Paused

Hulley paused from writing his novel. He’d seen and finished a long scene, all praise the muses. Once that was done, he needed to collect where he was and what was to be done.

Scanning the other patrons and front door, he picked up his coffee. Half remained, but cold as iced-tea. Time? Been here sixty-five minutes. Sipping the coffee, he continued peering around, debating options, choices, and plans. Plenty of time remained but his writing energy seemed as spent as a summer storm. It’d been a good day of writing, but —

His eyes picked up on the opening front door, and then his brain shouted, “Holy shit.” His brain’s declaration slammed the rest of his being into shocked stillness. Through the front door came a pale white man, about six three, narrow-framed, with thin white hair and an ancient poets’ beard. He wobbled like he could be tipsy or suffering from a balance issue. Dressed in ragged, soiled denims on this ninety-plus day with a yellow Polo shirt, a Cubs hat, and aviator styled sunglasses, he didn’t fit in. Hulley gagged on recognition: Breech.

It couldn’t be Breech. He almost laughed at the suggestion. It was too freaking insane. Breech was his fucking character, star of the last scene, a gray-blue antagonist traveling the west coast in his big 1970 Chevy Suburban, hunting and killing kidnappers and rapists. Breech couldn’t be here. 

With rising alarm, Hulley conducted a lengthy double-take of the coffee shop. Gone was the tidy suburbanized business with its lit glass food cases and soft beige and blue walls, replaced by a cramped, smaller, and darker place, an old home re-purposed as a cafe. It wasn’t that Breech was here; it was that he was there.

Breech strolled past his table like a spinning top losing energy. Although the man wore sunglasses, Hulley felt Breech rake him with the predatory blue eyes he’d seen with his mind too many times. Breech always thought he knew his quarry by the way they reacted to his scrutiny. The guilty stayed relaxed but the innocents were unnerved.

Slapping his coffee mug down, Hulley gulped down a lump that could’ve been a rock. He didn’t know what was going to happen or what had happened to him, but it looked like the next scene was beginning.

Sucking in a deep breath, he began typing. What else could a writer do?

 

Monday’s Theme Music

Guess I remain in an introspective mood. Childhood rock spills into my stream, coloring reflections and expectations, although today’s choice came out during my childhood’s end.

Today’s theme music, by Lou Reed, was another vinyl record that was played and worn down until it was too distorted to appreciate. It’d be hard to explain to people who only experience digital music how the vinyl could become warp, or the static that you sometimes heard through songs.

This album, Rock n Roll Animal, was one of my favorites in 1974, lasting through my high school senior year. I stopped listening when I joined the military and went away. Like many, my favorite song off that album was “Sweet Jane”. The guitar work on the extended entry, and then the stinging, fast high note work later, epitomized the emerging rock sound for me as much as Eric Clapton’s work with Cream. Lou Reed’s vocals often reminded me of Bob Dylan, and Mick Jagger later, as he often delivered this broad, inflected flatness that seemed like a vocal shrug.

Saturday Afternoon at the Cemetery

A couple flirted, giggled, and kissed on a blanket under the cemetery pines while a woman sat on a towel, eating an apple and reading, in a splash of sunshine twenty yards away. Dozens of grave markers from them, a trio of fawns bucked and gamboled. A pair of does ate while a grave majestic buck chewed in thought. A gray squirrel, egged on by cawing crows and jeering jays, chased another squirrel around and up trees and over headstones as a flock of wild turkeys tsked, sighed, and tutted.

It was a lively place to be, in the cemetery that day.

Fast and Furious

To borrow from the movie franchise that stole the phrase from popular culture, today’s writing session went fast and furious. Hard keeping pace with the muses as they turned up with generous inputs. It fast became one of those writing-like-crazy sessions where I sat down, swallowed a big gulp of hot coffee, and then started typing. When I next was aware of tasting the coffee, it was cold to the lips, and the coffee shop was empty except for me and the barista.

Exciting time. Loved it. Hate for it to end, but they’re shutting up for the day, as they close at noon on Sundays. It was great while I was here, though, the sort of session writers always hope to experience, where the story comes alive, and the words thunder out as if the faucet’s been fully opened and will never close.

Exfloofsive

Exfloofsive (floofinition) – An area, period, or activity established or reserved for animal use.

In use: “She hadn’t planned it, but Caramel made every evening at eight PM his exfloofsive time, fetching his brush without being told, bringing it to her, and sitting down before her, waiting to be brushed, with his bright eyes telling her, “You know what you must do.” Resistance wasn’t even considered.”

Sunday’s Theme Music

We went to a spotlight performance the other night. As an elderly community of retired professionals in their sixties to nineties thrive around here, performances are often geared toward their preferences and memories. The spotlight performances are among those, featuring music from 1960s era “girl-bands”, the Motown sound, the Eagles, and the current offering focusing on the Mamas and Papas. They’re a lot of fun but they fire up neurons from that era, as more of that period’s music flooded my stream this morning.

“Eve of Destruction” by Barry McGuire was playing as irritation with our current government sent me into new spasms of frustration. Then along came a song by a group called Thunderclap Newman has been on loop. I always liked the name, Thunderclap Newman. Goes right up there with Moby Grape, Psychedelic Furs and Strawberry Alarm Clock.

Thunderclap Newman’s song, “Something in the Air” is streaming in my head. Word association started it. First, “Eve of Destruction” lyrics bobbed along the stream:

Yeah, my blood’s so mad, feels like coagulatin’
I’m sittin’ here just contemplatin’
I can’t twist the truth, it knows no regulation
Handful of Senators don’t pass legislation

And marches alone can’t bring integration
When human respect is disintegratin’
This whole crazy world is just too frustratin’

Read more: Barry Mcguire – Eve Of Destruction Lyrics | MetroLyrics

Ah, the rhyming. But the song’s sentiment plays as true for 2019 as it did for 1965 regarding governments’ ineptitude, human respect, frustration at the pace of change, and constant war. We stay on the eve of destruction, don’t we?

Lock up the streets and houses
Because there’s something in the air
We’ve got to get together sooner or later
Because the revolution’s here,

h/t to Genius.com

I always enjoyed Newman’s piano solo in this song. I have a vivid memory of smoking hash and listening to this song again and again when I was sixteen and my Dad was away.

So, that’s my Sunday theme music, Thunderclap’s 1969 song, “Something in the Air”.

 

Omnifloofium-gatherum

Omnifloofium-gatherum (floofinition) – A gathering or collective of housepets. On small scales, they are generally organized around pools of sunlight or food being distributed. Organized omnifloofium-gatherums are established for more serious matters regarding quantum energy, shape-shifting, and time-shifting.

In use: “Each year, unbeknownst to humans, an omnifloofium-gatherum was established in which five representatives were sent to another dimension on a fact-finding adventure. Though it was an honor to be selected, the housepets felt bad for their humans, because they never knew what had happened to them.

“Then, along came a boy and a girl who changed everything.”

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