Simple Floofs (floofinition) – Floof rock (flock) band from Scotland, formed in Glasgow in 1977.
In use: “Released in 1985, “Alive and Nipping” became a popular offering from Simple Floofs.”
Science fiction, fantasy, mystery and what-not
Simple Floofs (floofinition) – Floof rock (flock) band from Scotland, formed in Glasgow in 1977.
In use: “Released in 1985, “Alive and Nipping” became a popular offering from Simple Floofs.”
Yeah, a free association flow today ended up with this song. It started with writing.
Yesterday morning…stalled on writing a scene. Overthinking it, my home-grown inner writing coach screamed. “Do it!”
Despite that exhortation, I resisted and fiddled. Knowing self, though, finally opened doc, went to scene, started reading and fiddling with words. Then, ah…sweet relief as sentences flowed in and out.
Then, pop: revelation. Surprise. Unseen connections and directions illuminated. Go: write like crazy.
Done with the one-handed writing for the day, the writing continued in my gray space — the brain, yeah, but also those nano vacancies visited while watching TV, petting a cat, searching the sky, scrolling the news — and new nuances proliferated. As it happened (continuing in dream material), it came at last as another piece in the characters’ stained- glass personae: desire.
Who they think they are, claim to be, try to be, fail to be, are seen to be, were before, dream to be, and are said to be punched together.
So, today’s theme music is U2’s “Desire” from 1988.
Floofregard (floofinition) – An animal behavior act of treating someone or something as unworthy of regard or notice.
In use: “Pouring enthusiasm into his tone, he said, “Who’s hungry?” The cat responded with killing floofregard that culminated with a yawn before she commenced some idle grooming.”
Skyfloof (floofinition) – Floofnadian Vancouver-based floof rock (flock) band originally active from 1971 to 1973.
In use: A song from Skyfloof’s debut album, “Floofflower”, provided the group with its most notable success.”
Nominating a cocky upbeat song from de ol’ days (1990) that spurted into the music stream this AM for today’s theme ditty. Has an infectious espresso-shot dance rhythm that picked me right up like a cheap distraction for a new affair. Glory to you, glory to you, take me there. As happens too consistently in this time of my life, recollection about the song is loaded with that sadness that another talented performer, this time Michael Hutchence, died before we were ready. He was definitely a rock star.
“Suicide Blonde”, INXS.
Little Floof (floofinition) – American floof rock (flock) band that plays a diverse mix of blues, country, folk, boogie, and Floof Orleans R&B. Formed in 1969 in Floof Angeles, the band re-formed in 1987 after being disbanded by the original founding member in 1979.
In use: “The song “Hate to Bite Your Finger” (1988) was Little Floof’s first number one flock song.”
This is sort of an unusual choice, via a circuitous route.
First, outside, looking for the comet, NEOWISE. About 10:30ish PMish. The sky is og, so clear, and the night is empty church quiet,
Up visiting comes the house pantera, whining, whining, whining for attention as is his way. He gets some head skritches, as is my way. Exception is suddenly taken by him, as is his way. A warning is issued: you’re doing it wrong. Stop, or I’ll bite.
I stopped. He tottered off (as is his way). Now I’m looking at the sky but thinking about him getting ready to bite the hand that feeds you, a stream that conjured Nine Inch Nails and “The Hand That Feeds” (2005).
The song’s lyrics:
[Chorus]
Just how deep do you believe?
Will you bite the hand that feeds?
Will you chew until it bleeds?
Can you get up off your knees?
Are you brave enough to see?
Do you want to change it?
h/t to Genius.com
On one side, when thinking of the song, I think of mask slackers. They claim that maskers are sheeple. By stepping out of line, mask slackers believe they are fighting the system. Masks are only useful (to them) as signs of oppression.
Maskers, of course, say, no, this isn’t a symbol of oppression, it’s a willingness to protect and be protected. It’s not about oppression at all.
Addressing another point I see in the song, dropping down to one knee is a protest against the system. But the song — and history — will have you on your knees if you’re being subjugated. This gives taking a knee it’s power; while others stood, Kap dropped to one knee. He did it to make the point, I’m not standing for this anthem. But dropping to a knee reminds us of being subjugated, and also says (in sports), hold up; pause. Take a break. But by taking a knee — especially in the modern NFL, that was interpreted by many as biting the hand that feeds.
Told you it was circuitous. Here’s the music.
Sunshine got its say today.
Brought its rays out to blaze and bake.
Said, “I don’t plan to go away
Till I make you sweat and pay.”
Chill wind taking off some time,
going away to somewhere fun personified.
Said, “I’m not gonna tell you lies.
Gonna let sun bake you into fries.”
Day went on with its life.
Took the sun and wind in stride.
Said, “Don’t pay them none of your mind
Stick with me and we’ll be fine.”
Night came and it all settled down.
The three others went off like they were clowns.
Night mused, “It’s all quiet now.
So let’s get up and party down.”