The Dream Car

My dream memories are weakening. Perhaps as a subset of aging, we begin forgetting our dreams. Perhaps our dreams are the reality, and we’re forgetting reality. Maybe both are reality and both are dreams. Can we hold those two ideas in our heads?

Either way, I remember dreaming last night but don’t recall much of them. Perhaps that’s because I slept almost seven and a half hours. The dream I remember features an enterprise being conducted in my garage. I was recovering and re-furbishing junk and trash with other people. They were at a loss about what to do with it. But I was like, “Just fix it up and put a price on it. That’s what I do. Don’t overthink it. Just price it and forget it, and people will buy it.”

The garage, a double car space, was well-lit. One of my recovered treasures was a car parked alongside me. The car was an almost mint 1965 Ford Mustang convertible. I’d found it and fixed it. Now it was mine.

I had it in the garage but pulled forward. Behind it, in the garage, I’d spread a large blanket on which I’d collected and worked on items. Working on something small in my hand, cleaning it and putting it back together, I was absently answering questions posed by another. I neither remember the questions nor the questioner, nor my answers. What I recall is that some copper metallic exotic car rolled past with a howl of sound outside. And I paused to watch and identify it. I don’t know what make the car was, only that it was rare and expensive, which I was telling my companion, laughing as I did, wondering why such a car was in this neighborhood.

Then the exotic car returned. Slowing, the unseen driver executed a u-turn in the street but didn’t drive away. “Ah, they’re looking at the car,” I said as I realized it. “They’re impressed with this old Mustang.” As they should be, I thought, looking at the car. White, its top was down. It was rust-free, with clean lines, and waxed and polished.

“I should sell that,” I said, realizing that others would want this car, and then smiled, pleased that I had such a car.

The Edge of Tomorrow

My wife had her book club last night. This is important in the sequence of events. With her present, I would not have watched ‘The Edge of Tomorrow’. It stars Tom Cruise.

She does not like Tom Cruise.

Tom Cruise is, meh, to me. His acting doesn’t wow me but that means I set my expectations low. When they’re exceeded, I’m pleased. Most of his roles don’t require deep emotions. They’re generally action oriented. He’s required to show bewilderment, determination, and fearless resolve. He handles that fine.

I wanted to see ‘The Edge of Tomorrow’ because it’s a science-fiction film. Besides black humor, British humor, and drama, I enjoy science-fiction the best. It’s great if all of it can be combined in one film. I acknowledge, too, that I’m being redundant, calling out black humor and British humor as though they’re different. Well, they are; some British humor is silly humor.

I never read the original novel the movie was based on (‘All You Need is Kill’). I knew, from exposure, the general premise that Tom, as Major Cage, was trapped into repeating the same day again and again, and it was during a war with alien invaders. I winced when I saw his name was Cage and he was essentially caged by events, but that’s a personal problem for me. I knew, too, that he becomes a better soldier and saves the world through his groundhog day military life. I didn’t know the details.

I won’t share any more, though, so as not to give away further plot. I enjoyed the movie more than anticipated. It had fewer holes that I expected, and I didn’t find myself re-casting it. I particularly enjoyed Tom’s betrayal of Cage in the movie’s opening twenty minutes, as his paradigms are shifted for him.

Anyway, fun film, not too gritty or gory, not really violent as it’s all CGI. It’s worthwhile watching with a glass of wine when your spouse is out.

Today’s Theme Music

“This is a song Charles Manson stole from the Beatles. We’re stealing it back.”

I was thirteen in 1969. The Tate-LaBianca murders exploded over the news. I remember newspaper headlines, photographs and television news coverage of the Manson Family actions and the subsequent investigations as clearly as I remember the assassinations of RFK, JFK and MLK, the Watts riots, or the Apollo moon landing. Helter Skelter became the symbol of the murders because the words were written in blood at the scene. The murders became books and movies under the name ‘Helter Skelter’.  It wasn’t an accident. Charles Manson believed and taught the Beatles’ ‘White Album’, including ‘Helter Kelter’, contained coded messages for him and his followers.

If you can escape the murderous connection, the lyrics are good to sing as you’re walking around:

When I get to the bottom I go back to the top of the slide
And I stop and I turn and I go for a ride
And I get to the bottom and I see you again

The song, written by Paul McCartney, would never be heard the same for many of us. Here is U2, trying to change it back for us in 1988.

 

 

 

 

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