Book Light

She loved reading books, and not just reading them, but researching what to read next, talking about her reads with her friends and family, and prowling book stores with her book list in her hand. Non-fiction, fantasy, young adult, historic novels, mysteries…they were all on her list. She read everyday, often reading four or five books a week. Finding a new author that she enjoyed was her greatest pleasure.

Then her mother died, her mother, who’d always encouraged her to read, introducing her to The Three Detectives series and Nancy Drew Mysteries, her mother, whose idea of a day out was taking her girls to the public library, where each was allowed to check out one book.

With her mother gone, she no longer wanted to read. It was like her book light had gone out, and would not come back on.

Floofworm

Floofworm (floofinition) – a housepet who manages to worm themselves into every activity.

In use: “He laid down to read but before a paragraph was red, a floofworm jumped up, edging onto his chest and blocking his view of the book.”

Floofbelly Elegy

Floofbelly Elegy (floofinition) – collection of memoirs by housepets, the people they lived with, and their values.

In use: “In one chapter of Floofbelly Elegy, a calico named Agent 86 told of how she liked to let people pet her, drop onto the ground and roll on her back, exposing her belly, and then attack people when they tried rubbing her belly.”

An Uplifting Dream

Last night’s dream felt so uplifting and positive. I remember taking off my shirt and having my abdomen suddenly beginning muscular, showing off an eight pack. Suddenly, everyone was looking at me in admiration. I’m usually withdrawn and self-effacing, but I was happy for the attention and accepted it with grace.

As marvelous as that was, a woman suddenly sought me . I vaguely knew and recognized her. She said that she was back to get a story from me, fulfilling a promise she’d made a few years before.

Delighted, I was completely taken back by the unexpected request. I wasn’t aware of any promise, but I wasn’t about to question it and scrambled through my files for something.

Nothing was ready. I confessed to her, “I’m sorry, but I don’t have anything ready.”

She said, “Do you have anything that you think is promising?”

“Yes, yes, I have many things partially begun or sketched out.”

“Pick one.”

I returned to my files and began searching. “Okay, I think I have one in mind.”

As I continued searching, she said, “How soon can you get it ready?”

“I’m not sure. It’s going to take some time and work.”

“Get it ready. Finish it. I’m waiting for you.”

The end.

Well, cool. Amazing how something as unexplained as a nocturnal dream can feel so empowering, infusing me with positive energy while it shunts negative energy away.

 

Sorry, No

I recently met a person at the coffee shop who discovered that I was a writer. They asked me to tell them about what I was writing.

Sorry, no.

In a hurry, I said, “Sorry, it doesn’t work that way,” and departed. But after walking away, I began thinking about my answer, constructing the reasons that it doesn’t work that way.

In my early days, I was always eager to tell people about what I was writing. My position changed for several reasons.

  1. In the early days, I was hunting for validation and encouragement. I was more insecure about writing. I wanted someone else to tell me how wonderful it all sounded.
  2. A book is a written work. The nuances live in the words and the order that I’ve arranged them to tell a story. I work hard to find the ideas, establish and grow the characters, advance the plot, and tell the story. That’s all done through written words and the supporting structure.
  3.  I’m an organic writer, also called a pantser. Starting with a concept, I build. The construction takes unexpected directions and doesn’t seem to pause until I write ‘The End’. What I tell you about today may not make it into the final first draft.
  4. Writing a novel or short story excites and energizes me. My ideas are usually complex. Chances are, you’re not going to be able to follow, because, again, I’m talking about a written work. Your lack of enthusiasm will depress me. Unless you want to read a passage or have me read it to you, I’m not going to tell you. I’m also not going to let you read it because of reason number two, already presented: it’s a work-in-progress.
  5. Finally, with all the previous reasons, talking about what I’m writing to others siphons energy off, in my experience, so, sorry, no.

Policy exceptions exist. First, if you’re an agent or publisher, I’ll be polite and do what I can to tell you what I’m writing and why it excites me.

I can also talk about the writing process (I probably enjoy talking about it too much), especially to other writers. As part of that, I’ll share some of a WIP with other writers. Whether it’s me and my expectations, or their experiences, or our empathy, or all of these things along with other aspects, I think other writers are worthy recipients to hearing about my WIP.

Thinking about all of this, I realize that my attitude is a major hindrance to selling agents or publishers on my finished novels. I love being subtle and complex in my writing, and accomplish that, in my mind. Lot of people don’t have the patience for subtle and complex, and it’s hard to convey in the first twenty pages, along with a synopsis, pitch, and hook. I’m just not good at that shit. Admitting it means that I need to work harder on it, along with my first twenty pages.

