Science fiction, fantasy, and mystery writer. Singer (sorry, no shows) & nudist (in my home). Beer, cat, cheese, coffee, pie and wine friend. Left IBM and Silicon Valley for the southern Oregon life but I miss the ocean. We're too far inland. Gotta move.
It’s an oddity. Today, the coffee shop is filled with men.
Three regulars are among the dozen men. We regulars do our regular things with computers, eyes intense and intent on screens, fingers doing a keyboard dance, sometimes shifting a mouse tango.
The rest are pairs of men. Male couples. They’re all in deep and low-key conversations. Youngest looking are some twenty somethings. Most have ages hovering in the upper thirties to low sixties. I’m too far from any to overhear conversations. There’s little laughter among them. These are serious topics at hand.
Two by two, the meetings are wrapped up. The participants depart. Soon, it’s just me and one other regular, busy with our computers. A small break ensues. Quiets drapes the business. New people arrive. New orders are given. It’s a mix of males and females.
I told myself again yesterday, get out of the way and write. Write, I did. And when I reviewed what I wrote, I laughed to myself and whispered, “This is fucking crazy.”
By far the craziest of what I’ve ever written, I sat down with a specific purpose and some simple ideas about where I was going. Well, The Writing Neurons quickly queued up, redecorating, rearranging, reordering, taking me into completely foreign waters. “But how will this match up with what I had planned and previously wrote?” I complained.
Well, after the cat barked me awake at 5:58 AM today, The Writing Neurons pounced on my poor brain. They began weaving story webs like caffeine-fueled spiders in a web-building competition. I laughed at a lot of the shit they conjured. Then, when I put eyes to screen and hands to keys, I hustled to duplicate The Writing Neurons’ input.
It’s a wild frigging ride so far and I’m nervous about where I’m going. But you know, write on.
That’s what it’s all about.
***
So…I finished a novel last month. Felt damn good about it. Began firing up the querying mechanism.
Meanwhile, I handed it off to friends for feedback. But, without telling them, I capped it at part 1. I figured, if they finish part 1, I’ll give them parts 2 and 3. I did this knowing that the manner the novel unfolds will be confusing by the end of part 1. You need part 2 to see where it’s going, and part 3 for full illumination. But I still thought it would be a fast read for them. Instead, I’m hearing that they had to reread parts; they were creating notes. They want to sit down and talk about what’s what. All of that’s pushing my hopes and confidence toward the writer’s abyss of despair. I just need to hang on. Wait for their feedback. See where it goes.
Welcome, welcome to Twosda, June 17, 2025. We’re continuing a nice weather balance in Ashlandia, dropping into the fifties at night, sunny & cloudy during the day, high of 84 F. No one has been heard complaining.
Although I slept well, I had a night rich with dreams. Papi has refined a way of awakening me which can only be called a bark. I don’t know where this cat learned his bark. I guess he went out and hung around with some dogs, heard them barking, and then imitated them. It’s effective — for him. I wish he’d go back to purrs and nuzzles.
My wife’s ‘movie group’ is meeting today. One of them began hosting about a dozen of her exercise class comrades to watch and discuss movies. Today, they’re watching the 1990 flick, Truly, Madly, Deeply, in which the late Alan Rickman plays a ghost, and Juliet Stevenson is his widow. What surprised me was how many of the rest professed to be unaware of the film. My wife and I both enjoyed it on its theater run and have seen it again since. She is a big fan of it and suggested the film. I’m interested in learning whether others remember the film when they see it again.
Dad’s surgery went well. He told me that his kidney was stented; his wife said, no, he had a nephrostomy tube and drainage bag installed. Come on, give him a break; he’s 92. When I speak to him and ask him for details such as, “Where did they put the stent,” he replies, “Hell, I don’t know. Ask Maxine. She takes notes.” Maxine is his wife (#3, and the longest tenured wife by far).
There’s something wrong with Trump. We have many ideas about what it is. Now we have Catheter Gate & Bag Gate. This is based on Trump’s leaning forward walk, like something is irritating his ass, and photos which seem to show a catheter installed in his johnson area. Since he’s our elected official, don’t we have a right to know? To employ the voice used when Republicans are demanding answers from Democrats, WHAT ARE THEY HIDING FROM US? IS TRUMP DYING? Well, of course he’s dying — just ask Sen. Joni Ernst. But is he dying so fast that he’s failing to do us job? Is he a liability? We the People demand to know the truth about what’s protruding in those photos. Snopes claims they investigated and Trump isn’t wearing a catheter but the Trump Regime may have gotten to them. We want answers and we won’t accept anything reasonable until Trump takes off his pants on national TV and shows us that he’s not wearing a catheter, bag, or diaper. Even then, we probably won’t accept it because that could be Trump clone or a Trumpbot, or AI creating a wholly fake television event.
Trump fled the G7 conference in Canada. He claimed it was because of Mid East tensions but many believe he was just Taco Always Chickening Out again. In this case, the meeting was structured, they weren’t deferring to him, and he wasn’t getting the attention he wanted and kept being quoted saying stupid things, so he fled. That’s so TACO!
Today’s music is “Tough Guy”. It’s a 1980 Reo Speedwagon song. Don’t know why The Neurons plugged it into the morning mental music stream. I was just reading the news online about Trump fleeing the G7 when that song kicked off in the stream.
Coffee has snuggled into my system again. You all have a good one. Here we go, one more time. Cheers
Munda broke upon us like a soulless morning, 50 F and cloud. Sunshine that seemed hungover peeped in on us. Blue skies sluggishly swept in since and the temperatures drew up into the upper sixties, delivering a cool summerish morning on June 16, 2025.
The 2025 No Kings protests heartened me. So did the poor turnout for the DC parade. I believe mango TACO will respond first by lying. Second, brooding, sulking, and blaming the media and Dems. Third, by lashing out. And fourth, by being a bully. He’ll want to do something to restore his self esteem and regain the respect and admiration which he thinks he deserves. No, he doesn’t deserve it; he’s earned none of that. But he’ll decide he’ll need to be decisive, tough, and forceful. Which direction will he flash? What tools will he use? How long until it comes. Hopefully, it won’t be too over-the-top as in “Let’s attack another country.” But only Trump has the controls on the TACO Express and the track is rickety and unsteady.
While reading news and speculating, I’m wondering, with others, what’s with the KC135/KC46 tanker force deployment? 32 headed to the European theater Sunday night. It’s a suspiciously large number and Defense and the Air Force are being mum about it. Could be part of an exercise but the military PR machine usually likes highlighting those activities in a sort of ‘look at us! look what we can do!’ way.
Today’s music is a cover of “People Get Ready” written by the late, wonderful Curtis Mayfield. Here are some Wikipedia details about the song.
“People Get Ready” is a 1965 single by the Impressions, and the title track from the People Get Ready album. The single is the group’s best-known hit, reaching number three on the Billboard R&B chart and number 14 on the Billboard Hot 100. The gospel-influenced track was a Curtis Mayfield composition that displayed the growing sense of social and political awareness in his writing.
The gospel-influenced track was written and composed by Curtis Mayfield, who was displaying a growing sense of social and political awareness in his writing. Mayfield said,
“That was taken from my church or from the upbringing of messages from the church. Like there’s no hiding place and get on board, and images of that sort. I must have been in a very deep mood of that type of religious inspiration when I wrote that song.“
Michael Seidel, writer 