it came from or what provoked the stream to pick it up and deliver it to my brain. Didn’t relate to anything that I dreamed last night.

The song didn’t stay with me long today, fading as I walked, but I enjoyed the visit and thought I’d share it with thee. Paul Williams wrote it. It was from a time when he wrote several romantic songs in the late 1960s and early 1970s, that others, like Helen Reddy and The Carpenters, had as hit records.

 

Monday’s Theme Music

Today’s song came via the weather. Our forecast for today said it will be sunny but a drizzle was falling, so, you know, I was a mite skeptical. When sunshine finally broke through, so did a Donovan song, “Sunshine Superman” (1966).

I enjoy this video. Television, music, and entertainment all seemed simpler, didn’t it?

Sunday’s Theme Music

Piddling through the morning and ruminating about what to do today and this week, I drifted into channels that went, “Life. It’s just a game we play.”

That naturally activated certain cells. Next thing that I know, I’m streaming Al Wilson’s “Show and Tell” (1973) because of that one set of lines go, “Show and tell. Just a game I play when I want to say, I love you.”

It’s another song from that era whose every note is familiar. Reflecting on it as I walked to write, I realize that the song makes me nostalgic for that period in a way that other songs don’t. Perhaps it’s the words and their sentiments, and the way that Al Wilson delivers them. It could be the chilly and windy weather stirring up memory flashes of being in Penn Hills, PA, when the song was popular. The sky’s color out here today harkens back to memories of snow warnings.

We don’t have snow warnings here today, but some rain is forecast. As usual, untangling the threads of memories and impressions are too much. I’ll just live with the song and nostalgia.

Saturday’s Theme Music

I didn’t know who originally did this song. I don’t know why I was streaming it this morning. Somehow, between feeding the cats, opening the blinds, making breakfast and coffee, I started streaming “Gimme Little Sign” to myself. It’s one of those instances where the why is buried, but becoming aware that I was streaming it to myself, I looked the song up and learned Brenton Wood recorded and released it in 1967.

It feels like a ’67 song, mellow and relaxed, about love and relationships, and hopeful. Perhaps, subconsciously, I was talking to God(s), the Universal, the Fates, whatever, and saying to myself (or them), “Just give me some kind of sign,” about what to do or what’s to happen, and brought this song to mind. You know how humans are.

We’re all a little crazy. We’re all just looking for a little sign.

Tuesday’s Theme Music

Today’s theme music will not be for everyone. I’ll be surprised if anyone likes it, because that’s King Crimson’s nature.

The song, “21st Century Schizoid Man” (1969) was once said to be dedicated to Spiro T. Agnew.

I was biased against Agnew because my eighth grade civics teacher talked at great lengths about him, and didn’t like him at all. She particularly didn’t like how he attacked the press and its coverage of him. You might remember Agnew if you study twentieth century American politics or lived through the times. Agnew was Nixon’s first Veep until he was indicted and resigned after a criminal investigation into Maryland corruption. Whether the song is dedicated to Spiro T. “Ted” Agnew,  the song’s lyrics are few but memorable. Here’s a sample for you.

Cat’s foot iron claw
Neuro-surgeons scream for more
At paranoia’s poison door
Twenty first century schizoid man

h/t azlyrics.com

I’m thinking of this song today because I feel a little bit like a twenty-first century schzoid man on some days. Not today, particularly, but you know, some days.

The Father and Me Dreams

My Dad was a special guest star in my dreams last night. I was a teenager in all of them, not really surprising, because that’s the era of my life that I saw the most of him, as I lived with him for three years after things became dark and unpleasant with Mom’s husband. Then I graduate from high school and left home.

In one memorable part of the dream, Dad and I were following a young tabby cat. The cat had gone down a sidewalk. I hurried after him, and discovered him rolling around on the cement walk in some freshly cut grass.

After that, the dream scenes fluttered and crackled. There was Dad and I driving in a car, and I’m looking out the window, checking out passing scenery. We throw a baseball back and forth in sunshine. I hear his laugh. Dad enjoys laughing.

The dreams grew darker and faster in nature. Then, suddenly, it became “This Is Your Life” from when I was in my mid-teens.

Life wasn’t going well. Most of my time was spent reading books, riding my bike, playing sports, drawing and painting, and listening to music. Although I enjoyed math, history, science, and literature, school was a bore. I was becoming a loner and acted out out a lot, and the dream managed to feature sharp memories of that era. In one sequence, a boy two years younger than me was riding a bike. A bunch of us children were in front of his house on a late summer afternoon. We weren’t doing much but hanging. I think I was fourteen. This kid, though, was riding around and bantering with others. Then I heard my sister say, “He spit on me.”

