Category: books

Time, Energy, and Patience

Incomplete States is a science-fiction infused historic series of possible futures. Book Three, Six (with Seven), now in editing and revision, also focuses on another intelligent species.

They are much different from Humans and the other species encountered in this historic series. Their culture, mores, and social structures aren’t like Humans or the rest. This makes editing them a powerful challenge, which translates into time, energy, and patience. Clarity, coherency, and consistency is demanded. This is the fourth day of editing and revising this thirteen-page chapter.

Time, energy, and patience has become my new editing and revising motto. I used to race through writing books and then become impatient with the editing and revising phases. I’ve developed a more acute respect for how editing and revising fit into the writing and publishing process as I’ve written more books.

The other aspect that’s found new respect in me is reading . On Sunday, a friend asked me, “How do you know when you’re done writing the novel after editing and revising it?” I told her, “That’s when the reader takes over. I write what I enjoy reading. If I, as the reader, am happy, then I’m done.” Of course, that’s when the professional editors take over.

Thinking about my answer later increased my appreciation for how reading helps writing. If I’m writing for a reader, me. I want that reader — me — to keep expanding their appreciation of what they’re reading. As I do, what I read and enjoy permeates the reader/writer/creator membrane. So expanding what I read, enjoy, and appreciate improves my writing and creating skills.

I like casting a wide net over my reading choices. I have favorite authors and genres, but enjoy exploring. I just finished reading Red Shirts (John Scalzi, 2011). Now I’m beginning Less (Andrew Sean Green, 2017, Pulitzer Prize). I’m still reading The Order of Time (Carlo Rovelli, 2018). That last book requires many pauses to think about what I’m reading, and revisiting parts of the book.

Of course, I’m also still reading Six (with Seven). I must read it to edit it.

Time to write edit like crazy, at least one more time.

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Thursday’s Theme Music

I dislike it when I awaken and can’t recall my dreams, but glimpse tantalizing pieces scudding through my mind like high clouds on a late afternoon day.

That’s today’s situation. I don’t know if it’s connected, but I then began streaming bits of Jeff Wayne’s musical “War of the Worlds”, 1978. I thought I’d share some of that, with the Black Smoke Band, Richard Burton narrating “The Eve of the War”, and Justin Hayward (Moody Blues) singing.

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Another John Said

A & P was a grocery store chain. My stepfather worked at it, I thought, although he never spoke much about work. It was a well-known chain and abundant around the Pittsburgh suburbs where I lived from four years old until I was fifteen.

When I read John Updike’s short story, “A & P”, in English class in 1972, it struck me how vividly and accurately he’d portrayed the average store and its customers and employees. I had no plans to be a writer then. I just enjoyed reading. I preferred science fiction and adventure until then but then I read Catch 22, Catcher in the Rye, Pornoy’s Complaint, and Herzog, and my interests shifted.

A & P are gone now, only known through literature, entertainment, and memories.

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“Four On Kyrios”

I’m feeling breathless, worried, and giddy today. You probably suspect that it’s the smoky air because I’ve been complaining about the wildfire smoke so often in July and August. Well, you’d be wrong, suckah. We have good air today.

I’m breathless and giddy because I completed the first draft of Four On Kyrios today. The novel has officially made the transition from beta to first draft. At the same time, I received feedback from two friends who volunteered to read the beta version as a second pair of eyes. They’d finished reading the manuscript and offered their comments. Both were enthusiastic and are ready to read the next book in the series. That pleases me, but I’m worried because, as a writer, I’m unique among writers, and worry whether others who read what I wrote will describe it as gilded garbage.

That was decent sarcasm, wasn’t it?

Four On Kyrios is the first book of the Incomplete States series. It didn’t take me long to read, edit, and revise it. I attribute that speed to several points.

One, it was the third book in the series to be written. That advantage means that a great deal of thinking about the concept, plot, background, and setting was already completed.

Two, I edit and revise as I write. My organic writing process drives this pattern. Writing what’s already written helps me connect with the muses and continue discovering and telling the story. It shouldn’t surprise anyone that I fix grammar, punctuation, pacing, and continuity issues when they’re discovered. (Are you surprised?)

Three, Four On Kyrios is the smallest of the four novels in the Incomplete States series. MS Word clocks it at ninety thousand words and three hundred seventy-five pages.

Four, of the four novels, it has the simplest plot and the fewest characters. Those factors keep it easy to read and edit.

As this is the first novel in a series of four, it’ll stay in first draft status while I read, edit, and revise the others.  The four books were written to tell one larger tale, so they’re interconnected. I came out of the editing and revising process with one page of notes. Some are reminders, a few are continuity questions, and the rest were issues. All of the issues except two were resolved. They’ll remain open until I complete the other three books.

