How Cool

I’d finished my writing and was doing my post-writing walk. Going up Main Street, I passed the Starbucks. A woman was reading at a table. I glanced up, stopped, and stared.

Yes, she was reading my book.

I was pleased.

She looked at me.

“Sorry,” I said. “I was trying to see what you’re reading.”

She glanced at the cover. “I just started it last night. I’m not familiar with the author.”

It took a lot for me to reply, “Well, I feel I should warn you that I’m the author so that you don’t accidentally insult me. Now that you know, you can deliberately insult me.”

She said, “No way. Are you really?”

“Yes. You probably got the book from one of the little libraries around town.”

“No, my friend gave it to me. Maybe she got it from a little library. She finished reading it and thought I would enjoy it.”

We chatted a little longer about the book and the little libraries, and my other novels. I didn’t know her or her friend. I walked away thinking, “How cool is that?” I was so pleased and engrossed, I almost walked in front of a car.

That would have definitely not have been cool.

Floofbish

Floofbish (catfinition) – a meek or timid cat.

In use: “She’d seem like a floofbish tabby in the shelter, but once she was home and out of the kennel, she became as imperial as a queen and as powerful as a supercat.”

Olympic Gold

Sometimes when I’m writing, I think about taking a break from the process. 

I’m thinking about that now, thinking, when I finish the first draft of this quadrilogy, I might take a break.

Yes, I’m almost at the end, and I’m tired of writing it, so it’s natural to think, I want a break. Focusing on the moving parts and the characters’ activities is intense and takes intellectual energy that straps my other energies.

Then, I realize, yes, I’m tired of writing that series, a series I’ve been working on since July of 2016. Not long, you say? Yes, but this is the first draft, and there’s work to be done on other projects. I deliberately choose not to work on other writing projects to focus on the complexity. I want to write them.

Then there’s the madness.

The madness is the standard writer’s angst about what has been done and what remains against the filter of, does this fucking work? Will others read it and think, “This guy is an idiot.” Worse, they’ll say, “He’s a talentless, pathetic hack.”

These words, coming through me from imaginary others, are wearying. I combat them by assuring myself that I don’t know if that’s how others will react, and reflect on why they might think that way – what makes me worry that they might think that way. 

It’s complicated, this writing business, done alone in shadows. Sometimes the shadows grab us, and tear us down.

But then, in saner, stiller moments, I read what I’ve written, and find myself engrossed by it, and pleased. Then I encourage myself, “There’s probably other nuts out there who like the kind of fiction you write because they share your taste in fiction.”

I hope to hell that’s true, I answer myself, but I don’t really sound convinced. I sound more like a person who left a job interview and answers, “How did it go?” with, “I think it went pretty good.”

Yeah.

Others will say, “Wow, you wrote a book. You wrote four books in that time, four books as part of one series? That’s amazing. Congratulate yourself.”

Well, yeah, that’s all nice, thanks. But that’s like getting to the Olympics and not winning a medal. See, a goal has been set. It’s not enough to write a draft, but to get it edited, published, and out there, and then have others read it, and enjoy it.

That’s the Olympic gold.

Yes, I can settle for less, but why limit myself? I’m putting time and energy into writing these novels. Yes, I’m afraid that others will not like many aspects of it, but there’s no reason for me not believe that I can’t take home the gold. Dare to dream, right? Put that dream out there in front of you, and try.

Others will say, “Hey, that’s beyond your control. You’re putting needless pressure on yourself.”

Yes, I tend to be my worst critic, that I know. (Maybe others are staying politely quiet.)  I know my flaws, shortcomings, failures, and mistakes, and can rip them off without a breath to think. Plus, you know, I’m a little down with health issues affecting friends and family. That is another variable in the equation.

I’d been writing like crazy for seventy-five minutes before taking this break to gain some distance, perspective and sanity. I’m hungry, and I’m thinking about sandwiches, and pie. I’ve only drunk about twenty percent of my cup of coffee, having put my head down and fingers to the keyboard. Stop, or go on? I ponder, decreasing the amount of remaining coffee by another twenty percent.

My stomach wins. It always does.

It always gets the gold.

The Ice Chip

It’s five thirty A.M., and cold and dark. Even the cats are all curled up and asleep.

The telephone connection is amazingly clear. The tension in the hospital room seems as substantial as the phone against my ear.

“She’s gurgling, and sounds wet,” the speech therapist said. “I’m going to see what she can swallow.”

Her voice becomes louder as she speaks to the elderly patient. “I’m concerned about your ability to swallow. Can you lick you lips? Can you lick your lips?”

Holding the phone, I lick my lips in response to the orders on the other end and urge the patient to do the same.

“No? You can’t lick them? No saliva?”

Damn.

“Okay. I’d like to give you an ice chip to see how you swallow. Would you like an ice chip?”

“Yes,” the patient says in a low, weak gravel.

“Yes, I bet you would,” the speech therapist says. “You’re probably pretty thirsty because you haven’t been able to swallow anything for a couple days.

“Can you stick your tongue out for me? Can you put it out a little further? There we go. Good, that’s good. Now, I’m going to put the ice chip on your tongue, okay? There we are. Good. Now take it in your mouth and let it melt. Feels good, doesn’t it? Yes, I bet it does. Don’t let it run out of your mouth okay? Keep it in your mouth.

“Okay, are you ready to swallow? Swallow it for me. Let me see you swallow. Okay, that’s good.”

I hear an odd sound and listen, trying to understand what it is. I imagine the process it takes to let ice melt, and the muscles and passages used to swallow.

The speech therapist’s volume drops to a normal conversational level. “She couldn’t swallow, and I can hear wet gurgling.”

That was probably the odd sound that I heard.

The speech therapist says, “The fluid is going down into her airways. Normally, when that happens, we violently cough. That’s a normal reaction. But she lacks the strength and energy to cough.”

My sister-in-law speaks. “She’s in advanced stages of Parkinson’s, and hasn’t had her meds for several days, because she’s had the flu and pneumonia, and hasn’t been able to swallow. They’re going to insert an NG tube and begin her meds again.”

“Yes, we’d expect to see an improvement in a Parkinson’s patient with their meds, so we’ll try the test again after the NG tube is inserted and her meds are given.”

Thanks are given, and comments about things that will be done later are made. I listen and absorb it, but I remain thinking about the importance of a melting ice chip and swallowing.

 

Thursday’s Theme Music

Let’s start with a wall of sound to blow these thoughts down, the thoughts that arrive after another mass shooting hits the news, another school’s day marked in red.

We’d just returned from living in Germany for four years, courtesy of our favorite uncle, when this song was released back in 1991. Another time? Well, we’d gone to war and were going to war back then, and we’re at war now, so nothing changed there. The Berlin Wall was torn down back then, a great moment in history, but the American border wall is being expanded this year. We thought the nuclear threat was diminishing because the U.S.S.R. had dissolved, but here we are, moving closer to midnight on the Doomsday clock twenty-six years later. Crime was higher then than now, but mass shootings were lower in 1991 than they are in 2018.

The worst mass shooting in 1991 the Luby’s shooting in Killeen, Texas. The gunman killed twenty-three people that day. It was the worse mass shooting in the U.S. at the time. It’s been surpassed. We’ve had five worse mass murders by a single shooter since then, including February 14th’s shooting in Parkland, Florida. That one, at a high school, ranks number one in the number of murders at a high school shooting in America, passing Columbine’s 1999 murders of thirteen people. 

Let’s listen to Metallica with “Enter Sandman” and think about our national nightmare.

 

 

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