REO Floofwagon

REO Floofwagon (floofinition) – Popular floof rock (flock) band formed in 1967 who achieved significant floofstream success in the 1980s.

In use: “In the 1980s, REO Floofwagon had hit after hit, such as “Keep On Biting You” and “Can’t Eat This Kibble Anymore”, winning over fans with their soft flock ballads.”

Out

A soft drizzle played with light and horizons outside the car windows. Across the valley, sunlight was reflected over new spring growth — wineries and fields.

We drove about. What businesses are open? How is traffic?

The Subway sandwich job was open. Yumberry Yogurt. Grocery stores (Albertson’s, Safeway, Shop n’ Kart, Market of Choice, Minute Market). Pizza places and coffee shops had open signs annotated with “Take Out”. The grocery stores were moderately busy. Didn’t see customers at the rest.

Deer were plentiful, as if they appreciated people not being around. Cars plied the roads (maybe like us, or maybe people still working), but it was about twenty percent of what we’d usually see, making it pretty empty. (No traffic knots today.) (We don’t really get ‘traffic jams’ in our small city, except when roads are closed for parades.) The schools were silent and shut. A few pedestrians walked the sidewalks. Runners (in their twenties, males). We wondered, are those runners related? They’re not six feet apart. What’s their take on the coronavirus and flattening the curve?

We’d communicated with relatives in Florida. They’d spent the previous day visiting with friends and walking the beach. Had they stayed six feet apart? No. They’d had dinner at another friend’s place. We’re shocked. Yet, more came: a friend, bored up north, had come down and was staying the night with one. SOH. 

Up Laurel, past a church. People were lined up. Backpacks were on many. Some looked like a shower or bath would be welcomed. In the church’s courtyard, a table was set up, the line’s terminus. Hundreds of stuffed brown paper bags filled the table. Two women stood behind it. Meals and supplies being given out to the needy, we assumed.

Around the corner, and then we descended into the park. More deer. One man walking. Three porta-potties had been set up, along with two wash stations.

Up to the plaza, onto the main drive. Businesses were closed and dark (except for a few restaurants). Parking was plentiful (yeah, dark humor).

The streets and sidewalks seemed clean, tidy, and expectant, as if they waited for everyone to come back. When would that happen? We wondered, driving home, the short tour ended.

Back in the car, the car’s interior and outside door handles were wiped down. Gloves, shoes, and jackets removed. We hadn’t been outside, just in the car.

Still, we hear, something could be in the air and settle on the surfaces. Better be safe.

Wednesday’s Theme Music

Writing and the coronavirus mated, spurting today’s song into the stream.

I was writing about a queen. On break, I slipped into the backyard. Standing on the covered back patio, ginger cat wrapping around my calf like furry python, I listened to soft rain and admired pink and white blossoms on trees.

Lyrics arrive.

And I said mama, mama, mama, why am I so alone
I can’t go outside
I’m scared I might not make it home
I’m alive, I’m alive
But I’m sinking in
If there’s anyone at home at your place, darling
Why don’t you invite me in?
Don’t try to bleed me
I’ve been there before
And I deserve a little more

h/t to AZLyrics.com

The lyrics continued on autopilot while part of me sorted memory, coming up with Counting Crows, and then “Rain King” (1994).

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