Where He’d Been

He’d watched one night, two, three, along with the days in between, driving the dark blue Tesla down the streets a few times through each period. Electric, silent, fast, rechargeable, the Tesla was ideal. If he was a burglar in the real world, the Tesla would be his choice of vehicles.

Lights had broken the tidy homes’ darkness a few times. Nothing sustained. Patterns reminded him of night lights. He thought, creatures creeping through places. Raccoons, skunks, opossums, or maybe bigger things like cougars, wolves, coyotes, bears. Nothing like that here, though, right? No, he’d looked for their prints, scat, and kills. He didn’t know what was triggering the night lights, but he didn’t think that it was big animals like those, but his mind kept entertaining visions of meeting them.

He finally chose a neat white craftsman on the corner. Lacy white curtains were drawn on the windows. The flowers were dead in the window boxes. The house wasn’t too big, probably fifteen, eighteen hundred square feet, maybe. Well maintained. Solid. Probably built around 1910, like a whole other era. A whole other time. A whole other existence.

It hadn’t shown any lights. He approached it during the day. Felt better, safer, that way, being in strangers’ homes during the day. First, he walked cautiously around the yard through the tall grass, watching the windows and listening. Not even a wind broke the sound, though there was sometimes a bird singing or flying by overhead.

Closing on the house, he went up the front steps onto the green painted porch and to the door. He lightly knocked. He used to say, “Hello,” but then he’d learned to dislike hearing his voice in that silence.

Nobody answered the first, second, or more impatient third knock. Between the second and third, he held his breath and tried opening the door, confirming it was locked. Everyone locked up like they’d gone away but were coming back.

It was a pretty door, stained hardwood with beveled panes of glass. He hated breaking a pane, but it was necessary. So was the cold Smith and Wesson that he wrapped his fingers around in his pocket. You never knew what waited inside. He used to carry a shotgun, but he wasn’t a shotgun person.

Leaving his bags on the porch, he entered the house. The floor creaked with his ginger steps. The first thing he saw after entering and closed the door was a wall of photographs. Some showed servicemen who might have been in World War II or Korea. Others were definitely of the Vietnam and Gulf War vintages. Poor saps. Loving couples were on smiling display. The family’s growth was demonstrated through a succession of photographs. Holiday scenes told on their religion.

Stilling, he drew back from the wall. They must have lived here a long time.

He felt brazen and crude for his presence.

They would understand, wouldn’t they?

Hard to say, hard to say.

Questions like that had many sideways directions.

As did his existence. Were they all still alive elsewhere, and he was the dead one, or was this a dream? Perhaps, he sometimes speculated, he’d gone sideways into another reality.

He’d given up on hope that he’d slide back. Passing the wall of memories, he made his way straight back down the narrow hallway toward where he thought he’d find the kitchen. Nobody was dead inside. The air demonstrated that closed house mustiness of disuse, but lacked the qualities of sickness and death. Dust motes cavorted in the sunlight.

As expected, the kitchen was found at the hall’s end, a magnificently updated and warm place, made for people to cook as others gathered and chatted, sipping coffee, wine, or tea as they told about where they’d been and what they’d been doing. He wished they would tell him now.

The pantry was full, as expected. Pasta, crackers, cereal, oat meal, flour, rice, dried beans, canned goods, coffee, tea. Going back for his re-usable shopping bags – no more plastic or paper bags, thank you – he stocked up. He found Kalamata olives, which pleased him. They felt like a reward. Untouched Gouda cheese was in the refrigerator. He stood and looked in at the cold, lit refrigerator interior for a long time. The vegetables and fruit had gone bad. He removed them and tossed them out back for the rest of the world.

After the kitchen, he found a liquor cabinet and a wine cabinet and filled up his bags. He didn’t take everything, just in case there were matters that he couldn’t predict, like their return, because there were matters he didn’t know, like where they were. He didn’t open any drawers or closets in the bedrooms. He didn’t need anything from them.

After putting his bags in the Tesla’s trunk, he came back and cleaned up the glass on the hall floor from where he’d broken in. Finding a workbench in the garage out back, he covered the window with taped cardboard, just in case, and then paused in the open doorway, looking around. You would think, he thought, that he’d be done with the emotions. Well, you’d be wrong, he answered. You’d be dead wrong.

Good-bye, he said without speaking, and closed the door on where he’d been.

 

The Process

He had his talismans, his gold-plated 2001 quarter, the pen with which he’d written the first short story he’d ever sold, once lost, but then found in a box of memorabilia, and his tumbled and polished lapis lazuli. With those in his pockets, he processed his mental checklist. Keys, money, wallet, computer, backpack, sunglasses. Donning his coat, he gloved up and left the warm house for the cold, sunny day.