I don’t believe I’d ever reacted as fast to anything in my life, and I have always, from childhood on to even now, been known for amazingly fast reflexes.

He was riding his bike by me. My hand shot out, caught the rear of his bike and jerked it back, pulling it out from under him. As he fell free, I tossed the bike to one side, stepped forward, grabbed the kid, and hauled him to his feet. I told him he needed to apologize to my sister. I remember that other kids there were freaked out and afraid I was going to do something terrible to the kid. But he apologized to my sister. I released him. He took his bike and ran to his house.

His mother came out and confronted me. I was unapologetic. I told her nobody was going to spit on my sister while I was there. She didn’t know her son had spit on my sister. That changed things.

The scene was just a brief flash in my dream, the part where my sister said, “He spit on me,” and I grabbed his bike. I remembered the rest, along with other memories from that period, after awakening.

The whole dream and memory sequence left me emotionally shaken as I went about my morning routine. As I wondered why I’d dreamed so much about my father and childhood, I reached out to him to ensure he was okay.

Sunday’s Theme Music

A song fragment (songment?) had been trapped in my stream’s turbidity, no quite accreting enough other notes to become fully recalled, and driving me insane. All I could hear is the lead vocalist say, “Come on, move me.” Some guitar then followed.

Four A.M. this morning, the song finally fully entered my stream. It’s a little ditty called “Going Mobile” by a band called “The Who” that was released in 1971. Included on one of my favorite Who albums, Who’s Next, I don’t think of “Going Mobile” as their finest work, with interesting instrumentation lacing together some confusing and conflicting ideas.

Play the tape machine, make the toast and tea
When I’m mobile
Well, I can lay in bed
With only highway ahead
When I’m mobile, keep me moving

h/t to songlyrics.com

Being a literal sort, I always thought, how can he lay in bed with only highway ahead?

At least my brain can rest easy with the song remembered at last, and I can go on with other matters. Back to you, Jim.

 

Saturday’s Theme Music

Two songs are competing in my stream today. I can’t remember one of them. I remember two lines and a few guitar chords and licks. I hear the vocals, know the voice, but can’t remember the vocalist, song, or group. Using the few clues I have, I’ve hunted for its identification, and I’ve failed to find satisfaction. So, screw you, song. 

The other is another Aerosmith song. Reflecting on that, a room mate was forced on me during part of my assignment in the Philippines (1976-1977). Forced is the correct expression because regulations forbid people in my specialty, which involved controlling nuclear launches, from having a room mate. Yet, most of my assignments found me with a room mate for part of the time, as the local commanders would sign a waiver to the reg. Of course, the waiver was usually rescinded after the command got wind of it, and the room mate was found another place to live.

This guy, Eric, was a large Aerosmith fan. He had a huge stereo, big speakers, amp, turntable, tuner, equalizer, tape player, but only four albums. Two of them were Rocks and Toys in the Attic, so I heard them a lot. I realize, that’s why I know those albums so thoroughly.

Anyway, today I’m streaming “Same Old Song and Dance” (1974). Sure, it’s December, a brand spanking new month, the last month of 2018. 2019 and January will soon be on us. But you know, it feels like the same old story, the same old song and dance, my friends.

It’s some ol’ school rock.

 

Thursday’s Theme Music

Today’s song streamed into my head after I thought of another song.

The other song was “Sara Smile”, by Hall and Oates, which I thought of after meeting a friend’s daughter named Sarah. After thinking about it while walking, I remembered “She’s Gone” by the same duo.

“She’s Gone” (1974) came out during a period of struggle in my relationship with my girlfriend. I’d graduated high school and she was traveling Europe with a nun. I felt lost, and ended up enlisting in the military, upsetting just about everyone I knew. That’s life, right? “She’s Gone” appealed to my sense of loss, frustration, searching, and self-pity. I particularly enjoyed the lyrics, “Think I’ll spend eternity in the city. Let the carbon and monoxide choke my thoughts away, yeah.”

What a time. Hormones, you know? Etc.

Monday’s Theme Music

Well, it’s a typical lament, innit? “I wish I knew then what I know now, when I was younger.”

Seems like my mind is in a folk-rock (should that be called frock? No?) disposition from its recent streamings. Croce, Fogerty (and I’ve been streaming CCR), and now some Faces. Here’s a 1973 gem, “Ooh La La). Love the piano playing on this.

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