I suspect that my writing style likely only appeals to one percent of potential readers. Not a problem, to me, because there are many readers in the world. The larger problem is that I probably need to submit to one hundred agents to get one interested, and they’ll probably need to pitch it to multiple editors and publishers. So, I feel like I’m looking at a high and steep rocky mountain to climb.

I’ve been climbing it for a while, and will keep going. Each time I reach one ridge, I think I’ve reached the top only to find there’s more climbing to do. That’d be a problem if all of this conceiving, imagining, writing, editing, and revising wasn’t so much damn fun.

It’s also addictive.

Okay, enough reflecting. Time to write like crazy, at least one more time.

Sunday’s Theme Music

Reading an old Jack Reacher last night (new to me – from 2008) and for some reason, I began streaming the Red Hot Chili Peppers “Around the World” (1999). The Reacher novel, Nothing to Lose, reminded me of some places where I’d been stationed and things that were discussed, done, heard about, witnessed, that sort of thing, you know, the whole been around the world thing.

I’ve not been all around the world, or even all around America. Besides, in the military, and then in marketing, you really don’t see much of the world. For me, I was often flown in, put into a place, typically there for a few days, doing my thing. If it’s a longer time period, chances to explore were found, but many times, it was in and out, and then on to the next place. Funny, looking back, how often I traveled alone, often in a unique role, briefly joining some group of strangers, and then gone again.

Mixed

You understand the expression, “mixed blessings”? Or do you know, “bittersweet” or prefer, “good and bad”. That’s how it is for us as we’re mourning and celebrating.

Our favorite book store is closing down. Yes, The Bookwagon will no longer be, and we’ll no longer see Karl.

We’d been suspicious that something like this was happening. We know some personal stuff that’d happened to Karl that I don’t wish to share. His hours had become erratic. He seemed worn, tired, and preoccupied. Suspecting he might be closing the doors on his business a few weeks ago, we asked him. He said, “No.”

Perhaps the situation has changed. Perhaps Karl was trying not to close but has changed his mind. Perhaps, perhaps, perhaps… He enjoys reading books and being a bookseller. Closing the book store is the bad, the bitter, the depressing part of my initial rhetorical question.

On the other end, books are all being discounted, and we have a substantial from buying books and then trading them in for credit. Consequently, we bought six books, including three hard backs and one new book, and paid three dollars and seventy-five cents.

So, that’s great. We have reading material on hand should we get snowed in. (Well, we always have several stacks of books to be read and a few being read, and several that we enjoy so much that we keep them on hand to read again. Not having a book on hand wasn’t actually a problem.)

I’d rather, though, have Karl and The Bookwagon open rather than saving a few dollars on a book. We have three months to collect more books and say our good-byes, and he said that he’ll still be around.

You know that it won’t be the same.

Dissatisfaction

I remain in my editing process, working on Book Five of the Incomplete States series. I’ve edited sixty percent of the book, An Undying Quest, but I wasn’t pleased with what I was reading and editing yesterday. In fact, I found myself dissatisfied.

That was ironic, because the chapter’s title is Dissatisfaction. As I read it, I found myself pausing to frown. The coffee shop was empty except for me (the baristas were in the back room), so I went back and read the chapter aloud, trying to feel the flow and understand what seemed wrong.

Too wordy and cumbersome, I concluded. Some cutting and editing is required.

I began reading it again to identify what bothered me, but it just bogged me down. Let me tell you, it’s not reassuring when you, the writer, finds that what you’ve written makes you wince. I gave up for the day, but continued thinking about it.

I thought, well, one, it’s just too wordy. Two, I’m re-hashing what’s already been said and done, so it’s not advancing the story. That’s also killing the pacing. I think I need to cut and perhaps write a brief summary – one, two short lines – to capture the sentiments.

With that in mind, I came back to it today and began anew. It wasn’t simple, but doing this, I’d discovered that the writing was passive. I told, and then told again. Little showing was there. Ugh.

And, interesting, it was too wordy for the character’s perspective. The series is told via several perspective. Each character has their own voice, and this character, Kanrin, is spare in thinking and speaking. He dislikes complicated, rendering things to basic and simple conclusions, and here he was, in convoluted thinking about what was going.

Now seeing how the complexities were entwined and the issues understood and clarified, I could process and edit more thoughtfully. Took time, though. All of today’s session was about reading and editing that chapter.  No summaries were required, just cutting and editing to reduce wordiness and tighten the pace.

I feel I need to edit it again, and will tomorrow. I’m too deep into it now to clearly perceive it. Then, I’ll see what happens on the next editing go-around, planned for the entire series has been edited. For now, it’s been another good day of editing like crazy.

Time to re-join life.

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