Squirrelly grey clouds marbled the sky’s blue arena. Sidewalks squished with remnants of last night’s rain. He walked fast, shifting from thoughts of cats, wife, social engagements, and news to his stories, drawing up where’d he stopped, what he’d planned since then, and where else he might go, considering the scenes and words like they were night stars.

One mile he walked, warming up over the twenty minutes, two as the land dried out under the sun, reaching the coffee shop in less than thirty-eight minutes. Warmth, conversation, and music percolated inside the small, modern, glassy place. Weird, it didn’t smell like coffee.

He knew many faces but spoke to no one but those needed to get coffee. After ordering it, he set up his computer at a table and powered up. Documents were opened. Internet connections were made.

Hot, black coffee was sipped. Words and ideas were contemplated again. Setting the coffee down, he raised his fingers over his keyboard.

Time to write like crazy, at lease one more time.

Monday’s Theme Music

You know, in the U.S. of A., it’s winter. Because of that, many towns are having beer festivals. At least, this is true out here in Oregon and California.

Some places call the beer festival a collaboration, a beer walk, or, if the organizers are feeling more stylish, a brewery tour. SF’s Beer Collaboration isn’t starting until Feb. 1. They have a theme, you know, like they do at a prom, Game of Thrones. I’m sure that some high school has had a Game of Thrones themed prom. That seems like it would be something like the red wedding or the prom from Carrie.

Anyway, in honor of beer strolls everywhere, I’m streaming Tom T. Hall’s 1975 classic, “I Like Beer”. Pretty self-explanatory what the song is about.

Floofshay

Floofshay (floofinition) – walk in an ostentatious yet slow and casual manner, smelling objects, sometimes pausing to stretch, and stopping to listen to noises.

In use: “Opening the door, he let the cats and dogs out and watched, admiring their sashay through the garden.”

A Day Without Writing

I didn’t write write yesterday. I had a full schedule of other activities planned. Yes, it’s rare that I take a day off writing. I think there are usually six days a year that I don’t write, and they’re usually sick days, travel days, or holidays. Might as well face it, I’m addicted to writing.

When I say that I didn’t write, I mean that I didn’t sit down with computer, crayon, or paper and pen. I wrote, but it was all in my head. I’ve noticed before that not writing and breaking out of my routine to do other things stimulates my writing. Same thing happened yesterday. I was writing fast in my head.

After getting home close to midnight last night (and with over twenty-six thousand steps on the Fitbit), I had a lot to write this morning. The writing session was one of those intense, fast-paced, and focused affairs that I so love, one where I take one or two gulps of hot black coffee as prelude to the process, and then unleash the muses. An hour or two later, butt sore and with half a cup of cold coffee still available, I stop, spent like a marathon runner.

It’s been an excellent writing week. Having discovered that simultaneous submissions to agents are now considered normal (yeah, you probably all knew that already, didn’t you?), I’ve submitted Four on Kyrios to six agents. I’ve taken my writing approach to procuring an agent. With writing, I write and press on, and with agents, I submit and press on.

Meanwhile, I’ve jumped into a new novel-writing project, April Showers 1921. As always, it’s great fun here in the beginning, when ideas spin like polished, multi-faceted gem stones, letting me think about all the possibilities. Often, though, as I contemplate the facets, the muses say, “Here, we’re going this way. Come on.”

That’s how it’s been. I’m not arguing with them. Fools argue with muses, because mortals always lose any argument with a muse. That’s just fact. I looked it up on the Innertubes, and found a Youtube interview with Shakespeare about it, so you know it’s true.

Now, though, I’m at the après writing juncture that requires me to stop. Don’t really want to stop because it’s been great but I know that I’m finished for the day. Other things remain to be done, my energy is shifting, and my body is saying, “Excuse me, but can we move? Would it be possible to bend and stretch, reach for the sky, stand on tippy toes, and all that?”

Sure, body. We’ll go do some of that. Time to stop writing like crazy, for at least one more day. Just let me gulp down this cold coffee and we’ll get out of here.

Waste not, want not, right?

Sunday’s Theme Music

This song has been around for a few years. A group performed the dance associated with it yesterday in the cold, mud, and rain, at the Women’s March in Medford, Oregon. Turn out was lower this year, but it remains a worthwhile effort.

Here’s “Break the Chain” (2013, One Billion Rising).

Friday’s Theme Music

One of the cats followed me around this morning because I hadn’t fed him yet. “Hungry, buddy?” I said. “Want some kibble? Anticipating brekkie?” Naturally, I started singing, “Anticipation, anticipation is making me late, is keeping me waiting.”

That made it today’s theme music. Here’s Carly Simon, “Anticipation”, 1971. Those were the good old days.

Blog at WordPress.com.

Up ↑