Most of the changes in the novel were more about expanding some scenes to slow down and let the characters breathe. I’ve been reading a lot since I finished the beta draft of the four books. Reading others’ published novels impact my ‘sense’ of the book. To me, this is the instinct we develop as writers because we read. It’s a feel for what seems right and correct about something we’re reading. It’s about flow and story-telling.

Just for the record, I’ve read Lincoln in the Bardo, A Visit from the Goon Squad, Godless, The Midnight Line, Time’s Eye, and Diary in the past few weeks after finishing the first three books of the Dire Earth Cycle. I’m now reading The Pagan Lord and The Order of Time and searching for The Triggerman’s Dance. I think La Rose might be up next on my reading, though. The Order of Time is a fascinating book about time, physics, and quantum mechanics by Carlos Rovelli. I don’t agree with all of his points, but it’s fun thinking about them.

Now, on to the next novel in the Incomplete States series, Entangled LEREs. I’ll begin editing and revising it tomorrow. Right now, though, my stomach is posting orders for something to eat.

I think I shall comply.

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The Writey Sense

Ever read a news article that excites your writey senses and muses, a feeling that, “OMG, there’s a book that I want to write!”

That’s the writey sense, that internal mass that stays on alert to concepts, characters, settings, and ideas, looking for the next story or novel.

Just happened to me. I read a news article about a man who killed himself during a traffic stop. The police found a woman’s body in the trunk. I immediately flashed onto a title, “The Woman in the Trunk”. My inner writers and muses began marshaling scenes, including opening lines. I could feel the writing energy developing.

Despite the excitement (and the anxiety, what if I’m blowing off a great novel?), I had to tell them, sorry, not today. We’re doing other things, such as editing novels that are already in progress.

They weren’t happy.

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The First Edition Act

This dream was in three acts. All acts are clear and memorable, but I’m only writing about a few scenes in the second act regarding a book.

I was in a classroom with seven others. It was the last day and we were almost finishing up. I’d been taken by the subject, about making improvements in how I live, as were my classmates. We’d become a close group, but after days of all-day classes, the classroom was messy.

Close to the final hour, we took a break. Two people came in. One was a cleaning person, a female, and the other was a young man. The young man was collecting books to send to a poor town in another country. In very high spirits, I helped the cleaning person, and then I helped the young man. They left. After a few more minutes, class was ready to resume.

When I went back to my seat, I discovered my copy of the book gone. I realized it must have gone with the young man and rushed out of the classroom to find him and retrieve my book.

The classroom was in a huge building and crowded with people. I hurried along, looking for the fellow and asking others if they’d seen him and where he’d gone. After some of this, a friend, Brent, told me that he’d seen the man leave by a side door several minutes before. I hurried there where another person said yes, the guy had been there, and he’d just driven off in his truck.

Upset, I wandered back toward my classroom, but I was obsessed. I wanted to keep the book for future use. Knowing that others had taken the course, I walked around to see if I could find another copy of it.

Dark blue, soft bound, with its title in yellow letters, I did find other copies of it. Some belonged to friends, and they were keeping the book. Nobody had an extra. I saw it alone on people’s desk a few times and thought about stealing those books, but that’s not something that I would do.

Continuing on my quest to find a copy, I entered a large work office. Everyone there was busy, and looked up when I entered. Embarrassed, I tried to slip through the classroom by staying close to the perimeter and get out without drawing too much attention or being an interruption. But doing that required me to pass the woman who was in charge. Calling me by name, she asked what I was doing.

I was impressed and pleased that she knew me by my name, as she was someone important in the company, so I told her had happened. Sympathizing, she offered me her copy of the book, and told me to keep it.

Her worn copy was black and smaller. As I declined taking it, I opened it and realized it was a signed first-edition. “I can’t take this, it’s a signed first edition.”

The woman waved me off. “Take it, it’s yours.”

After so more of similar back and forth, I left with the book. Outside the office, I stood in the hall to consider the prize that’d been given to me.

End of act.

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Each Day

Each day, I realize that I don’t know much. I can’t even say that I know much about a particular subject. I tend to know a very little bit about very few things.

Each day, I re-discover things that I’d learned and forgotten. I discover things that I learned when we thought we knew better, but have to learn again because more has been learned. Really, I’m just learning to keep up.

Each day, I learn how much things change between each day and person. I’ve learned that we’re very inconsistent about what we think we know. We like to have what we think we learned validated to verify that we learned what we think we learned.

Each day, I realize how much there is to learn, not just about complicated or esoteric subjects or unfolding scandals, but about myself and the small area of existence that is my world.

Each day, I realize how much I enjoy learning. Sometimes — hell, many times — it wears me out. But with each day, I realize how fragile learning and knowledge really are, and how knowledge can be tortured and twisted.

Each day, I set out, one more time, with a cup of coffee and try to learn just a little bit more.

And some days, I remember it.

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